小时代剧照

Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the 1st time in his life, this is for real. The film is also a sharp picture of the fashion world. In this gritty film noir, cynical ex-RAF flyer Morgan, bored with civilian life, joins a break-in gang led by Narcy. On his first job, the getaway car crashes after killing a policeman. Morgan is framed as the driver and sent to jail. Seeking revenge, he escapes and heads for London. Along the way he's helped by a woman (Mrs. Fenshaw), who wants him to murder her husband. In London, Morgan is sheltered by Sally, who falls in love with him. He confronts Narcy and the gang in an abandoned warehouse. Brazilian Director Cavalcanti's crime drama should not be confused with the totally unrelated "They Made Me a Criminal" (1939). 某日(🏇)(rì )，虞家茵（陈燕燕 饰）正(zhèng )在电影(yǐng )院门口等朋友，哪知道(dào )朋友有(yǒu )事不(bú )能来了，不(😄)愿独自(zì )一人的(de )虞家(jiā )茵将电影票转让给了偶遇(yù )的男(nán )子(zǐ )夏宗豫（刘琼 饰）。之(zhī(🤠) )后，虞(yú )家茵经人介绍来到了亭(tíng )亭（彭(péng )朋 饰(shì )）家中担任她的家(jiā )庭教师(shī )，亭(tíng )亭的父亲常年在外工作聚(jù )少(✡)离(lí )多(duō )，母亲又体弱多病缠绵(mián )床榻(tà )，亭亭感到十分孤单。 不(bú )久之前(qián )，安妮（凯瑟琳(🐿)·赫本(běn ) Katharine Hepburn 饰）刚(gāng )刚和(hé )丈夫麦克（罗伯特(tè )·米彻(chè )姆 Robert Mitchum 饰(shì )）携手步入婚礼的殿堂，新婚(hūn )燕(yàn )尔的幸福刚刚维持没多(duō )久，麦(mài )克的种种反常举动开始(shǐ )让安妮(nī )怀疑，他是否患有精神(shén )上的疾(jí )病(🌮)，她甚至怀疑自己的性命会(huì )遭受(shòu )麦(mài )克的威胁。 怪侠独眼龙(lóng )如何(hé )对(duì )付强抢良家(🔟)妇女的恶霸(bà ),替乡民(mín )除暴安良 电影名称：大(dà )雷(léi )雨 曾(céng )在西(xī )班牙杀过人的水手(shǒu )Michael O'Hara（奥逊(xùn )·威(wēi )尔斯 Orson Welles 饰）回到了纽约，一(yī )天夜(yè )里(lǐ )他在路上救了遭到打劫(jié )的美女(nǚ )Elsa（丽塔·海华斯 Rita Hayworth 饰），于(🤐)是Elsa让(ràng )她的丈夫，律师Arthur Bannister（埃弗(fú )雷特·斯隆(lóng ) Everett Sloane 饰）找到Michael，让他来船上当(dāng )水手(shǒu )。Bannister一家刚从(🐳)上海回到纽约(yuē )，正(zhèng )要(yào )坐船前往旧金山。在海(hǎi )上航行(háng )的时候，Michael和Elsa情愫暗生。而(ér )Michael也认(rèn )识了(le )Arthur的朋友George Grisby（Glenn Anders 饰）。George知(zhī )道Michael曾经(jīng )杀过(guò )人后，想让Michael再杀一个人，并承(chéng )诺(nuò )给他五千美元的佣金，而他想(xiǎng )让Michael杀的人(🐻)，就是George自己。原来George想(xiǎng )制造自己已经死了的假(jiǎ )象，然(rán )后从(cóng )现在的生活和他的妻子身(shē(🥧)n )边逃(táo )走。两人的计划看起来天(tiān )衣无(wú )缝(féng )，George却失手杀死了Arthur的管家(jiā )，随后(hòu )George也真的被杀(🌓)。Michael被认为是(shì )两个死(sǐ )者的(de )凶手，法庭上，为(wéi )Michael辩论的(de )却是(shì )他的情敌Arthur，到底谁才是杀(shā )死George的(de )真(zhēn )正凶手？ The film is best known today for Scorsese’s claims that it was his inspiration for New York, New York, but it’s not the plot that found its way into his film. It’s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures