2013最新电影百度影音

"The film takes place during the German occupation of Denmark in a provincial town in the summer of 1943. Kirsten falls in love with a German soldier from the occupying authorities. She slowly becomes entangled by her own feelings and. when it dawns on her that he German is the "enemy" and her love "wrong" it is too late. She chooses love..... and pays the price. 弗朗(lǎng )哥统治时(🛑)期(qī(📞) )的西班(😏)牙马(📃)(mǎ )德里，女童安(📡)(ān )娜（Ana Torrent 饰）(🌚)与(yǔ(🔳) )两个姐妹在(zà(🌰)i )军官父亲安(🕒)赛(sà(👉)i )莫死后被过(guò )继(jì )给(📳)姨妈(🚖)抚(fǔ )养，安塞莫在(zài )世时风(🤨)流成(🤛)(chéng )性(xìng )，母亲玛莉亚（Geraldine Chaplin 饰）(👾)为(wé(🔡)i )他放弃(🎦)事业(🛒)(yè )最(zuì )后落得(🏵)在寂(jì )寞压(🏦)抑的(🖥)生(shēng )活中痛苦(🔖)不(bú )堪，早早(🐍)去世(shì )。关于母亲(qīn )的记忆(🛳)不时(🔱)(shí )浮现在安娜脑(nǎo )海，这些(📆)记(jì(🔍) )忆混同(✴)她对(🕤)(duì )死亡的臆想(🧡)慢(màn )慢影响(✝)了现(😑)(xiàn )实生活。姐(jiě(🌡) )妹三人在姨(👸)妈(mā(🦀) )的看顾下并(bìng )不安分(😱)，姨(yí(🤽) )妈正陷入一场(chǎng )同安赛莫(👖)已(yǐ(💲) )婚(hūn )战友的恋(liàn )情，安娜的(🍏)举(jǔ(💥) )止让她(🦂)愈发(👽)(fā )感(gǎn )到威胁(🕌)。安娜试图用(🚞)一(yī(💛) )瓶所谓毒药(yà(🍶)o )帮(bāng )助生活(💵)不能(néng )自理的祖母(mǔ )自杀(🥣)，而那(🦅)(nà )瓶物事不过只(zhī )是苏打(👰)，祖(zǔ(🚴) )母拒绝(🔃)服毒(💴)(dú )，安娜又将目(⏳)(mù )标对向了(🐼)姨(yí(🔋) )妈…… 华玲(lí(🏙)ng )玲（甄珍）(🐈)因(yī(🆓)n )母亲早逝，和父亲（金(😳)(jīn )石(🚢)）及两个妹(mèi )妹四人相依(🗜)(yī )为(📖)命。玲玲(líng )不满父亲和公(gō(🕛)ng )司的(💪)秘书?崔(🏀)(cuī )郁(🐭)(yù )珊（宋冈(gā(🥇)ng )陵）交往，愤(🦊)(fèn )而(🚃)带着妹妹(mèi )离(🤨)(lí )家出走，借(🏕)住在男友?方(fāng )子威（秦祥(🔌)(xiáng )林(🎷)(lín )）的朋友?孟(mèng )游正（叶(📝)明(mí(⛸)ng )德）的(📯)别墅(🚸)(shù )。崔秘书因不(🔗)(bú )想破坏他(🚑)们(men )父(📮)女感情，向华父(🏁)提出辞(cí )呈(Ⓜ)。 玲玲(😊)为(wéi )了自食其(🥌)力(lì )，找(🔷)了一(🚌)份秘(mì )书的工作，但公司老(🤕)板(bǎ(🎷)n )和父亲有生意(yì )往来，玲玲(🥂)(líng )因(🔓)而辞职(🤔)。好不(🔆)容易知道(dào )她(👗)们姐妹住(zhù(🐹) )处(chù(🕍) )，玲玲的(de )舅舅劝(🈶)说玲玲(líng )回(🔮)家不成，华(huá )父只好拜托子(🐀)威帮(🍹)忙，但玲玲拒绝(jué )，反要子威(🤑)帮(bā(🐋)ng )忙找新(🙇)工作(zuò )。子威介绍(shà(🤺)o )玲玲担任高(💖)中(zhō(💄)ng )老师外孙女(nǚ(🌐) )?小萍的家教(🗃)(jiāo )，万(🍜)万没想到(dào )小(🏛)萍的母(🌘)亲(qī(🌿)n )正是崔秘书(shū )，玲玲对郁珊(🎙)(shān )冷(🎻)嘲热讽，郁珊泣诉自(zì )己的(🐦)过去(⏪)，并(bìng )希(🔤)望玲(🍌)玲能(néng )体谅自(😶)己的(de )苦衷。子(💉)威和(🎏)(hé )玲玲为此大(🚅)(dà )吵(chǎo )一架(🌲)，子(zǐ )威愤而离去。