安·雪莉是一個紅髮(fà )的少(shǎo )女(nǚ )，她是一個(🌏)孤兒。故(🤑)(gù )事的(⬛)開始是(👖)說島(dǎ(🤖)o )上一(yī(💿) )對兄(xiō(🍅)ng )妹要領(🎾)養一個男(nán )孩(hái )來幫忙農務，但領(lǐng )養(yǎng )中心卻誤送(🚥)了一個(🗣)女(nǚ )孩(🧘)給(gěi )他(🎫)們，但這(🖋)個女(nǚ(🐚) )孩最(zuì(🕢) )後還是住了下來(lái )，這對單身的兄妹分別(bié )叫作(zuò )馬(⛏)修·卡(🖊)斯巴德(🤬)(dé )和瑪(👞)(mǎ )莉拉(👮)，他們住(👇)在(zài )愛(🗾)德(dé )華王子島的艾凡里(lǐ )鎮上(shàng )。安有著豐富的(de )想像(🔴)(xiàng )力且(🍿)能言善(🐻)道，更有(🚸)(yǒu )著(zhe )創(✨)作的天(🏔)份……(😴)。
An accident-prone Danish girl arrives in Canton to take a dignified post in a rich Chinese family, but lands instead in a brothel where she is tortured and held prisoner until rescued by the Danish Consul, helped by an overseas Chinese (played by Henry Sze) whom she had met on the ship.
Survives complete with color sequences. Directed by Cecil B. DeMille. (Color was billed as the "DeMille-Wyckoff Process")
Survives complete with color sequences. Directed by Cecil B. DeMille. (Color was billed as the "DeMille-Wyckoff Process")
《野猫》讲(💇)述了男(nán )主人(rén )公像(xiàng )山里的野猫 有一(yī )股(gǔ )野劲(🆚)，最后终(🔱)于收(shō(🦎)u )获(huò )了(🚶)爱情。
本(⬛)片又译(🚅)作(zuò )《党(😼)(dǎng )同伐异》，是D．W．格(gé )里菲思最具创作(zuò )野(yě )心的作(🐯)品。由于(🚤)受到(dà(🏋)o )《国(guó )家(🥏)的诞生(🕛)》惊人(ré(👜)n )卖座(zuò(🍱) )的影响，格里菲(fēi )思遂(suí )再接再励拍摄一部(bù )场面(mià(🌂)n )更大，内(🏫)容更有(🖋)(yǒu )深度(🅿)(dù )的影(🙄)片。他花(🍸)了(le )一年(😿)(nián )半(bà(🈂)n )的时间，动用了二百(bǎi )万美元的制作费(fèi )，拍(pāi )摄成片(👰)长220分的(😇)巨片（(❎)原(yuán )版(🚗)长480分）(🎼)。可惜本(👧)(běn )片(pià(👇)n )在1916年9月于纽约公映时(shí )，并(bìng )没有受到预期的(de )欢迎。本(💙)片所以(🗿)卖座(zuò(🔀) )失(shī )败(🏌)，原因很(🛏)多，最主(🈶)(zhǔ )要是(🌼)(shì )格里菲思在本片(piàn )所采(cǎi )用的故事结构太(tài )复杂(🐣)，导演手(🚥)法已超(🔎)越(yuè )当(🥢)时(shí )观(🏇)众的接(🥖)受能力(🗽)(lì )。加(jiā(🐸) )上主题过于严肃(sù )，其(qí )中(zhōng )提倡的宽容和反对暴(bà(🔀)o )力的论(🤩)调跟当(👝)时(shí )美(✳)国(guó )的(🔐)高昂参(🏵)战情绪(🤦)引起(qǐ )冲(chōng )突，因此未能受到(dào )普(pǔ )遍欢迎。