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Set in 1950s Tunisia, the film is about a 25-year-old woman, Alia, who returns to her place of birth—a prince's palace in which her mother, Khedija, worked as a house servant and mistress. Alia had fled the palace ten years earlier, at which time she spent burying tortured memories of her childhood. In her visit to pay respects for the death of the prince, Alia wanders through the largely abandoned palace where she is confronted by these memories represented as detailed flashbacks of her childhood. She begins to piece together a narrative about her mother's sexuality and sexual exploitation in a space ordered by gender and class difference, and is re-awakened to her persistent questioning about her father's identity. As Alia negotiates her past, she also deals with her current relationship to her lover, Lotfi, who has asked her to have what seems to be yet another abortion. Her development throughout the film contrasts her awakening to a past of sexual and social servitude which many of the female servants experienced in the palace against her own contested independence fraught with pain, conflict and uncertainty. After a young boy is almost runover by a maniac on a highway, a re-encounter and confrontation by the boy's father with the driver sets off conflicts with a cartful of maniacs. A cat burglar is forced to take a bickering, dysfunctional family hostage on Christmas Eve. 见习护(🅰)士(shì )慕容(💭)婉（袁咏(👗)仪 饰）与Benny（任达华(🤟) 饰）邂(🚻)逅(hòu )，两人一(yī )见钟(📈)情，很(hěn )快(🏰)就走在(zài )了一起。岂(🗑)(qǐ )料Benny原(🤛)来是(shì )美国警方(fā(🔊)ng )通缉的毒(〽)贩，只是利(🈯)(lì )用慕容(🤚)婉(wǎn )作掩护偷运(yù(👆)n )毒品。然(🤺)(rán )而慕容(🔓)婉却(què )爱(🥈)得死心(xī(😯)n )塌地，不(bú )仅决定与(🛑)未婚夫(🥘)分手(shǒu )，甚(📰)至怀上了(💎)Benny的骨肉(rò(🔐)u )。为了追(zhuī )随至爱，Benny抛(⏺)(pāo )弃一(👰)切来(lái )到(👴)了美国(guó(👥) )，然而Benny在美(🐼)(měi )国同居女(nǚ )友妒(🗝)火中烧(🤸)，用诡计(jì )阻止了Benny与(🚯)慕容婉见(🥘)面(miàn )，并骗光(guāng )了她(🚹)的财物(wù )一走了之(🏈)(zhī )。身在(🖋)他(tā )乡又(🆖)身无分(fè(😲)n )文的慕容(🗾)(róng )婉最终命运如何(⚽)？ KILLER KID is another in the series of French films from the TALE FROM THE ORPHANAGE series. The title of the film is unfortunate as is the graphic on the cover of the DVD: this is not a silly sci-fi comic book story, but instead is a serious, alarming, poignant, and timely true story of how in this age of Terrorism it is the children who make the 'best terrorists'. 这(zhè(👨) )是1994年的美(❎)(měi )国电影(🛏)，不(bú )是1968年(😚)三大(dà )导演合作(zuò(💣) )的(de )版本(😵)！ When Ninas husband goes off for a few weeks to work, she meets and starts seeing a photographer. This story is told as an interview by a journalist writing about adultery who is talking with both Nina and the photographer in separate interviews. Through him, we learn much about the couple and their attitudes on adultery.