本片(piàn )以法国中(😛)产(chǎn )阶级为背景(📫)讲述(shù )了政治(zhì )暴力(🚺)和恐怖(bù )，讥讽了(✒)政府的(de )伪善和(hé(📆) )无能。纳达(dá )是一(🍃)个法国的小型恐(🚡)怖(bù )主义组(zǔ )织(🚇)，成员都(dōu )是无政(📆)府主义者(zhě )，他们(🐆)(men )计划将美国(guó )大使从妓院绑架(jià )到巴(🎫)黎(lí )并将他囚禁(🛸)(jìn )起来，以便换取(📸)(qǔ )赎金。然而法国(⬅)政(zhèng )府并不关心(🏬)被绑(bǎng )架人..
Seven men break into a home to fight over who is going to take the inheritance of the old man who was killed there.
女(nǚ(🚖) )子高校生のＳＥ(🥏)Ｘと暴力を描きながら“番格(gé )”にスポ(💔)ットをあてたセ(👒)ミ・ドキュメン(⏺)タリー。脚本は「(🐯)不良(liáng )少女(nǚ ) (❌)野良猫の性春」(👇)の宮(gōng )下教雄(xió(🐺)ng )、監督は「セッ(💌)クス・ライダー 傷だらけの欲情」(📫)の蔵原惟(wéi )二、(😩)撮(cuō )影は「(秘)極(🍕)(jí )楽紅弁天」の(👍)森(sēn )勝がそれぞ(🍝)れ担当(dāng )。
一群生(📄)活在费(fèi )罗纳修(📺)(xiū )道院的修女(nǚ )们，在老院长升(shēng )天后(🎩)，权利的诱惑(huò )，姐(💣)妹们对院长(zhǎng )一(🚸)职进(jìn )行了一场(😑)勾(gōu )心斗角、明(🔘)争暗(àn )斗、互(hù(🅱) )相残杀(shā )的殊(shū(👅) )死较量，以及修女(🗃)们不(bú )甘寂寞(mò )的病(🍏)态偷情(qíng )……
Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him dead, including the crime syndicate, the cops and the brother of the African leader he killed. Shatter teams up with a kung fu expert (Ti Lung) to try to get the money that is owed to him. Various double crosses and fight scenes ensue.
東(⏰)北の城下(xià )町仙(🛅)台(tái )を舞台に、(📞)東京からの秀才(🗞)(cái )転校生(shēng )と東(🎥)北名門(mén )校の劣(👭)等生等が繰り広(😻)(guǎng )げる青春喜(xǐ )劇。原作は井上(shàng )ひさ(🚑)しの同名小説(shuì(🈚) )。脚本は『新・男(🙏)はつらいよ』の(🍵)小林俊一、監督(🛑)(dū )は脚本(běn )も執(😯)筆している『に(❕)っぽん三銃士(shì(📌) ) 博多帯しめ一本ど(🙌)っこの巻』の岡(🐸)本喜(xǐ )八、撮影(🐓)は『野獣死すべ(⛰)し 復讐(chóu )のメ(♈)カニック』の木(⚽)村大作(zuò )がそれ(😣)ぞれ担当。(キネマ(💬)旬報 全映(yìng )画作品(pǐn )データベースよ(🍗)り抜粋)
片 名 Les.Chiennes
根(🎎)据(jù )1952年剧集《The Adventures of Superman》中的(🌭)4集编辑而成(chéng )，分(☝)别(bié )是第95集"The Mysterious Cube"，第(dì(🤟) )100集"Superman's Wife"，第80集"Tin Hero"和第82集(jí(🙌) )"The Town That Wasn't"。
...I'll take this almost intolerably nasty 1972 Italian drive-in movie, which features Mark Lester (of OLIVER! fame) as a kidnap victim who gets into scrapes that, in their uncut version, would probably get this movie in Federal chickenhawk-busting trouble today. Franco Nero and Telly Savalas are the two conscienceless galoots who are the movie's anti-heroes; Savalas re-ups his giggling hillbilly cretin from THE DIRTY DOZEN, here caricatured to beyond a fare-thee-well. Savalas is the cherry on the cake of what may be the most remarkable set piece in all seventies Italian exploitation: calming a tourist family, packing them in their mobile home, then untethering the trailer and singing a gospel hymn as the terrified Germans plunge into the drink. If I'm not misremembering, there may be a little jig involved here as well.