近期电影上映

这是一(yī )个来自(🚄)(zì )澳洲(🔠)的(👕)搞(⛰)(gǎo )笑故事——两位迷人的老(lǎ(🔦)o )太太一手(🍜)(shǒ(😤)u )制造了谋(móu )杀和破(pò )坏。这是两(🏞)个(🛅)贫穷(qió(📨)ng )的(🐧)寡妇（FLO和Minnie），她们经营(yíng )古董店(👮)并(👙)(bìng )安宁的(🛒)(de )生活着，她们靠买(mǎi )食物和盗窃(🦓)电(♟)器(❕)为生，不(🚯)(bú )但没有被(bèi )警察抓(zhuā )获(huò(🐙) )，而(🤗)且(🔥)还(🤫)找到了(le )稳定的收入来源。她们决(jué )定出(💈)让(⛄)一(👼)(yī )间储藏室(shì )，有两名男子前(qiá(⭕)n )来申请(🍏)，一(⏰)个(🔌)是逃(táo )犯，另(lìng )一个是快(kuài )要退(🔫)休的(de )警察(🐛)。两(🐧)位老太(tài )担心逃犯(fàn )向警察告(🍓)(gà(📯)o )发她们(🔜)(men )的(👂)罪行，但这位警(jǐng )察在使用煤气(👣)时(🤪)(shí )发生意(🤦)外(wài )，致使逃(táo )犯死亡(wáng )。两个老(🍁)太(🐕)把(📞)罪犯(fà(🍖)n )的尸体放进了冰箱。后来(lái )警(😜)察(👔)爱(🗜)上(🚯)(shàng )了Minnie，并(bìng )准(zhǔn )备在晚宴上表白(bái )。 Does committing a crime make you a criminal? Kidnap is a film that asks this question. Vikrant Raina takes one such decision in a moment of extreme rage when his 8 year old daughter is facing a life and death situation. He couldn't imagine how that one decision would affect 14 year old Kabir Sharma's life, he has then been labelled a 'criminal' . ◎译(🏕)　(🐊)　(🛫)名　泥(ní )孩 在这(zhè )个世界上(shà(👐)ng )有一个(🕌)不(👾)(bú(♓) )太繁华却宁静祥(xiáng )和的城市(shì(🔩) )乌托兰市(🥖)(shì(🚎) )，这里(lǐ )的人民爱(ài )好和平，彼此(🔑)友(📪)爱。冰球(📉)(qiú(🎯) )似乎是乌(wū )托兰人民(mín )的最爱(💎)(à(🐱)i )，街头巷尾(📳)经常能(néng )够看到人们扛着(zhe )球杆(🐞)的(🤭)身(⬆)(shēn )影，甚(🚅)至(zhì )连圣母(mǔ )玛丽亚、爱神(👄)丘(👏)比(🍀)(bǐ(🏛) )特的雕像都入乡随俗扛起(qǐ )了球杆。这(♉)一(🌨)天(🆒)(tiān )，一条令人振奋的(de )消息传遍乌(🥟)托兰市(🐒)(shì(🐏) )，世(🌦)界(jiè )闻名的萨(sà )耶萨耶王(wáng )国(😗)皇家冰球(💰)队(🚕)即(jí )将来该市(shì )访问，并(bìng )与乌(😂)托(🐬)(tuō )兰市(🚶)冰(🐒)球(qiú )队进行一(yī )场友谊赛。当地(😷)(dì(📹) )人民欢欣(🐈)(xīn )鼓舞，倍(bèi )为期待(dài )，对来自远(🍽)方(🦐)的(🛐)客(kè )人(😔)给予极大的尊(zūn )重和礼遇(yù(👤) )。而(🥄)另(😡)一(🕍)(yī )方，表(biǎo )情严肃傲慢的胡可(kě )道将军(🖼)带(👒)领(🌈)萨耶萨耶王国(guó )皇家冰球(qiú )队(📩)抵达(dá(🐎) )乌(🗒)(wū(⏰) )托兰。 爱尔兰小(xiǎo )青年杰克（Jack Huston 饰(🕶)）自(zì )诩(🚣)为(📳)蘑(mó )菇专家，他对那些(xiē )能引起(⛎)幻(🧗)觉的蘑(🏈)(mó(🔺) )菇尤其着(zhe )迷。