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Born at the end of the Chosun Dynasty, Lim Geok-jeong fights against the corruption of the upper classes and develops a reputataion of being sympathetic to the plights of the peasantry 1967年8月(🥕)13号，Kuk Dong电影公司(sī )推(👝)出了一(yī(📦) )部名为(🍅)《大怪兽龙(🔴)(lóng )卡利》的(⌚)科幻电影(🌓)，主角是一(🤘)(yī )头喷(👔)火的(de )巨型(📃)恐龙(lóng )；趁着日(🚚)(rì )本怪物(🦇)电(diàn )影盛行东(dōng )风(😖)，它在(zà(✳)i )北美市场(💛)也受到了(👻)(le )关注，后(🔪)被(bèi )誉为(🍒)“韩(hán )国科幻电(diàn )影(🐑)鼻祖”。 《海(💕)盗(dào )女王》是(shì )一段(✊)关于(yú )贪婪，权(quá(👫)n )力和阴谋(😶)(móu )的历史(🍜)，在(zài )内(🔞)忧外患，残酷的(de )宗教(🧟)冲突(tū )、(😥)国库亏(kuī )空、国(🔕)防(fáng )松弛(🕳)、战(zhà(🎾)n )争一触即(🚟)(jí )发的形(🔔)势(shì )下，她(⬅)渴(kě )望安(🔴)全，深谙(🍖)金钱就(jiù(⛴) )是权力的(de )信条。她(🛁)(tā )利用自(🕘)己(jǐ )的智慧和(hé )手(📔)腕，以(yǐ(👈) )超凡的勇(🥋)(yǒng )气和魄(🍎)力(lì )，解(🐙)决财政危(➗)机的(de )天资和聪明(mí(🎨)ng )才智，取(👖)(qǔ )得忠贞可(kě )靠的(⬜)枢密(mì )院大臣的(🔖)(de )坚决支持(📧)(chí )，机智地(💐)(dì )利用(🍚)她的(de )那些才艺(yì )超(🚦)群的海上(😅)探险家们、勇敢(😢)无(wú )畏的(😣)商人(ré(🎥)n )们拓展财(🔮)(cái )源，伊丽(🕹)(lì )莎白一(㊗)世(shì )的权(⚾)力欲(yù(🍞) )和贪欲缔(😍)(dì )造了被后(hòu )人(🍓)津津乐遂(🤭)的伊丽莎(shā )白时代(🈯)，开启了(⌛)大(dà )英帝(🚋)国非(fēi )同(❎)寻常的(🌔)(de )崛起之路(🌨)(lù )。 昭和初(chū )期・大(😝)阪(bǎn )飛(💾)田新地。一匹狼(láng )の(🏋)博徒・海津銀次(🔨)郎(láng )は、(👜)弟分(fèn )で(🛅)ある花(🌲)(huā )沢を引き連れ、(🕊)この町に(🎃)やってきた。黒田(✔)一(yī )家の(📫)胴元・(🤒)桜井は賭(⛓)場で見事(🚹)(shì )な張り(🐦)っぷりを(👡)見(jiàn )せ(🛴)て稼ぐ銀(🌇)次郎の姿に惚れ(🚮)込む。対(duì(🐙) )照的に女(nǚ )郎屋錦(💫)楼の主(🦌)人・山(shā(🕜)n )波新吉は(🎃)賭場で(🛏)有(yǒu )り金(💑)そっくり奪われ、(🛺)しかも(✨)借金がかさんで錦(🍽)楼を担保に取ら(📪)れ、銀次(🚋)郎に泣き(🎽)ついて(🦃)きた。銀次郎(láng )は新(🤯)吉の女房(🛬)おときが作った(🏤)金五十(shí(🆕) )円を預(🐾)かり、寺(⛓)島一家の(👷)賭場で五(♑)百円(yán )に(⚫)まで稼(📰)(jià )いで約(🛩)束(shù )を果たす。だ(🖋)が、二度(🥄)と博(bó )打はしない(🦅)と誓っ(🔇)たはずの(⚪)新吉は、(🍒)その五(😇)百円を元(🌹)手にシロウト賭場(🔹)を開(kā(🛌)i )いてしまい、つい(🍯)に錦楼を黒田一(😥)家に取り(🏽)上(shàng )げら(💲)れてし(🙏)まった。悲観のあま(💉)り首をつ(😳)って死(sǐ )んでし(😅)まったお(📙)ときの(📛)通夜(yè )の(🗄)日、新(xī(⛱)n )吉はわず(🙈)かな香典(🍥)を奪い(🏔)またもや(🖍)賭場(chǎng )に出向く(🚎)がすって(🔥)しまい、同行した(😣)花沢が(📓)イカサマ(🌀)札(zhá )に手(🥠)を出す(🍭)が、黒田(🛫)(tián )一家に見破られ(🏭)、銀次(⛎)郎は責任をとって(⭕)指を詰めさせら(🌁)れる。銀次(🔸)郎は黒田(🔮)に全(quá(🙊)n )てを博打の勝負で(💭)決(jué )着を(🔺)つけようと言(yá(🌶)n )い、怒り(😿)に燃え(😝)て勝ち続(🦖)ける。黒田(👰)(tián )は桜井(⌚)を呼び、(✍)銀次郎(👑)と勝負を(🥫)させるが、得意(💩)(yì )のイカ(🙀)サマを封印(yìn )した(🚓)桜井(jǐ(🍷)ng )は負けて(🕒)しまい、(🍱)銀次郎(🏬)は錦楼を(🏰)取り戻すことがで(⏯)きたの(💕)だが…。 一个贪(tān )婪(😘)的波兰(lán )雇佣兵(📸)（瑟吉 科(😉)瓦(wǎ )尔斯(🚃)基）帮(📌)助一名矿工（帕(pà(🦐) )科罗曼）(❇)和一名农民(mín )女(🕛)孩，带(dài )领(🦊)他们领(💊)(lǐng )导了一(🕥)场(chǎng )反对(🎾)激进(jìn )的(📲)墨西哥(gē(🕎) )政府和(👄)军(jun1 )队的革(⛺)命(mìng )，同时遭到美(🎀)国对手的(🐸)追击。 爆破专家(jiā )王(🤓)德仁改(📎)(gǎi )过自新(🔑),遭(zāo )旧伙(🈵)伴谋(mó(🌷)u )害,仁负伤(💬)(shāng )逃走,向年(nián )仅十(🎀)二岁(suì(🎯) )的儿子志刚说出为(🙅)四(sì )人(🌱)所害,刚记(✍)下毒贩(fà(⛔)n )石天龙,丁(🖌)(dīng )世杰(🙆)和姜(jiāng )华的名字(zì(🕊) ),仁未及说(shuō )出第四人(rén )是(🌇)谁即气绝(📝)身亡. 