世間か(👢)ら見(jiàn )捨(shě )てられた不良少女たちを収容する少年院を舞台に、冷たい鉄格子の中に(🏮)悶(mèn )える愛(ài )に飢えた危険な若(ruò )い女豹(bào )・桑野みゆきと、かつては同じ境遇であ(📛)りながら今は更生して教師として赴(fù )任してきた女教師(shī )・高千(qiān )穂ひづるの魂の交(jiāo )流(liú )を中(zhōng )心に、灰色(😒)の壁に閉(bì )ざされた青春群像(xiàng )の生(shēng )態(tài )が描かれる。桑野みゆきが不良(liáng )少女役で(😀)体当たりの演技(jì )を見せた異色作。
张(zhāng )俊康(kāng )赴英留学前与情人(rén )冯(féng )淑英定下婚期(🖋)，可是英(yīng )父(fù )生意失败，英自愿牺牲(shēng )，下嫁债主林福源。惟源得(dé )见康的(de )情书，对英诸多猜(cāi )疑，英(yīng )惟有将精神寄托在(🔆)(zài )儿(ér )子身(shēn )上。几年后康学成(chéng )返(fǎn )回吉隆坡，于商会聚会(huì )重(chóng )遇英，却被源误会二人(🙌)有(yǒu )染，直(zhí )神恍惚，堕马受伤(shāng )。英不(bú )理丈夫阻止赶往探(tàn )望(wàng )，回(huí )家时知爱儿染病，却(🚧)(què )因源怀恨在心不准她探(tàn )问(wèn )，可怜稚子临终才能与(yǔ )母(mǔ )亲相见。源深悔酿成悲剧(jù )，自愿(yuàn )离婚，让英重投康(kāng )的(🆓)怀抱(bào )。
芸往医院告赵太(tài )太(tài )死讯(xùn ) 并把临终要自己嫁(jià )赵(zhào )为妻一事相告. 二人遂成(🛴)(chéng )婚(hūn ) 但赵因跌伤失去生育能力(lì ) 两人只(zhī )有做精神上夫妻. 赵(zhào )大女儿(ér )丽冰来信 告(🚻)父要与(yǔ )医(yī )生结(jié )婚 并快将回香港. 回(huí )到(dào )香港之日芸赫然发现丽(lì )冰(bīng )丈夫便程 芸乘未被程发(fā )现(xiàn )前避开(🏉)了. 程夫妇俩搬回赵(zhào )宅 芸 程(chéng )相见不相识 借机互(hù )诉离情(qíng ). 程对芸念念不忘 对(duì )百(bǎ(⛳)i )般痴(chī )缠. 赵偷听得两人深(shēn )夜(yè )倾谈 自觉要芸守生寡十(shí )分(fèn )自私 遂欲自刎; 幸得芸力(⏮)劝(quàn ) 芸并告(gào )之自己与程…
Les déboires d’une troupe de théâtre dans le Bengale des années 50.
根据茨威格小说改(gǎi )编(biān )的电(diàn )视电影。英格丽褒(bāo )曼(màn )主演
Prae Dum, a crime story that can be considered Thailand’s very first ‘film noir’. It is a classic work that makes superb use of artistic filmmaking techniques to develop the story and convey its message.
On New Year's Eve, an insecure, struggling actress (Anna Magnani) has nothing to do. When a colleague invites her to a New Year's party, she jumps at the opportunity. Accidentally she runs into an old acting acquaintance (Toto), who is helping a professional pickpocket (Ben Gazzara) steal from people during the hustle-bustle of New Year's Eve festivities. During the course of the evening, they have numerous crazy, humorous adventures all over Rome at different parties, restaurants, and even the Trevi fountain. Magnani's character (Tortorella) falls for Gazzara's character (Lello) without knowing what he's up to, while Toto tries to placate them both. Written by Miriam Kramer