双凤奇缘

天蝎星(xīng )》是(⚾)1973年上映的美(🐇)(měi )国(guó )惊悚(🌥)电影，由迈(mài )克(📕)尔·温(wēn )纳(💋)执导，伯特·(👖)兰卡斯特主演(🖤)。 剧(jù )情描述(🥜)，清末民(mín )初(💇)，洋人(rén )高登欲(🗂)聘一名武(wǔ(🚚) )功高强的总(😂)保镖，公开征求(🔪)(qiú )各方武(wǔ(🎗) )林高手报(bào )名比武。黄飞鸿(📡)(hóng )（谷峰 饰(🎸)）之表亲(qīn )麦(🎸)根（简(jiǎ(🏭)n )森(⚫) 饰）力图此(🚌)职(zhí )，惟恐黄(huá(⏩)ng )飞鸿与(yǔ )之(🕯)(zhī )争夺，是以(🌻)借机(jī )踢盘滋(📙)事(shì )，旨使彼(🚠)在武林(lín )中(🎀)失威。最后总(zǒ(📎)ng )保(bǎo )镖之职(👣)竟由土匪(fě(🛅)i )头子李天(tiān )道(🗂)（王侠 饰）(🧐)夺(duó )得……(🏰) 凯蒂，罗马(mǎ )的(🦓)一个摄影师(😤)，一次意外(wà(🥦)i )的目击了一名(🔛)手(shǒu )挥利刃(💔)，带黑色手(shǒu )套的年轻(qī(🕷)ng )女(🐬)杀手(shǒu )。于是(🔩)凯(kǎi )蒂和她的(🥂)未婚夫(fū(🚾) )阿(🎏)尔贝托去警(🚬)方进(jìn )行报案(😛)，发现先(xiān )前(🎓)其他目(mù )击(🥣)犯罪的(de )证人都(😅)(dōu )一(yī )一死(🎟)亡。凯蒂担(dā(🚰)n )心她会成(chéng )为(👵)下一个受害(🏐)者(zhě )。此时她(🐕)(tā )的一位(wèi )跳(🌧)(tiào )芭蕾舞的(🅱)朋友玛(mǎ )格(🤵)达也残(cán )酷杀(🍲)害，情况难(ná(🦗)n )以捉摸。警方(🔎)也感(gǎn )到困惑(🏺)，无法找(zhǎo )到(⛽)一个切(qiē )入点。这时阿尔(🗒)(ě(🔜)r )贝托发现了(🛺)一个线(xiàn )索：(💳)所有(yǒu )被(🆔)害(🐣)的(de )都是跳舞(🏂)(wǔ )的女孩。凯蒂(🏯)进(jìn )一步调(🍰)查，发现了(le )凶(🍠)手的照(zhào )片并(🏗)提(tí )醒了阿(👒)尔(ěr )贝托。但(📚)(dàn )是凯蒂(dì )却(🔬)(què )被困在一(🎤)个偏僻(pì )的(🔛)房间里(lǐ )，疯子(🛏)凶手正步(bù(🎫) )步逼近...... A nurse is hired to take care of a mean, cantankerous woman. It turns out that the nurse and her boyfriend are after the woman's fortune. When the woman turns up dead in a bathtub full of blood the couple begin to search for the money, but they soon begin to suspect that the woman isn't really dead - or her ghost has come back to avenge her. 一(yī(✍) )年一度(dù )的(de )圣(🌡)诞节再次到(👿)来(lái )，加拿大(⏺)(dà )一幢由民宅(🈷)改建(jiàn )的校(🏡)外女子宿舍中(zhōng )，芭布（(🧥)Margot Kidder 饰(🔤)）、菲利丝(💭)（Andrea Martin 饰）、杰西(🛹)卡（Olivia Hussey 饰）(🌨)、(🎖)克莱尔（Lynne Griffin 饰(🎹)(shì )）等几名(mí(🥅)ng )青春靓(liàng )丽(🎎)的女孩(hái )正(🌂)为各自的假期(🍲)(qī )作打算。突(🛥)然，一(yī )通神(🚳)秘的(de )电话打(dǎ(🌦) )破了这欢(huā(⚽)n )乐的气氛(fē(🤳)n )。性情(qíng )莽(mǎng )撞(⛲)的芭布斥责(🗯)电(diàn )话另一(🌐)头(tóu )的男人，而(🔂)男人(rén )则留(⛩)下“将来杀(shā(👚) )死(sǐ )你们”的恐(♍)怖话(huà )语。当(🌈)晚(wǎn )，克莱尔在房间(jiān )内(📳)被(🤢)人残忍杀害(🤡)。克莱尔的死令(🏸)宿(xiǔ )舍的(🦈)姐(🌒)妹(mèi )们既伤(😍)心又恐惧(jù )，然(📻)而警方却将(📛)精(jīng )力集中(🐿)在(zài )另一名(mí(🌯)ng )13岁女孩的(de )失(🔝)踪案上，对克(🈳)(kè )莱尔之死未(🏘)给予太(tài )多(🚟)关注。在接下(🚳)(xià )来的一段(duà(💜)n )时间内，舍监(😠)麦(mài )克夫人(🔨)（Marian Waldman 饰）随即(jí(🏩) )遇害，而(ér )犯(🦅)人竟然长久(🏚)以(yǐ )来栖身在(🗳)(zài )这所房(fá(🏵)ng )子(zǐ )之中。