林心如林志颖

The film Days of Eclipse is based on a novel by famous Soviet science fiction writers — brothers Arcady and Boris Strugatsky. The action has been transferred to the Central Asia where a young Russian doctor gives treatment to children and tries his hand at writing. Introducing us a young contemporary at the crossroads (for the first time in Sokurov's work), this film becomes the first part of a cinema trilogy. 杰(😅)奎(kuí )琳(lín )扮演谁有(yǒu )一(yī )些问(🏽)题与丈(⏮)夫(fū(🚷) )的(👉)家庭(🤔)主妇。电影发(fā )生在一天的(de )过(guò(🦏) )程中。在(😖)而她(🏺)的(🍭)丈夫(🌗)(fū )是采访工作(zuò )的(de )傍晚，J是一个(🌩)人谁说(🔥)，歼酷(🈲)似他(tā )死(sǐ )去的妻子走(zǒu )近(jìn )。至于她(🍔)得到认(🔚)识他(🔍)(tā )，外遇的发(fā )展(zhǎn )。她的丈夫同时还具(👾)(jù )有(🚬)与(🔏)女面(💳)试(shì )官(guān )的关系。最(zuì )后(hòu )，无论是仅事(🎼)务有(🖤)助(🖋)(zhù )于(🙈)加强婚姻(yīn )。 正艳每星期都搭乘(💊)火(huǒ )车(🚞)(chē )往(👲)返(🏝)于学(🏮)(xué )校(xiào )和家乡小镇之(zhī )间，与焕(🌎)友在小(➰)站的(🏑)(de )一(👶)次邂(🔟)逅后(hòu )，改变了她的一生。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 描(miáo )写(🕯)了一个(🔙)总(zǒ(🍿)ng )理(lǐ )候选人身上发生的一系列趣事。车(🐀)(chē(🐮) )王舒(🌶)马赫(👭)则(zé )在(zài )中客串了一个给总理(lǐ )候选(🙀)人开(🖥)法(😜)(fǎ )拉(🎵)(lā )利跑车的司机。 辛慧(huì )（凤飞飞）随(🍂)(suí )身(🏺)份(💎)是广(🌠)告(gào )导(dǎo )演的男友罗仔（陈友(🔋)(yǒu )）在(🏄)澎湖(📇)出(🚱)(chū )外(🔤)(wài )景时，结识盲人金台(tái )（阿B）(🥢)，被(bèi )其(🤢)(qí )纯(➿)朴(🚰)吸引(🎢)。得(dé )知金台双眼失明原因(yīn )以(🌗)及有望(🍩)复(fù(🔨) )明(míng )后，辛慧给予他尽可(kě )能多的宽慰(🐚)(wè(😱)i )和(hé(🎊) )帮助(😷)，并渐渐爱上了他。力的作(zuò )用(yòng )是相互(🗯)的，这(♍)(zhè(🔇) )边金(🐀)台也爱上了辛慧(huì )。 The English owner of a Scottish castle discovers that it is haunted by the spirit of a beautiful woman. He decides to use the ghost as a tourist attraction for his castle. 两个擅自(zì )离(lí )守(🖕)的美(🚙)国(🎟)士兵(✖)逃进二战期间被纳(nà )粹(cuì )占领(👑)的法国(📨)(guó )荒(🔃)(huā(🤣)ng )芜湿(🔌)地。他们偶然遇(yù )到一栋被子(zǐ(🏻) )弹(dàn )严(📯)重损(🐍)坏(⛹)的校(🛑)舍，并(bìng )落入一群抵(dǐ )抗(kàng )战士(💌)手中??一(👑)群(qú(🥞)n )身残、智力惊人的学(xué )校孩子，他(tā )们(⛎)(men )被(📶)训练(❤)成把(🗺)杀死德国(guó )人(rén )看作一场(chǎng )游(yóu )戏。共(🥩)同协(🔸)作(⏰)，在他(🕵)们遭受到装备(bèi )有重型大炮(pào )和(hé )威(🛤)力强(🙄)大(🔏)的坦(🐿)克的敌(dí )军突袭时，这(zhè )帮小孩(😒)和逃亡(🧚)者发(🌘)现(🌙)自己(🎲)不情愿(yuàn )的(de )结成了联盟(méng )。 吉姆(🥨)（Daniel Allen Kent 饰）(🐆)是一(🤒)个(👫)非(fē(🍼)i )常内向的男(nán )人(rén )，虽然表面看(🚁)上去十(👢)(shí )分(🛡)的冷淡，但(dàn )在吉姆的内心(xīn )里，燃烧着(😋)一(💡)团对(🛋)于(yú(🐴) )艺术的狂热(rè )的(de )火焰，这团火焰灼烧(shā(❔)o )着(zhe )他(⭐)，令(🎺)他(tā(🕖) )终(zhōng )日不得安稳，走在人群里显得格格(🦒)(gé )不(👟)入(🎼)。 苏联(🥤)(lián )芭(bā )蕾舞团到美演出，却(què )遇(👞)到反苏(🦆)势(shì(🥥) )力(🏂)(lì )大(🐸)闹舞台，苏联特工意外身亡，主(zhǔ(🐹) )演不知(😫)所踪(⚓)(zō(🎍)ng )。主演(🅱)是女作家好友的(de )亲戚，想要(yào )在(🕞)(zài )美国(🐗)避难(⛔)却又成为了(le )杀害特工的(de )嫌(xián )疑人。KGB以及(🔺)CIA都(dōu )展(🚁)开调(🌦)查，女作家要(yào )如何保护主(zhǔ )演(yǎn )，找到(🥢)真凶(🍧)？(🐻)