导演屠忠(zhō(🚙)ng )训在筹拍(⛏)《某年某(mǒu )月的某(💄)一天(tiān )》期(❄)间(jiān )不幸遭遇车(😴)(chē )祸身亡(🧗)，张(zhā(🗝)ng )艾嘉毛(máo )遂(🚛)自荐，续(xù(🥙) )拍影(🕯)片，并改名为(wéi )《旧梦不(🎏)须(xū(🗂) )记》。
Yeong-cheol, at only 13, is the head of his family and takes care of his mentally incompacitated father and 2 younger brothers. The neighbors take pity on the family and arrange for a young woman to marry Yeong-cheol's father so the children can have a legal guardian.
德国电视台(tá(💕)i )WDR根据著名(🏷)的(de )中世纪(jì )骑士(👺)长篇小(xiǎ(🌝)o )说《帕西法尔》（Parzival）(🆒)改编的影(👼)(yǐng )片，改(gǎi )编大胆(🔡)，造(zào )型和(🐟)风格怪异。
1. Siberian Khatru
“Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’(📛) of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘(✅)My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.
商业巨贾洪(hó(🕔)ng )天踪，年届(🎤)(jiè )六旬，有子四名(🚪)，他希望在(🤳)有生之年(nián )，能目(🙄)睹儿(ér )子(🏟)继承(chéng )父业，特籍(🔼)(jí )家宴向(😓)各界(🎦)(jiè )宣布。今后(🗯)洪家业(yè(💉) )务交(👋)由长子洪英全(quán )权章(🦄)理。洪(📋)(hóng )老为使(shǐ )洪家(🏽)产业(🛋)巩(gǒ(🍁)ng )固世袭，特(tè )在祖(🐥)先(xiān )坛前(🕟)，定下(xià )“家法”，务使(🍈)兄(xiōng )弟四(🛶)人能在(zài )长子洪(💯)(hóng )英掌理(🍎)之下(xià )，同心协力(✈)，共策(cè )共(📀)谋，达至(zhì )威名远(🤥)(yuǎn )扬。洪老(😩)大(dà )寿筵席间，突(⛹)来一(yī )名(🍵)不速之客(kè )顾雄(➰)武，是夜前(🛬)来(lái )有意把前年(🚧)(nián )的恩怨(🔨)(yuàn )旧(🔫)事重提，故作(🀄)多方挑(tiā(⛹)o )惹，幸(😒)(xìng )得长子英明(míng )，击破(🕔)诡计(🚣)，使顾(gù )老悻悻而(🔲)离(lí(🔧) )……(🎍)
那(nà )是一个战火(🗣)(huǒ )纷飞的(🌞)年代(dài )，桐柏(bǎi )山(🏛)区一户穷(🚺)(qióng )苦人家为生计(🚄)卖掉(diào )了(🛸)亲生女儿(ér )小花(🥙)，之后又收(🚡)养(yǎng )了一个转移(💄)红军留(liú(🔑) )下的女婴，他们给(😅)(gěi )这个女(📓)婴取(qǔ )名也叫小(🎸)花(huā )。十几(🔝)(jǐ )年后，小花(huā )（(📄)陈冲 饰）(📨)的哥(🐮)哥(gē )赵永平(⬇)（唐(táng )国(🕌)强 饰(📳)(shì )）为了躲避(bì )抓丁(🥨)投奔(🕉)了(le )革命队(duì )伍，在(🔻)一次(⬛)(cì )战(🥀)斗中负伤掉队，幸(🚪)被女游击(🚕)(jī )队长何(hé )翠姑(👠)（刘晓(xiǎ(🍷)o )庆 饰）所救(jiù )，而(🙇)何(hé )翠姑(⌛)正是当(dāng )年被父(⛩)母卖掉的(🏌)另(lìng )一个小花。此(🕝)时，赵小花(🛫)在进(jìn )入桐柏山(🎡)区的解放(🏄)(fàng )军中打听哥(gē(🌵) )哥下落(luò(🥖) )时巧遇亲生(shēng )母(🏤)亲周医生(🤬)(shēng )（(🚔)白莉(lì ) 饰）(📒)，母女(nǚ )相(🛷)逢却(🚝)互不相识，后来周医生(🍉)(shēng )同(🎆)情这(zhè )个可怜的(🧦)小(xiǎ(🎖)o )姑娘(⚓)，于是(shì )收她作(zuò(🎅) )干女儿。就(🙏)(jiù )这样，十几年前(🔬)失(shī )散的(🥂)亲人在(zài )战火中(🔻)(zhōng )又一次(⛔)重逢(féng )，他们为实(🎅)现共同(tó(😉)ng )的理想又聚(jù )到(🏑)一起，谱写(🍑)了一(yī )曲壮烈的(🛃)英(yīng )雄之(👖)歌(gē )。