崔秘书收(🏕)拾(shí(🏆) )好(hǎo )行李准备带小萍离开(🍧)，玲玲(👹)不忍小(🎋)(xiǎo )萍失去父爱，赶紧(🛁)将他们(men )留下(🕤)，一同(💸)(tóng )生活。 为了化(🕶)(huà )解误会，子(🏞)(zǐ )威(😠)故意谎称(chēng )要(🔞)跳海自(🚚)杀，玲(😲)玲紧张地(dì )赶到海边，误会(✒)冰释(📺)，两(liǎng )人也合好如(rú )初。 The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. 导演(😪)亲(qī(🖖)n )自扮演(🛋)一位(🐄)电(diàn )影导演，他(🌧)(tā )辛苦工作(📫)收(shō(🖨)u )入菲薄，而且(qiě(🚇) )还无法满足(🚈)(zú )自(zì )己的妻子(zǐ )。影片中(🛅)夫妻(🦀)(qī )俩在打架、交(jiāo )谈、修(🌟)补关(✂)系，再谈话(huà )、接着打架(jià(🍌) )。 "In a town in southern Sweden, Sven Klang decides to enliven his dance combo with a new sax player, Lasse from Stockholm. At first all goes well; but bit by bit Lasse brings into question all the rigid values, musical and social, by which the faintly supercilious Sven has set his life's course. Gunnel, the vocalist, falls for the newcomer's charms and finds herself pregnant when Lasse and Sven eventually part in high dudgeon. The daily round continues. Eventually Lasse pops up again, and disappoints all save Sven by turning tail in the face of Gunnel's love and his sense of guilt at having fathered her child....The appeal of Sven Klang's Combo lies in its utter lack of pretension, in its small town atmosphere and its vivid characterisation. One imagines that the actors were able to improvise their lines and contribute personal touches that fleshed out their roles. Their autobiographies become fiction; but fiction, as so often, also becomes truth. This film recognises that big emotions stem from small incidents and that one is forever a prisoner of one's generation." (Peter Cowie, 1978 International Film Guide) 本片出自德(💔)(dé )国(😯)新浪潮电(diàn )影(🎈)代表人物(wù(🔗) )之一(💍)，《铁皮(pí )鼓》导演(💌)沃(wò )尔克·(🤬)施隆(lóng )多夫之手，是(shì )一部(🔡)向法(👤)国(guó )著名导演让(ràng )·梅尔(📐)维尔(❇)致(zhì )敬(🦎)的经(🥓)典作(zuò )品。影片(🖕)描(miáo )写第一(💵)次世(🏛)界(jiè )大战期间(😇)，高贵的索菲(🈵)(fēi )女伯爵爱上了(le )一位普通(🙇)士(shì(🎂) )兵(bīng )，但动荡的时代，因为(wé(🍥)i )这段(⛹)恋情却(què )给(gěi )两人带来了(🤰)可怕的灾难(🤴)(nán )，影(📗)片悲伤(shāng )而凄(🔌)凉，是导(dǎo )演(🚊)沃尔(🕞)克·施隆多夫(🦓)除(chú )《铁皮鼓(🐧)》以(yǐ )外，最被人(rén )认同的大(👈)师(shī(🤴) )作品……