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Country-Western Wildcats! Marsha Jordan – the first real star of Sexploitation – is Sweet Georgia, the sex-crazed nympho wife of rancher Big T. Unfortunately, because Big T is an ugly, abusive drunk, Georgia looks for her lovin’(🧢) elsewhere – starting with Cal, the stud ranchhand, then moving on to Virginia, Big T’s daughter, who spends her days riding her horsey in the nude. Of course, since Georgia’s only Virgina’s stepmom, the two think a little down-home girl-girl action is perfectly fine, especially around a romantic campfire. But when Georgia makes it with dumb ol’ Leroy, everything gets violent. Yup, just when you think you’ve got this film figured out, an accidental death somehow escalates into one grisly murder after another. Plus: See what happens when a country singer meets a Country Hooker as Dave and his pal Billy B get detoured from a gig at a country-western bar by sexy hitchhikers Jen and Su (played by cinema sex kittens Sandy Dempsey and the legendary Rene Bond). The girls, however, are actually in the employ of sleazy Mike, The Singing Pimp, who wants the boys waylaid so he can continu polluting the bar with his prostitution racket and rotten music. But when Jen and Su end up falling for the two dumb lugs, Mike adds “strangler” to his already unsavory resume’…. So saddle up and ride with these two Drive-In classicks direct from the vaults of producer Harry Novak (Country Cuzzins) featuring plenty of sex, violence, and godawful singing! Country-Western Wildcats! Marsha Jordan –(😓) the first real star of Sexploitation – is Sweet Georgia, the sex-crazed nympho wife of rancher Big T. Unfortunately, because Big T is an ugly, abusive drunk, Georgia looks for her lovin’ elsewhere –(👸) starting with Cal, the stud ranchhand, then moving on to Virginia, Big T’s daughter, who spends her days riding her horsey in the nude. Of course, since Georgia’s only Virgina’(🖋)s stepmom, the two think a little down-home girl-girl action is perfectly fine, especially around a romantic campfire. But when Georgia makes it with dumb ol’ Leroy, everything gets violent. Yup, just when you think you’(💬)ve got this film figured out, an accidental death somehow escalates into one grisly murder after another. Plus: See what happens when a country singer meets a Country Hooker as Dave and his pal Billy B get detoured from a gig at a country-western bar by sexy hitchhikers Jen and