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Beautiful Mary returns to her small hometown after many years from Chicago wearing a mink coat and carrying an expensive cigarette case. Her arrival causes long standing enmities to surface between two of her old boyfriends, Kenny Veech, a loafing gambler, and debonair Lew Lentz, owner of a local nightclub. Their deep-seated animosity repeatedly results in antagonism and fights as they compete for Mary's affections. Kenny's friend Gitlo, a bartender in Lentz' club, enlists Kenny in an aborted plan to rob Lentz of $15,000 in profits from sponsoring a local carnival. Lentz retaliates by framing both men for murder. 一(yī )部关于(📆)婚姻，第(🙈)三者，夫(🥟)妻间的爱情是否(🚻)经得起(🔒)考验，夫(🈷)妻间(jiān )的信任(rèn )是否可(♏)(kě )以让(🌽)已(yǐ )经破裂(liè )的婚姻(yī(🍸)n )峰回路(🥣)(lù )转。 Monty Crandall is a commercial artist who ridicules a dowager with a caricature of her on a magazine cover and she sues him. His troubles are multiplied when a pretty wife forces her attentions on him, and her gun-toting husband is somewhat incensed about it, blaming Monty. He fakes his death and returns as a ghost to frighten off the trouble-makers, but it is only when he enlists the aid of a real ghost, Eric, that his problems are solved. Bang Han-whan (Nam Hong-il), who comes from a fishing village, goes to Seoul, Korea with great ambition to be successful. But he wastes his time and money on a geisha, San-hong (Han Eun-jin). One day he receives a telegram that his father is severely ill, goes back to his hometown, regrets what he has done in Seoul, and returns to the life as a sincere fisherman. One day San-hong visits him and he honestly tells her what he has on his mind. She listens to him wholeheartedly, goes back to Seoul and becomes a factory worker. When Hong-il's fishing farm faces financial difficulties, San-hong finds out about it, and sends him the money she had earned up until then. The door of happiness opens for them. The film is best known today for Scorsese’(⛱)s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures 电(diàn )影名(🗝)称(chēng )：(📭) 百子(zǐ(🕓) )千孙 (Hundreds of children and thousands of grandchildren) One of the most expensive French films of the immediate postwar years, L'Affaire du Collier de la Reine is primarily a vehicle for the formidable Vivian Romance. The star plays an aristocrat in the court of Louis XVI, who helps engineer a scheme to divest the Queen of her royal necklace. On the verge of success, the "heroine" is found out, and forced to submit to whipping and torture. Specter of the Rose (1946) is a film written and directed by Ben Hecht, starring Judith Anderson, Ivan Kirov, Viola Essen, Michael Chekhov, and Lionel Stander and with choreography by Tamara Geva.