演员张国强

1931年，震惊中外的"九·一(🐽)八"事(shì(🐮) )变爆发(🤥)了，武林志士华志强(qiáng )在母亲惨(🚖)遭日(🚸)军(🔪)杀害(🈵)后，他(tā(🥞) )与恋人张小叶逃(🏡)离故土(😪)。途(tú(🗯) )中(👃)(zhōng )，两人失散。小叶逃至北平(píng )，避难于(🥗)姨(🚂)夫魏(🎱)辛家里(😡)。魏(wèi )辛早已不好(🛤)汉奸，在(🖥)坂田手(🤡)(shǒu )下(🚝)(xià )任翻译。坂田公开的身份是(shì(😴) )使馆外(👡)交官，实(💚)质则为日本(běn )的间谍，他(👔)专事组(🐼)织绑(⛩)架、暗(🧚)杀我抗日志士的罪恶活(🐅)动。此时(🍍)，坂田特(🥕)意安排其子、日本武士小次郎(🔁)来到(🉐)北(🖲)平，与(🚳)中华武(✈)馆杨馆长比武，妄(😪)想(xiǎng )借(😠)此机会(🚟)征服中华武术界。但坂田深知杨馆长(🛅)武(😎)功高(🛡)强(qiáng )，遂(⏱)暗派杀手在芦沟(🦒)桥上行(🥛)(háng )刺(cì(🚆) )。幸亏(🚕)乔装车夫的华志强相(xiàng )救，杨馆(🛩)长才安(🥘)危脱险(🔫)。小(xiǎo )次郎对父亲的作法(🐫)十分不(📯)满(mǎ(🔼)n )，他要以(🏾)公平比武的方式打败(bà(🖇)i )杨馆长(🌮)。坂田无(📍)奈下只得派(pài )魏辛到武术馆下(🤮)战书(🐰)，约(🤤)定(dì(🖥)ng )第二天(🕴)比武决胜负。次日(🥂)，中(zhōng )日(📓)双方在(👹)天坛摆开擂台，进(jìn )行一场生死的较(😈)量(🆕)。杨馆(🛒)长(zhǎng )武(🦗)功超群，小次郎只(📀)有招架(🏓)(jià )之(zhī(🚱) )功，尔(💹)后，杨馆长佯装失手(shǒu )，鸣锣收兵(🚦)。是夜，坂(🚡)田终(zhō(📥)ng )于毒死杨馆长。正当坂田(💤)在(zài )公(🚹)馆内(🦉)举杯庆(🐊)贺时，华志强突(tū )然闯进(Ⓜ)来为师(🦌)傅报仇(🐓)。坂田(tián )举枪欲杀死华志强，被小(⛪)次(cì(🐛) )郎(♌)阻止(🥗)。小次郎(🥊)要与华志强单(dā(😒)n )独决斗(🌁)，然而，交(🏠)手只几个(gè )回合就被华志强击败。小(🏕)次(😍)(cì )郎(🧚)面含羞(🀄)愧决意回国去苦(🈸)练(liàn )忍(👫)(rěn )术，待(🦏)来日(👍)再与华志强一决(jué )输赢。坂田为(💄)了报复(🕸)，唆使(shǐ(🗃) )忍者去砸了中华武馆，华(😖)志(zhì )强(🎴)拼搏(🎲)逃出，又(🚽)被忍者追杀至(zhì )黄河岸(🛁)边。他情(🕠)急下毅(📕)然跳(tiào )入黄河，被船家女虎妞搭(💲)救(jiù(🔂) )脱(🏨)险。华(😨)志强从(🤔)此在黄河的激(jī(🈸) )流中，练(✳)就出一(🏷)身绝技。不(bú )久，小次郎重返中国。他们(🏟)(men )在(🕛)黄河(🦐)边相见(😿)，两个约定9月(yuè )18日(🥫)(rì )以长(🔇)城为擂(✊)台，一(💪)决雌雄。小次郎运用忍术，步步紧(📛)逼(bī )华(🐢)志强。而(🛠)华志强怀着低外(wài )侮、(💫)抗强暴(🖼)的决(🐇)心，凭借(🤑)中华(huá )武功的绝技，终于(🛍)打败了(😯)小(xiǎo )次(🚗)郎。这时，坂田突然下了(le )毒手，华志(📙)强倒(⛽)在(🚍)坂田(🤨)的枪口(⭕)(kǒu )下，而象征中华(🤪)民族脊(👣)骨的(de )长(🛃)城，巍然挺立。 持续在世(shì )界各地进行(🥚)修(⏹)业之(💉)旅的小(🚫)智(zhì )（松本梨香(🛩) 配音）(🔒)、小刚(🔉)（う(🔇)えだゆうじ 配音）和小霞（豊(🕜)口めぐ(👞)み 配音(🈁)），历经长(zhǎng )途跋涉终于(⛽)来到了(🤴)位于(♓)山谷丘(🔨)(qiū )陵处的目的地阿拉莫(🏉)斯镇。小(📑)镇上耸(🐗)立着象征时间与空(kōng )间的时光(🌌)之塔(🥕)，新(🌊)一轮(🌾)的神奇(🐶)(qí )宝贝竞赛将在(🎞)塔的下(🐡)方举行(🕟)(háng )。小智一行走错了路，却由(yóu )此结识(🍸)当地的(🎃)美丽女(🏎)孩艾丽(lì )丝（加藤ロー(🔁)サ 配音(📳)）。紧(🚯)张(zhāng )的战斗与快乐的游玩，却未(💕)(wèi )察觉(🎸)危险正(🗃)悄悄逼进。小智(zhì )遭到噩梦精灵(🔖)达库(😚)莱伊的(🦄)袭击(jī )，虽然达库莱伊被(🔴)当地所(🧑)有(yǒu )人(🕔)讨厌，但是它似乎想将某(mǒu )种危险、(🎎)恐(🛃)怖的(🐀)信息及(🥇)时传给(gěi )小智一(📦)行，关于(⚾)时空之(🦄)塔的(de )秘密即将揭开…… 铃可是一(yī(🛄) )名时空(🛒)巡逻员(🦏)，某日，在巡(xún )逻之中，她发(🚡)现战国(🍵)时代(➕)即将(jiāng )发生打乱，于是决定穿越(💉)到(dào )那(🎯)个时代(🎸)，解除危机，没想(xiǎng )到在穿越的过(⬛)程中(🛳)，铃可竟(📥)然(rán )遭到了莫名的敌人(🤰)的攻击(⚡)，兵荒马(👆)乱之中，铃可来到了(le )二十世纪，刚刚好(🥘)跌(🌳)落到(🍇)了男(ná(🍽)n )孩野原新之助（(🔜)矢岛晶(❕)子 配(pè(🏜)i )音）家的庭院之中。 