Su (played by cinema sex kittens Sandy Dempsey and the legendary Rene Bond). The girls, however, are actually in the employ of sleazy Mike, The Singing Pimp, who wants the boys waylaid so he can continu polluting the bar with his prostitution racket and rotten music. But when Jen and Su end up falling for the two dumb lugs, Mike adds “strangler” to his already unsavory resume’…. So saddle up and ride with these two Drive-In classicks direct from the vaults of producer Harry Novak (Country Cuzzins) featuring plenty of sex, violence, and godawful singing! Reform schools are a way of protecting society by ridding it of lawless juvenile delinquents. But who's protecting the juvenile delinquents from corrupt reform schools? Rica (Rika Aoki) could be considered a bit of an expert on reform schools, having spent most of her early life in and out of them. When Rica is dragged back once again, she gets a severe beating and is finally sent off to a mental hospital with the intention of selling her and her pals into a slave trade. A trader takes Rica's friend Jun to a mountain cottage where she's pegged for the lead in his clandestine porno film operation. Once again, it's up to tough-as-nails Rica to bust up this corrupt racket once and for all! 杉(shān )虎之(zhī )助は御(yù )家(😓)人(rén )の(👸)総領として生まれたが、十四歳(🎎)(suì )の時(😾)に家出(🏉)、池本茂兵衛に捨われ、無(🤬)(wú )外(🎲)流に似(👠)た実戦的な剣(jiàn )術使いとな(🏳)った(🌾)。八年(niá(☔)n )後、江(🔻)戸に戻った虎(✖)之助は(👮)屈強の(🚰)勤番(♌)(fān )侍に(⌚)からまれている叔(shū(🌙) )父の旗(🕖)本・(👟)山口(kǒ(🏣)u )金五郎(láng )を偶(ǒu )然救(📳)ってや(🅿)る。その(📎)時(shí(🚟) )の、侍数人(rén )を川の中に叩(🔃)き込ん(🏎)だ虎之(zhī )助の早(zǎo )業に、幼年時(📍)代(dài )、(🎰)虎之助(🤽)の親代りだった金五郎は目(🗝)を見(🌩)張った(🦏)。またもう一(yī )人虎之助の働(🥫)きに(💇)瞠目(mù(🌪) )した青(🥛)年武(wǔ )士がい(♓)た。門弟(📬)千余人(🕋)をか(🤤)かえる(🥇)江戸屈指の心形(xíng )刀(🤔)流伊庭(🐟)道(dà(🙃)o )場の後(🚀)継ぎ、伊(yī )庭八郎(lá(💧)ng )である(🔘)。時(shí )に(🌽)、国(🍀)中は勤王(wáng )、佐幕の抗(kàng )争(🏇)が続き(📎)、京(👌)都では近(jìn )藤勇、沖田(tián )総(🏔)司(sī )ら(😪)新選(xuǎ(✳)n )組が池田屋(wū )騒動(dòng )で勤王(🐢)の志(⛩)(zhì )士を(🗞)大量殺(shā )戮した頃である。虎(🈴)之助(🚱)の腕を(🤶)見込ん(👵)だ八郎は、自(🐛)分の友(😆)人(rén )が(🙍)隊長(🥟)をして(🏹)いる洛中(zhōng )見廻り組(🍉)に力を(⛸)借し(😫)てくれ(🎢)、と熱心に口説いた(😳)。その夜(💬)、虎(hǔ(🥥) )之助(🍇)(zhù )は恩師(shī )茂兵(bīng )衛の使(shǐ(💀) )いの僧(🥋)から(💖)、礼(lǐ )子という女(nǚ )を連れ(😛)て京(jī(💚)ng )都に来(🈸)いとの伝言を受(shòu )けた。品川(🏧)(chuān )宿(🥩)で会っ(🆗)た礼子(zǐ )は男装の美(měi )女だ(😯)った(🔖)。道中、(🥌)箱根で(💮)二人は薩摩藩(🔴)々士に(🚾)襲われ(🎼)るが(🐡)、虎(hǔ(🐝) )之助は全員(yuán )斬り伏(📊)せる。以(🍕)来、(💮)若(ruò )い(😀)二人の間に愛情が芽(🍃)生えた(🦀)。京の町(🚀)(dīng )は(⏰)騒然としていた。その中(zhōng )で(🌵)虎之(zhī(🍏) )助の(💛)目を惹(rě )く使(shǐ )い手がいた(🆚)。薩摩の(🐤)中(zhōng )村(🌐)半次郎である。