Teresa Numa in Nardecchia, an orphan of a mother and daughter of a peasant and heartless Lazio peasant, then a war widow and a mother constantly looking for new jobs, she is often forced to steal in order to live.
故事(shì )围绕着(zhe )一幢破(pò )旧的旧(jiù )式大(dà )院(yuàn )展开，着力描画(🖼)了(🏉)租(🎩)住(🍚)在(🐑)此(⏪)的(🔩)七(😓)十(🤲)(shí(🍤) )二家房(fáng )客的众(zhòng )生(😐)相(💂)。众房客(kè )在包(bāo )租(zū )婆八姑（胡锦 饰）的欺压下，终日(rì )不得安(ān )生。八(bā )姑风骚(sāo )刁泼，待人刻(kè )薄(🍧)。而(📽)她(😽)的(🤨)养(♈)女(😥)阿(🥂)香(😣)（(⚽)井(⬜)莉(👢) 饰）却乐于助(zhù )人。终(😉)(zhō(💙)ng )于，八(bā )姑的苛(kē )刻规定(dìng )“房客每天只能用两桶水”成为了导火索(suǒ )，做洗(xǐ )熨的上(shàng )海婆（沈殿霞(⬜)(xiá(🍵) ) 饰(⌚)）(👄)带(🕝)(dà(🚛)i )头(✂)抗(♐)议(⌚)，得(🏄)到(🕢)房客们的合力支持。加(⏫)上(🧀)发(fā )仔（岳(yuè )华 饰）、阿福(fú )（何(hé )守(shǒu )信 饰）等人的附和，一段段斗智斗(dòu )勇的小(xiǎo )故事连(lián )番(💠)上(🎳)演(🐭)(yǎ(🎠)n )。
具(📼)争(💿)(zhē(🌏)ng )议(🎰)性(🔠)和(🌺)(hé )开创性的喜剧演员伦(💒)尼布鲁斯的传(chuán )记电影(yǐng )，全片(piàn )追溯伦(lún )尼布鲁(lǔ )斯反政(zhèng )府的政治观点。全片以倒叙的手法，分别(💎)(bié(🌰) )从(🎎)母(🛀)亲(🏄)(qī(⭕)n )、(🕟)妻(😖)子(👱)(zǐ(📎) )和(🌊)经纪(jì )人的角(jiǎo )度出(😌)发(📱)(fā )讲叙了喜剧演员伦尼布鲁斯的一生(shēng )。
Archana, an educated daughter of retired principal loves Professor Sukhesh. This love born out of intellectual impact is supported by the fond hopes of her father that leads to matrimonial alliance. Archana's mother is of a different class with materialistic notions of life and she too unwillingly gives her consent to the marriage. Seeds of marital love have not yet flowered into sweet joys of wedlock when whims and ego's of Archana and Sukhesh start clashing. Though a dutiful loving wife of a sweet husband, Archana is very much the daughter of her mother, who with all good intentions intervenes in the day to day life of the couple. Understanding leads to misunderstandings and the lovers start misinterpreting each other's sentiments. This ultimately leads to break in marriage - hence the ultimate- eventual separation. Kora Kagaz answers the struggle of intellectual lovers who find it difficult to enjoy marital bliss. The film is a lesson in both love and marriage.
Farcical sex-comedy based on the long-running West End play by Ray Cooney about a womanising furrier trying to provide his mistress with a cheap mink coat. There are half-naked women aplenty, underwear everywhere, tricky situations and doubles entendres galore in this very stagy bedroom farce.
"I Wish You Love" offers a time capsule of Miss Dietrich's legendary stage act. The television special was taped in London over two days and later edited to a one-hour concert version. Dietrich wasn't pleased with the final result, saying that it "ain't as good," not on a par with her usual exellence. Still, if this late Dietrich concert doesn't show the diva at her most brilliant, it is still fascinating to watch her cast her spell over an audience and the artful way in which she manoevures their every emotion with her choreographed moves and song. She sings some of her old movie songs, war ballads and love songs. Highlights include her rendition of "Where have all the flowers gone." Written by Wolfie