于台湾(wān )大禹山(🚐)及宜兰(📮)平原等(💞)地取景(jǐng ). 皇上染病, 太子(🤶)往華山(🏫)為父(👜)求福(fú ), 將軍上官雄護送. 王爺要(🎙)殺太(tà(📃)i )子奪位(🦅), 其心腹大臣晉福僱鐵(tiě )面虎中(🕸)途埋(🔬)伏(🛣), 危急(🎦)中雄把太子(zǐ )空座駕推(🈶)下懸崖(🦌), 但另一(🥙)殺手(shǒu )達勒發現. 虎, 勒追蹤太子而至(🛄)(zhì(🤡) ), 幸小(📫)白龍及(🥝)時出手, 救回太子(🔦), 並(bìng )送(🍷)太子等(🌥)上路. 勒與虎暗伏山(shān )路, 龍引勒交手(🚍), 勒不敵(👯)被殺. 雄(🙎)(xióng )帶太子離去. 王爺準備(🎈)親自下(🧙)(xià )手(🛋), 他到華山禪院殺掉主持及眾(zhò(🎮)ng )僧, 然後(🐿)以其手(🐚)下代之. 太子來(lái )到, 雄發現主持(💒)乃虎(🍿)所(🚢)扮, 立(🛸)即(jí )帶太子逃走, 龍與王(🕌)爺苦戰(👓), 終於(yú(🌒) )把他殺掉. 钟镇涛是香港一家(jiā )广告(🤢)公(👎)司的(🦐)负责人(🌖)，与模特(tè )儿胡茵(🚤)梦在事(🦂)业上合(📣)作得极为(wéi )成功，已论婚嫁，在胡茵梦(⛹)(mèng )生日(🌉)那天，钟(💴)发现她对他不(bú )忠，伤心(🕴)之下去(🛥)外面(🚠)散散心(xīn )。 It's the old dark house plot again with added gore. Foolish young people take shelter in in old house or in this case, hotel and all hell then breaks loose. Not one of the most original stories in the field of horror films and sadly there is nothing really new in this made for TV movie. Other than the only known case of death by washing machine that is! Made in 1989 but looks even more dated than that, the jocks and bimbos in the American splatter films were pretty air-headed but they were always far worse and incredibly stupid in the European ones. Anyone with an ounce of sense would see what a 'con-damned' building this house was and run for the hills. These just wait around aimlessly to be picked off by the forces of evil. The sound dubbing isn't very good either and somewhat annoying as none of the voices seem to be in tune with the actors. And the small child while I guess, is supposed to be cute is just a major pain in the backside. But then again, none of the cast are sympathetic and you don't really care what happens to them. Thus it rattles onto a dull finale and disappointment. Like a lot of Spanish and Italian films in this genre, the horror effects happen for no rhyme or reason, just to try to elicit a scare. There has to be some bounds of credibility and logic in even the most dopey plots.