その攻撃一途(🎀)の示(🐠)現(xiàn )流(🌇)も迫(pò )力があったが、半次(🧓)郎の(😴)情(qíng )婦(🕦)の法秀(🔆)尼(ní )という尼(🦗)僧は、(🅿)虎之助(🈂)が江(🍵)戸にい(🍢)る時(shí )、やくざの手(📱)から救(♒)った(💗)お秀だ(🕠)ったのだ。数(shù )日後、(🤖)虎之助(💙)は乞食(🐰)に身(🆒)をやつした茂(mào )兵衛と再会(🐴)(huì )した(🎂)。茂兵(🚿)(bīng )衛は、自分(fèn )は幕(mù )府の(🐎)密(mì )偵(🍸)で薩摩(🏪)藩を探(tàn )索する身であるこ(✴)とを(🍡)明かし(🛬)、「お前だけは今の時の流(🛏)(liú )れ(🧠)に巻き(🍊)込(rù )ま(🐺)れず、次の世(👶)(shì )の中(🛑)を見つ(💳)めて(🎚)くれ」(🐐)と諭すのだった。礼子(👀)も親(qī(🍫)n )の代(❔)からの(😲)公儀隠密で、女なが(🍑)らに幕(💀)府の為(📻)(wéi )に(🐄)身を挺してきた礼子の話を(🤯)聞き、(🥐)虎(hǔ(🎚) )之助の血は騒いだ。やがて、(💑)上洛(luò(🌕) )して来(🥃)た八(bā )郎にすすめられて見(♑)廻り(〰)組(zǔ )に(🚰)参加した虎之助は、副隊長(🈁)格と(♑)して勤(🛴)皇の士(🙅)を斬りまくっ(🔱)た。杉虎(⛴)の異名(💠)は京(🛷)の都に(🚺)とどろくが、心は空(🎳)虚感に(⛲)うち(🥥)ひしが(📢)られる日々だった。祇(🦑)園祭の(😫)夜、茂(🌹)兵衛(📰)(wèi )が薩摩藩士に襲われ死ん(✳)だ。仇、(🎱)東郷(🏂)(xiāng )直二を斬った虎之助に対(📅)する茂(🎯)兵(bīng )衛(🎸)のいまわの言(yán )葉は「礼子(🐢)(zǐ )と(㊙)共に江(🚲)戸(hù )へ帰れ、無(wú )駄死する(🏈)な」(😀)だった(🛏)。鳥羽(yǔ(🧤) )伏見の戦いで(🤖)、八(bā(👈) )郎、沖(📑)田総(😜)司ら幕(🌏)軍は、半(bàn )次郎らの(🐬)官軍に(😝)破れ(🈂)た。その(🤱)頃虎之助(zhù )は、師茂(🆗)兵(bīng )衛(🤵)の遺志(🛄)を守(🚳)り、礼子(zǐ )と二人で江(jiāng )戸(🦍)で愛の(🚟)日を(🌑)送っていた。京から逃れて来(😦)た沖田(⏫)(tián )総司(🏸)が胸の病で死んだ。数(shù )日後(🏵)、八(✊)郎(láng )が(📂)虎之助を訪れ、上野(yě )の彰(🍀)義隊(🚧)に加わ(🏤)り幕臣(🤛)(chén )として最後(🚠)(hòu )の一(💜)(yī )戦を(✖)交(jiā(💥)o )えよう(⚡)、と誘った。虎之助(zhù(📥) )は断っ(📩)たが(🈴)、それ(😎)は上野で斬り死にす(🌡)るより(🦗)辛いこ(🎞)とだ(📊)った。上野の戦(zhàn )いは幕臣側(⛅)(cè )の惨(📓)敗に(😵)終(zhōng )った。虎之助と、八郎の(🍊)義妹で(🦂)八郎と(🌲)は相思相愛(ài )のつやが、上(🌺)野の(😆)山に八(🌍)郎(láng )を求めて彷(páng )徨うが生(🕋)死(sǐ(🎷) )不明だ(🚩)った。数(🔫)日後、彰義隊(🤱)の残(cá(🅿)n )党狩り(🈺)でご(🌊)った返(⏸)す町(dīng )中で、虎之(zhī(😂) )助は片(🍥)腕を(✌)失った(💴)八郎を発(fā )見した。八(🐼)郎は虎(💤)之助に(🦇)、柳(📷)生新陰流(liú )--本心流を受(shòu )け(👝)継ぐ、(🖥)心(xī(💣)n )形刀流の奥(ào )儀である二(è(🎻)r )十四の(🚰)組太刀(🥑)を伝えた後、再起をはかる(😶)のだ(🎉)、と函(👯)館へ去った。そんなある日、(😓)残(cá(🥗)n )党狩(shò(🚉)u )りを続(🐁)ける薩摩藩士(🐨)村(cūn )田(🏹)以喜蔵(✨)が、(💳)虎之助(✂)の留守を襲い礼子(zǐ(😕) )を惨殺(🐛)(shā )し(🚝)た。怒り(🥄)狂った虎之助は、官(🌹)軍の一(🛌)(yī )隊を(🈯)襲い(🏚)、以喜蔵を斬った。明治六年(🍕)(nián )。虎之(🐵)助の(🌉)ところへ桐(tóng )野利秋と名(mí(🍗)ng )を替え(🚌)陸軍(jun1 )少(🔀)将となった半次郎が、遊び(🛬)に来(📧)るよう(🐏)になった。全てが恩(ēn )讐の彼(🐯)方に(🎹)流れ、(🐊)二人(ré(🏊)n )の間(jiān )に友情(💺)が復(fù(🏾) )活した(🔆)かの(🥇)ように(💑)見えたが、茂兵(bīng )衛(⚪)殺害の(🛤)真(zhē(👣)n )犯人(ré(🙄)n )が実は半次(cì )郎であ(🔯)った、(🌃)と知っ(🥘)た虎(🆖)之助は、西南戦争勃発で、(🐎)鹿児島(🕰)にい(🐲)る西郷隆(lóng )盛に従った半次(🕠)郎を追(😙)(zhuī )って(⛳)、鹿児(ér )島へ向かった。殺気(🌋)をは(🈯)らんで(😅)二人は対決したが、西郷の(🥣)仲(zhò(🍄)ng )裁と、(💚)互いの(♉)憎悪が自(zì )然(⬆)に消え(🚎)ていたこと(🏠)もあっ(😴)て、どちらからとも(🍾)なく刀(📩)を捨(🔛)てた。西(🤬)南戦(zhàn )争は終った。東(🦋)(dōng )京の(📞)とある橋の(🏉)上で、流れる川を眺める虎(💻)之助の(🤪)耳に(🌀)号外の鈴の音--号外(wài )には西(⛷)郷が自(🎁)刃、半次(cì )郎戦死、との記があった。 A widow invites a number of guests to stay at her mansion. She reveals that she knows that one of the group killed her husband. Soon they too are being murdered one by one. 哈(🥊)利是一(🥛)个作家和一个女人结婚,她(tā(🗼) )的丈(📼)夫知道(✍)(dào )她是不忠。