一段隐藏(cáng )多(🚶)年(🤴)的灰(huī )暗血(👙)腥的过去随(suí(🐾) )之慢慢浮现(🧣)…… Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it. After her young son accidentally drowns, a woman has a breakdown and is finally placed in a mental hospital. After her release, her husband takes her for a weekend at a secluded country mansion, hoping to help her recover. However, things at the mansion aren't quite what they seem to be, the couple begin to feel an uneasy and oppressive presence, and the mother starts to see things that may, or may not, be hallucinations. Country-Western Wildcats! Marsha Jordan – the first real star of Sexploitation – is Sweet Georgia, the sex-crazed nympho wife of rancher Big T. Unfortunately, because Big T is an ugly, abusive drunk, Georgia looks for her lovin’(😁) elsewhere – starting with Cal, the stud ranchhand, then moving on to Virginia, Big T’s daughter, who spends her days riding her horsey in the nude. Of course, since Georgia’s only Virgina’s stepmom, the two think a little down-home girl-girl action is perfectly fine, especially around a romantic campfire. But when Georgia makes it with dumb ol’ Leroy, everything gets violent. Yup, just when you think you’(✡)ve got this film figured out, an accidental death somehow escalates into one grisly murder after another. Plus: See what happens when a country singer meets a Country Hooker as Dave and his pal Billy B get detoured from a gig at a country-western bar by sexy hitchhikers Jen and Su (played by cinema sex kittens Sandy Dempsey and the legendary Rene Bond). The girls, however, are actually in the employ of sleazy Mike, The Singing Pimp, who wants the boys waylaid so he can continu polluting the bar with his prostitution racket and rotten music. But when Jen and Su end up falling for the two dumb lugs, Mike adds “strangler” to his already unsavory resume’…. So saddle up and ride with these two Drive-In classicks direct from the vaults of producer Harry Novak (Country Cuzzins) featuring plenty of sex, violence, and godawful singing! 一个研(🦈)究能源(yuán )的(🍄)不出名的法国(🐉)物(wù )理学工(🔠)作(zuò )者克莱(😑)(lái )芒·蒂贝(bè(🍳)i )尔，1957年在维也(👲)纳(nà )出席国(😴)际热核会议(yì(🎮) )途中被苏(sū(🔅) )联一个(gè )披(〽)着交响(xiǎng )乐队(🐴)指挥(huī )外衣(🚋)的(de )克格勃分子鲍利斯(sī )绑(💝)架去苏(sū )联(🧤)。后来蒂贝尔(ěr )在克格勃(🎲)(bó(🎈) )的胁迫(pò )下(🐈)(xià )为苏联原子(🕯)能研(yán )究所(👐)工作(zuò )了10多(🕥)年。