本(😕)(běn )片由羅維自導自(⬛)演，胡燕妮(📐)、張仲文及(jí )張(✉)沖兩旦(dà(🐲)n )一生主演(yǎn )。故事(🔪)描(miáo )述，張(📯)沖(chòng )被殺，張(zhāng )仲文(🚕)自認是(😉)兇手，文供(🛩)述，沖(chòng )原為己舊(📇)(jiù )友，後卻(🔣)(què )追求其女(nǚ )胡燕(👛)妮；妮(🍺)失身後(hòu )，向文提(tí(🏥) )婚訊，文(🎥)(wén )不允，妮(🖕)不惜離家；後妮被(😣)誘作歌(🏆)女養(yǎng )家；一夜(yè(🏈) )，妮回家(jiā )見沖與一(yī )女偷(⏬)情，這才大(🎮)悟(wù )，但(🕔)又不能自拔；後妮(⛓)忽遇破產(📋)老父羅(luó )維，當夜(👳)(yè )一家團(🍩)聚(jù )；此時沖(chò(🌾)ng )卻出現，文(🐇)不欲公(gōng )開沖與妮(📣)(nī )關係(🗯)，願(yuàn )隨沖(🦓)至其別墅談判，不(👋)料，沖(chòng )向(🤮)文施暴(bào )，文遂拿(ná(🤩) )刀刺沖(⏬)……但作供(gòng )至此(🥪)，羅(luó )忽(🔕)自稱是(shì(🏹) )原兇…… 一場非常(🙆)之前衛(⚪)的三(sān )角戀愛，芳華(⏭)正茂(mào )的胡燕妮(nī )演繹顛(🍥)倒(dǎo )眾生(🍢)的艷(yà(📴)n )女郎珠迪(dí )一角，的(💑)(de )確令人「(🍼)狂戀如詩(shī )」。大(🧛)偉（金漢(📅)）和(hé )小春（楊(🛐)(yáng )帆）是(➕)同(tóng )胞兄弟，一個放(📇)浪(làng )，一(🆖)個含(hán )蓄(🐋)。小春(chūn )偶然下邂(👂)(xiè )逅女子(🛠)珠迪，情心一片。不久(⚡)(jiǔ )大偉(🆕)發現(xiàn )珠迪有個(gè(🌕) )年老丈(🔋)夫(fū )，得知(🖖)此(cǐ )秘密後，大偉以(🍜)此(cǐ )要(🏙)脅，迫(pò )珠迪和他幽(🔁)會。自始(shǐ )珠迪周旋在三個(🌫)男(nán )人之(🍎)間；老(🍦)頭給他(tā )物質滿足(🦎)(zú )，大偉給(🏍)(gěi )他刺激，而小春(🌃)給他真愛(🐡)。本片拍於六十年(🦇)代末(mò )，以(⛔)女性(xìng )角度大膽(dǎ(⛳)n )描寫男(🈲)女(nǚ )情慾(🆒)關係(xì )，題材罕(hǎ(📄)n )見，導演(yǎ(🏰)n )楊樹希手(shǒu )法細膩(🆙)，加上演(🧀)員奔放，甚具(jù )歐陸(🚼)風格(gé(🕉) )。最後一(yī(💟) )場，兩兄(xiōng )弟一人一(🌱)(yī )快艇(🤣)，珠(zhū )迪在二人(rén )間(💚)抉擇，導演將死亡與愛情結(🔹)(jié )合得水(🎦)乳交融(😳)，結(jié )局出人意(yì )表(🏹)。 Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo – who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable. Proud, wealthy, and haughty Kiran meets with down-to-earth middle-class fellow collegian, Shekhar, and after several clashes and misunderstandings, both fall in love and decide to get married. Shekhar meets with Kiran's dominating mom and mousy dad, and is told that he must successfully pass a test that will be put to him through Kiran's mom, to which he agrees. Subsequently, he is put to the test, and succeeds, much to Kiran's delight. The marriage is performed with great pomp and ceremony, and Shekhar moves in with Kiran and her family. He soon realizes that his presence is next to a lowly servant. He rebels and wants Kiran to leave with him. But Kiran asks him to be patient. Thereafter twin girls are born (Ganga and Jamuna). Shekhar still feels that they would be better off living away from Kiran's family, differences arise, and Shekhar moves out with Ganga. Years later, the twins Ganga and Jamuna meet at a school outing and both decide to switch places to see how it is like on the other side. Both twins then devise a scheme that will bring their proud grandmother to her heels, and bring their parents together.