由于他的(☝)工(gōng )作(🤗)原(yuán )因,哈利(🛐)(lì )产生(💶)(shēng )幻想和现实(shí )之间(⬆)，他怀(huá(💹)i )疑这(🍾)件事是(🐶)(shì )真实还是他(tā )的幻(🍔)想呢？(⚓)百度(dù )搜索(🕧)墓(mù )地影(yǐng )视 Salvatore "Toto" Cangemi(Antonio Sabato) is a sicilian who has made it big in Milan as a crime boss, his area being prostitution. He is approached by a French crime boss know as "Le Capitaine" he wants to go into business with Toto using his hookers to sell his drugs, only problem is the French aren't giving Toto much of an option. He decides against it and this leads to a big gang war, with tit for tat killings and Toto's hooker being beaten and kidnapped. Toto's second in command Lino Carruzzi, proposes getting his American crime boss uncle "Billy Barone" involved, Toto has little option but to agree in order to save his business. Highly un pc film, that denigrates women all over the place, promotes racial stereotypes and its also homophobic, despite this its an entertaining ride, there's even time for Toto to have some liaisons with the mysterious Jasmine (….but underused Marisa Mell). The violence is as you'd expect with Lenzi quite violent with breast slashings galore and even some genital electrocution…nice! Carlo Rustichelli's jazzy score is nice but a little overused. 羅馬(mǎ )、(🔭)張揚合(🔳)導(dǎ(🤑)o )的《阿牛入(rù )城記》以阿牛（野(👵)峰）這(💐)個大鄉里來到(dào )香港，目睹(dǔ )香港低下層(🎢)(céng )社會(⏫)的光怪(guài )陸離，有悲(bēi )有喜，有(🔉)血有(🔮)淚。阿牛(🏣)生性戇直常常被(bèi )人(🧢)利用，周(🈳)(zhōu )大叔（王(🦄)沙(shā )）(💠)帶他做賭(dǔ )檔「睇水(🏸)」，他(tā(🍟) )以為(🍏)是看著(😸)(zhe )一桶水，大(dà )出洋相。阿(😃)(ā )牛做(🐠)過很多(duō )工(🔺)作，不時(shí )被壞(huài )份子利(lì )用(📘)如(rú )幫(👴)人「(📦)捉黃(huáng )雞」勒索、到城寨做(🌪)「阿牛(👳)艷舞」等，但阿牛的天真純樸仍得(dé )到阿(🎍)花的喜(🚍)(xǐ )愛，反映傳(chuán )統社會的善(shà(🐜)n )良信(⛔)念：天(🏃)(tiān )無絕人之路。後來，阿(🎩)牛到碼(📣)頭做苦力(lì(🔴) )，工人罷(🛶)工(gōng )，他繼績工(gōng )作，竟(🕶)然被(bè(🍹)i )打，阿(📉)牛自(zì(🥧) )衛釀(niàng )成大騷動，被拉(🚈)入獄。結(♋)局無疑令(lì(⌚)ng )人悲哀，卻(què )反映編導的(de )聰明(❔)(míng )之處(🗾)，留下(🥐)(xià )尾巴，讓關(guān )心阿牛命運(yù(📰)n )的觀眾(💋)期待(dài )下集《阿牛出獄記》登場。 影片描述日(🤾)(rì )本占(👩)领韩国(guó )时期，身怀(huái )绝技的(🔆)抗日(🙍)(rì )志士(🎂)李峻九(jiǔ )率领一群武(🍵)功高强(🥧)的徒众进行(🔀)复国运(🥖)动(dòng )。茅瑛是韩(hán )国长(⛴)大的中(😙)(zhōng )国(🚑)女子，和(✂)(hé )师兄(xiōng )黄仁植(zhí )也(🏐)加(jiā )入(🚑)其中 A sleazy pimp meets a suicidal ex-priest and dares him to indulge all of his most base carnal desires for a week before killing himself. The former padre says "what the Hell?" and the two of them embark on a sex and crime spree across an unsuspecting Toronto. An ultra-obscure exploitation rarity directed by Ed Hunt, with a theme song by Bo Diddley!