汤唯电影

九年前一个(😼)(gè )风雨交(🏔)加的(de )夜晚(🎌)，艺术(shù )学院的学生(shē(🐠)ng )卡特琳到(😻)康拉(Ⓜ)(lā )德夫妇(🍲)家作(zuò )临(🎆)时保姆，照看他们的(de )男(🍍)婴塞巴斯(💾)(sī )蒂安。当晚(wǎ(😭)n )，窃贼布鲁(🎺)(lǔ )纳(nà )闯(🗺)入康拉(lā )德家(jiā )行窃(🥩)，卡特(tè )琳与他(👍)进行(háng )了(🚖)激烈的搏(🌖)(bó )斗。布鲁纳(nà )在打伤(🌆)卡特(tè )琳(🐴)后仓(🥨)皇逃(táo )走(〰)，卡特琳(lí(☝)n )惊愕地发现(xiàn )，塞巴斯(🌬)蒂(dì )安已(💤)经在襁(qiǎng )褓中(🧀)窒息而(é(💿)r )亡。于是，布(🕰)鲁纳被指(zhǐ )控为凶手(😜)，锒铛入狱(🏳)。九年(♎)后，布(bù )鲁(⬛)纳被假释(🐉)出(chū )狱。为了对(duì )这个(💉)危险的(de )犯(🌁)人进行控(kòng )制(⌛)，警方给(gě(🏔)i )他安装了(✅)高(gāo )科技的电子(zǐ )脚(🥑)(jiǎo )镣，以便(biàn )随(🎭)时(shí )监视(🗓)他的行(há(👜)ng )踪。不想狡(jiǎo )猾的布鲁(🐬)纳(nà )破解(⚽)了密(🐕)码(mǎ )，摆脱(🔡)了警(jǐng )方(⛸)的监视，并开始了疯(fē(🍎)ng )狂的报复(👫)行(háng )动——寻(🚵)找(zhǎo )各种(🌛)机会置(zhì(🚤) )卡特(🐭)琳于死(sǐ )地。卡特(🧥)琳(lín )不明(😢)就里(🍊)，找到康拉(⛴)德(dé )先生(⛴)询问原(yuán )由。谁知康拉(🍒)德竟然出(🐓)语(yǔ )惊人：他(🛋)的(de )孩子并(💇)非死(sǐ )于(➖)布鲁纳之(zhī )手，卡特琳(🚼)(lín )当年冤枉了(🖇)(le )布鲁纳。这(🥦)(zhè )使卡特(📵)琳万分惊(jīng )讶。迟到的(🥠)(de )事实真相(🌿)并(bì(⛎)ng )不能帮卡(👘)特(tè )琳摆(🎍)脱困境(jìng )，她的噩梦(mè(🚜)ng )仍在继续(🏭)…… Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’(🏈)s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran. 本片翻拍(🧟)自(zì )1971年的(🕛)英国(🧠)恐(kǒng )怖片《德拉(lā(🤝) )库拉女伯(🖼)爵(jué(🤣) )》，根据真(zhē(🤑)n )实事件改(👕)编(biān )，由德尔贝(bèi )自编(🐓)自导自(zì(😅) )演。 A broken-down sheriff is forced to join forces with an obsessed Victorian vampire hunter to defeat an undead force consuming a small frontier town in 1892 New Mexico. A young orthodox man searches for his place within his family and the rest of the world. 美国钢琴家(🌰)理查德（(🍊)保罗·里(🚊)斯(sī ) Paul Rhys 饰）年届四(sì )十(🏼)，和经纪(jì )人约(🥗)瑟夫（艾(🗼)伦·科德(📐)(dé )勒(lè ) Allan Corduner 饰）长期(qī )暧(😈)昧不清。在(🐬)一(yī(🙎) )次表演中(⏪)，理查德认(👹)识(shí )并喜欢上了(le )为他(💁)翻页的(de )十(🏜)八岁少年(nián )保(🚆)罗（凯文(❎)(wén )·毕肖(🕤)普 Kevin Bishop 饰(🔭)(shì )）。因为父(fù )亲(⚾)外遇，保(bǎ(💎)o )罗陪(😰)母亲到(dà(🐪)o )巴塞罗那(🥌)散(sàn )心，从而与(yǔ )理查(🈯)德再次(cì(🧟) )邂逅。一个(gè )是(🙏)仰慕者一(🔐)(yī )个是引(🥔)诱者，从灵魂到肉(ròu )体(📵)，钢琴家(jiā )彻底(📂)虏获了(le )翻(🏅)页少年。然(🧦)而天才横(héng )溢的理查(🌗)德(dé )从(có(🗓)ng )不为(🦅)感情(qíng )停(🐟)留，而情窦(🎆)初(chū )开的保罗对(duì )人生有太多(🔟)(duō )困惑。两人(ré(❤)n )在喷泉与(👯)鲜(xiān )花盛(📤)放的(🈷)巴(bā )塞罗那街头(🦑)(tóu )拥吻分(🍚)手，留(🍛)下的振荡(🐁)(dàng )却经久(🐒)不息(xī )，一直扩散(sàn )到(🏉)大洋彼岸(🤑)(àn )......