中文版江南style

这是一部(bù(🖕) )改编于(🌹)1936年经(🏐)(jīng )典的(🏸)反大麻(💁)(má )公(🍜)益(yì )影(🔮)片《Tell Your Children》的(de )重拍版(✌)本，讲述(🚸)了一个(gè )清(📋)纯少年(🌱)受(shòu )大麻的(🆗)影响(xiǎ(🛅)ng )而坠落深渊(🍑)(yuān )的故(🐱)事。电(diàn )影以(🍌)(yǐ )音乐剧的形(xíng )式(✳)呈现，并(bìng )在多个片(🤞)段(duàn )中出现了丧(sà(🌍)ng )尸伴舞以及(jí )吃人(🚖)(rén )的设定，以此来衬托大(dà )麻的危(⤴)害。它可(🗡)以是一(yī )部(🈯)反对青(🔳)少(shǎo )年吸毒(🐣)的教(jiā(🏮)o )育片，亦可(kě(🏹) )以当(dā(🐨)ng )作歌舞娱乐(🈵)(lè )片来(🥝)对待(🚠)，其中的(🥧)歌舞(wǔ )种类(🐴)繁杂，经(⛩)过(guò )异常夸(🥧)张的(de )演(🚨)出，让原本无(🕶)聊的情(🆚)(qíng )节霎时变(🐡)成(chéng )了(🖥)活力四射(shè(🛶) )的showtime。多名电(diàn )视电影(👨)界的(de )大牌(pái )明星参(⛰)加了(le )此片的拍摄(shè(🔱) )，这样做即(jí )可让影(💸)迷大(dà )饱眼福，又(yòu )能让(ràng )他们受(😼)到思想(😫)教育，可(kě )谓(🌴)一举两(🍋)得(dé )。 Etat-Unis - 1916 - 73’ A scientist discovers a death ray and locks it in a box, giving the key to his daughter, who soon finds herself hunted by criminals looking to steal the deadly mineral. 米拉(🍊)德(dé )是(💭)一个会偶(ǒ(🏏)u )尔上学(👴)迟到(dào )的小(🐡)学生，老(🔬)师(shī(🍻) )没少批(🍪)评，爸妈没少(📫)教(jiāo )训(🎍)。可这一(yī )天(👚)，米拉德(🎇)(dé )又旷(kuàng )课(🕤)了，校长(🚝)(zhǎng )让他把家(🕵)长请来(🥏)，结果(guǒ )米拉(📊)德挨了(le )顿打。可他(tā(🚶) )这顿打挨得(dé )很冤(🌶)枉，因(yīn )为他(tā )并不(🥌)是有意(yì )旷课。原来(🌳)(lái )在上学的路(lù )上，他看到(dào )一名(👼)从外地(🎐)(dì )来找(zhǎo )儿(🍤)子的老(🌏)妇人，虽然听(🙉)(tīng )不懂(👮)她的话(huà )，虽(🦌)然怕迟(😵)(chí )到，可米拉(🌟)(lā )德还(📭)是想(🕜)方(fāng )设(📳)法把老妇(fù(🌕) )人送(sò(⏯)ng )到了他儿子(🚶)(zǐ )住的(🔊)大街上(shàng )，老(🧣)妇人还(🥄)(hái )奖励了他(🏊)两(liǎng )颗(🥍)巧(qiǎo )克力。米(🛄)拉(lā )德只有把这件(👪)事写进作(zuò )文以诉(🤗)说自(zì )己的委屈。第(🌩)二天的听(tīng )写课上(🕋)，老(lǎo )师也(yě )悄悄地塞给(gěi )他两颗(🦔)巧克(kè(🏊) )力。 L'un des premiers chefs d'oeuvre du réalisme cinématographique. Il s'agit là de la premiè(🔺)re version de l'oeuvre de Zola. L'originalité du film tient à sa longueur (107 mn) tout à(❔) fait inhabituelle pour cette époque ainsi qu'au tournage en extérieur, sur la fosse 5 d'Auchel. 中国明(♋)代(dài )古(🈲)装(zhuāng )历史影(👠)片 诗人(🏗)挖目记 前(qiá(💱)n )法总理(🔡)克理(🧤)(lǐ )满沙(🧠)编剧 留(liú )法(💆)中国电(💫)影(yǐng )明星徐(🕷)琥主(zhǔ(🈲) )演 前法总理(🦗)(lǐ )克理(🚰)(lǐ )满沙在欧(🍐)战(zhàn )和(🍭)议既成之(zhī(📫) )后，深痛人(rén )类残杀(👿)之罪(zuì )恶，联想所及(💟)，觉世界实现之事实(🧝)，皆(jiē )足使明眼人(ré(😾)n )触目伤心，退著《诗人(rén )挖目记》（The Veil of Happiness）(🍨)一(yī )剧，以 中国(guó )清(🥗)代装饰(🛎)出(chū )演于法(😅)国国(guó(🐺) )家大剧场，颇(💤)受法人(🎫)之(zhī )欢迎(yí(🍽)ng )。时中国(🤹)和会(📪)总代表(🈁)陆(lù )征祥氏(🍘)在法(fǎ(🤗) )， 喜其剧情(qí(🍐)ng )寓意深(🛸)奥，嘱林纾译(🍞)为(wéi )华(👆)文，题名(míng )《膜(🛌)(mó )外风(⏮)光》。书既发，留(🛒)(liú )法学生争往(wǎng )观(🎙)剧，见演(yǎn )员垂(chuí )辫(🕸)之状，有(yǒu )辱国体，退(🤫)而大哗，举(jǔ )徐琥告(✂)克氏(shì )，谓剧情所(suǒ )述，系明代(dài )事(🍴)，不可故(gù )误。克 氏乃(⛎)请徐(xú(😼) )为顾问，命(mì(🧜)ng )剧场以(💤)明代(dài )古装(🏙)出演，法(😫)人欢迎，更见(🌒)(jiàn )热烈(🔅)。巴黎(🚖)汉蜜莱(🦒)影片(piàn )公司(🍉) （Hamalaya Film Co.）