天师捉妖

This is the second film about the detective Feluda (Soumitra Chatterjee) set in the holy city of Benares, where he (along with his cousin, Topshe and friend, Lalmohan Ganguly) goes for a holiday. But the theft of a priceless deity of Lord Ganesh (the Elephant God) from a local household forces him to start investigation. Feluda comes in direct confrontation with Maganlal Meghraj (Utpal Dutt), a ruthless trader. Maganlal makes the mild-mannered Lalmohan a knife-thrower's target and threatens Felu to stop investigation. But there are several other suspects as an innocent artisan is brutally murdered, a shady 'holy man' holds court on the banks of the Ganges and an adventure-loving little boy (and his grand-father), brought up on crime thrillers. The climax is a shoot-out on the Ganges, followed by the unraveling of the mystery. 瑟(♋)斯(📝)顿·摩(mó )尔评价(jià(🤓) )说(👃)：“这部1979年(nián )的纪录(🚂)(lù(🈲) )片讲的是北爱尔兰(🗯)朋(péng )克运动的早年(🍒)光(😗)景，导演是(shì )约翰·(❓)T·(🃏)戴维(wéi )斯（John T. Davis）。我第(👼)一(🚭)次也(yě )是唯一(yī )看(🚦)这(🛶)部电影还(hái )是1979年，地(🤐)点是纽约东(dōng )村某(😏)个(👹)(gè )地方。之后我(wǒ )就(🈺)再(🥔)没(méi )看过第二遍，但(😕)对(💇)那(nà )些画面却记忆(🐨)犹(🔡)新：在一片(piàn )奇怪(🌫)的土地上(shàng )，身穿(chuā(🐰)n )皮(🏌)夹克的朋克(kè )青年(⭐)反(🐆)(fǎn )抗压迫，对抗(kàng )天(💡)气(🏧)，始终满腔热情(qíng )。” 手(👖)(shǒu )塚治虫原作のフ(🆔)ァ(📨)ンタジーメルヘン(➕)『(✅)ユニコ』を原作と(🏂)し(🛏)た短編オリジナル(🥑)ビ(✳)デオアニメーショ(🍃)ン作(zuò )品。 A young man and an older woman wonder if tennis is the only place where love means nothing in this romantic drama. Twenty-something Chris (Dean Paul Martin) is a rising star on the professional tennis circuit. Nicole (Ali MacGraw) is an artist in her early 40s who's involved with a wealthy man. Chris falls for Nicole, but while she's certainly attracted to him, she's not sure if she should give up her life of luxury in order to follow Chris in his uncertain future. 片(piàn )名: Lovein the Space Time Bush Mama powerfully captures the anger of America when the dream envisioned by Martin Luther King met with violent suppression and the stark reality of inner city neglect exposed by the uprising in Watts in 1965. Haile Gerima's iconic film shows the Black community under siege, harassed and starved of opportunities. It is a powerful portrait of the political awakening of a mother struggling to survive on welfare and bring up her daughter. Deftly combining fiction with documentary, including footage of the LAPD questioning Gerima and his crew during filming, the film draws on a range of topical events from police killings, treatment of Vietnam veterans to the militant liberation movement in Africa. The mesmerising performance of Barbara O. Jones shows the protagonists shift from passivity to empowerment. The film vividly conjures her interior world, a fractured reality filtered by memories and anxieties as she moves towards political consciousness following the arrest of her husband for a crime he didn't commit.