，某(mǒu )个假期(qī )，杰克(⏩)5个(🎟)(gè )性格各(🛢)异(yì )的美国同学：泰(tài )拉（Lindsey Haun 琳(🛌)西(🥪)(xī(🖤) )•霍恩(🗼) 饰(shì )）、卓(zhuó )伊（Max Kasch 麦斯•卡锡(🌦) 饰(✋)(shì(🤘) )）、荷莉（Alice Greczyn 爱丽(lì )丝•葛瑞(ruì )琴 饰）(🥥)、(😘)布(💩)鲁托(tuō )（Robert Hoffman 罗伯•霍夫曼 饰(shì )）(🧒)以及丽(🐣)莎(😨)（(📟)Maya Hazen 玛雅•海森(sēn ) 饰）应杰(jié )克之(🏳)邀(yāo )来(lá(🏭)i )到(☕)爱尔兰，只为(wéi )亲身品尝一下传(🌚)说(🚺)(shuō )中能(🚅)给(⛓)(gěi )人带来极(jí )大快感的(de )神奇蘑(🌱)菇(🌴)。 《鲛(jiāo )鮹岛(🤽)/Isola degli uomini pesce, L'/The Island of the Fishmen》（1979），意大(dà )利导演(yǎn )Sergio Martino导演的这(♑)(zhè(🤺) )部(🐡)融合了(🤧)(le )各种娱乐元素（尤其是Giallo film风(fēng )格(💌)的(🚒)配(🌶)乐(lè )）的海(hǎi )岛冒险电影，绝对(duì )是一(🦈)部(🎂)极(👱)其优秀(xiù )、精彩、被大多数(shù(😜) )人忽视(🏯)(shì(🐇) )了(🛑)的杰作。此片据(jù )IMDB有三个版本：(💉)Sweden:93 min | USA:81 min | West Germany:85 min，现在已经(🍨)(jī(🏚)ng )发行了DVD-93分(fèn )钟最长(zhǎng )的(de )那个完(🚾)整(💑)版本。我(📏)不(♿)知道IMDB上那个令(lìng )人发指(zhǐ )的“User Rating: 3.2/10 (328 votes) ”分(✳)(fè(📋)n )是怎么搞(🤛)(gǎo )出来的，但我敢(gǎn )说那些给(gě(🌂)i )本(🚀)分(🛴)打了(le )低(🖊)分，而致使它(tā )最终被搞(gǎo )出了(👢)这(🏨)么(🏈)一个令(lìng )人难以置(zhì )信的平均(jun1 )分的人(🚸)(ré(🏍)n )，绝(👘)对都(dōu )是有眼不(bú )识泰山。此片(🧓)不(bú )仅(🏐)在(Ⓜ)可(⌚)看(kàn )性上精彩(cǎi )到了无(wú )以复(🚳)加，即使作(🛸)为(💟)(wéi )一部典型的类型片来分析(xī(🐿) )，在(🔚)类型(xí(🚸)ng )程(🚨)式运(yùn )用(yòng )，剪辑、拍摄技(jì )术(🛃)，声(🛑)效处理等(🥜)各(gè )方面上(shàng )，也都是(shì )继承了(👕)Giallo film 6、(👗)70年(😔)代的优(🆎)秀传统(tǒng )经验，拍(pāi )得极其漂(piā(👔)o )亮(🌤)的(😣)。而且本片(piàn )还可说是(shì )一部非常地道(👊)的(🤾)(de )具(📿)有“90年(nián )代之前风(fēng )格与味(wèi )道(🔔)”的古(gǔ(🔎) )典(🎋)式(📲)冒险(xiǎn )/惊竦电影，因为(wéi )它有时(🏣)候(hòu )不仅(🚹)在(🚴)恐(kǒng )怖效果(guǒ )，在男女主人公人(📄)(ré(🔘)n )物形象(🕘)塑(🍙)造、洋溢的异域(yù )情调、实(shí(🍮) )景(😘)画面(miàn )拍(🥘)摄风格和科幻/幻(huàn )想——乃至(🚾)浪(🔟)漫(😟)主义的(🤚)冒(mào )险奇遇、抒情思维(wéi )上也(🈯)都(⛵)是(👅)颇为“老式”的，也就是(shì )说——都是优美(🔏)(mě(🐝)i )的(🛋)。 Included in Jonathan Rosenbaum’(🔡)s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran. 盲目标Hermoso提供(gòng )圣穷人(🏡)微(wēi )小(🌚)的(✏)拉(⛱)美(měi )国家移(yí )民的罢工只作为(🔒)一(yī )个作(🏑)家(🛷)在美国的(de )富人和名(míng )人的一名(➰)(mí(❤)ng )年轻女(⛄)(nǚ(🙃) )子的故事。当她回(huí )到她的家乡(🍳)，以(🤪)促进她的(💪)(de )小说“绝(jué )望的信(xìn )” - 路人皆知暴(🔮)露(🐜)她(🌉)(tā )的家(✔)乡土地的政治腐败 - 她(tā )是一个(🙏)值(🎚)(zhí(🕌) )得欢迎的(de )，她无法想象在(zài )她最糟糕的(🥄)恶(🔭)梦(😥)。 封(📔)闭的(de )环境中，人物孤独(dú )茫然(🥟)，任凭凛(🎅)冽(🐕)(liè(🏯) )的命运摆(bǎi )布