总(🎣)(zǒng )导演欲摄(➕)演(yǎn )之(🤐)为影戏，聘任(🔭)徐琥为(🈺)(wéi )副导演，并(🔕)(bìng )请主(🔅)(zhǔ )演剧中张(♊)怡(yí )一角。 巴黎(lí )总(🚖)领事廖叙(xù )时之弟(🍦)廖世(shì )勤，及留法美(🎈)术(shù )学生华女士赵(🐵)庭良李福(fú )昌等，闻讯(xùn )自告奋勇(🙌)，分任剧中诗(shī )春夫(⏫)人、杜(🙏)(dù )夫、李刚(📊)、赵犯(😥)(fàn )诸角，历时(📞)(shí )十余(🥦)月，用(yòng )费数(🎁)十万，全(🐚)剧始(🛣)成。出演(🚞)(yǎn )之日， 巴黎(🈷)全市，如(🚶)中(zhōng )狂热。今(🤪)本(běn )院(😠)以巨价购(gò(👎)u )运来沪(⛳)，定(dìng )三月十(🍬)三日(rì(🤤) )开演。凡欲认(⛵)识(shí )克理满沙氏(shì(🦀) )之政治眼光(guāng )，及领(🍱)略剧(jù )中之哲学意(💷)(yì )味者(zhě )，不可不看(🕖)此明代古装历史片。静(jìng )安寺路夏(🤦)令(lìng )配克戏院 启(qǐ(🈳) ) （《申报(🆗)》一九二六年(♿)(nián )三月(🚫)(yuè )十一日头(👯)版(bǎn )）(🈴) In order to allow another servant to go home to be with her children, Nastya agrees to serve in her place, as a maid in the household in which Nastya's grandfather is a porter. Soon afterwards, the woman who owns the house goes on a trip, leaving her son Pavel at home. Pavel is engaged to Ellen, but Ellen flirts openly with other men. Nastya and the servants quickly realize that Ellen is having an ongoing romantic affair with Baron von Rehren. This puts the servants, and especially the sensitive Nastya, in a painfully uncomfortable position. Gotthold Ephraim Lessing published his "dramatic poem" in 1779 as a direct response to censure by official orthodox religious circles, to which he was subject after publishing a work by Samuel Reimarus that was critical of religion. He set his story in Jerusalem at the time of the Crusades, where Christians, Jews and Muslims were in constant and close confrontation. It threatens to end tragically in religious conflict, but the main character succeeds, with insight and shrewdness, in reconciling the religious communities. Lessing's drama is acknowledged in German literary history as a "humanist manifesto" that defends "religious tolerance and the freedom of ideas". Scriptwriter Hans Kyser adapted the drama to great cinematic effect, incorporating as a powerful prologue, the opening episode that Lessing resolved only at the end of his drama. Manfred Noa used the brutality of the Crusades and their exotic setting to stage visually impressive crowd scenes. Experienced actors from box-office hits were magnificent in the leading roles, among them Werner Krauss (Das Cabinet des Dr. Caligari / The Cabinet of Dr. Caligari by Robert Wiene) as Nathan, and Carl de Vogt (Die Spinnen / The Spiders by Fritz Lang) as a young Templar knight. As in the original drama, this emotionally charged production ends in an impassioned plea for reason and for tolerance towards people of other faiths.