不过，人们(🐤)(men )却不(bú(✖) )能否认(🥩)这是一(🐻)部(bù )电(🕙)影艺术(⌚)上的不(🍃)朽杰(jié )作(zuò )。《忍无可忍》由四(sì )段不(bú )同时代发生的故(🍤)(gù )事组(🍟)(zǔ )成：(🐳)巴比伦(🛀)的没(mé(🕚)i )落、耶(🚆)稣基督(😄)的受难(💁)、法国(guó )的圣巴托罗米宗(zōng )教大(dà )屠杀，以及二十(shí(🧠) )世纪(jì(🧙) )初(chū )美(🗽)国的劳(🗓)资冲突(🎪)。格(gé )氏(🌙)描述他(🤬)自己的(de )构想(xiǎng )：“四个大循环故事(shì )好(hǎo )象四条河流(🔉)，最初(chū(🐾) )是(shì )分(🔛)散而平(😱)静地流(🍩)动着(zhe )，最(🕝)(zuì )后却(🔺)汇合成一条(tiáo )强大汹涌的急流"。本(běn )片(piàn )一开始，是一(🏉)个母亲(😺)(qīn )推摇(🚽)(yáo )篮的(🥢)镜头，插(🐲)入(rù )惠(🔗)特(tè )曼(⚪)的诗句(🔱)：“如(rú )今如同昨日，世间的人(rén )情变(biàn )化循环无穷。摇(🚝)(yáo )篮摇(😌)(yáo )动着(💈)，为人类(🌙)带(dài )来(🐧)同(tóng )样(🔻)(yàng )的激(🛄)情，同样的优乐(lè )悲欢。"这字幕之(zhī )后，展开第一个作为(⛽)(wéi )全片(🔪)(piàn )基(jī(🕋) )调的现(🐮)代篇故(📺)事。随(suí(🌃) )着剧情(🏳)的进展，导演(yǎn )经常(cháng )切入另外三段故(gù )事，成为四段(🦁)平行发(🍦)(fā )展(zhǎ(🐘)n )。最后，画(🔩)面仍回(🐻)到(dào )母(✅)亲(qīn )和(⏳)摇篮，呈(🚨)现出(chū )“人(rén )类从不容异已到(dào )宽容的进化"的主题。作(🐾)(zuò )为故(🔸)(gù )事核(❓)心的现(🏿)代篇(piā(🆒)n )“母(mǔ )与(🌮)法"，内容(🛡)描述(shù )四个(gè )失业的男女工人从小镇(zhèn )来到都市中(🌞)找工(gō(🤲)ng )作，有人(👒)误入歧(🆘)途，有人(⛓)(rén )渴(kě(🏤) )望过正(😫)常的家庭生(shēng )活(huó )。正派的男主角被诬(wū )陷为(wéi )杀人(💯)凶手，被(🧦)捕(bǔ )后(😋)判处死(🐒)刑。行刑(🥎)之(zhī )日(🍴)(rì )，真凶(🌹)良心发(📼)现，在(zài )最危(wēi )险的一刻将男主(zhǔ )角救(jiù )了出来。从这(💿)个(gè )故(🖍)事中，可(🔧)以看出(🥍)二十(shí(🐴) )世纪(jì(🉐) )初期美(😯)国的一般(bān )社会(huì )状况：农村不安(ān )定，都市阴暗而(🎤)复杂、(🌞)劳工(gō(🦁)ng )生活困(🚇)苦、法(🌤)律(lǜ )问(🎣)题(tí )重(🏻)重等。格里菲(fēi )思在(zài )本(běn )片中进一步表演他(tā )在(zài )“平行剪(👺)接"方面(🎺)的杰(jié(🉐) )出才(cá(🌮)i )能。他利(💒)用四段(👊)(duàn )故事(🛴)中的类似情景作(zuò )比(bǐ )较剪接，使分散的情(qíng )节显(xiǎ(📬)n )得统一(🚮)有力，并(🏨)(bìng )因类(⏰)(lèi )似镜(⏬)头的多(🕧)次重(chó(🚇)ng )复而使剧情产生出热情(qíng )奔放(fàng )的情绪高潮。譬(pì )如(😁)有(yǒu )一(🍷)段镜头(🛍)是这样(🐓)(yàng )剪接(🌋)(jiē )的：(⛓)一、耶(🎿)稣基督被士(shì )兵押着前进；二(èr )、巴(bā )比伦的村女向情(qí(🔻)ng )侣奔(bē(🆑)n )告(gào )国(🍾)王的危(💁)急；三(🚘)、现(xià(🔗)n )代的少(🎥)女拚命为救她(tā )的爱(ài )人而奔走；四、在巴黎大屠(🔀)杀中，新(📆)(xīn )教(jiā(😇)o )徒企图(📈)在群众(😈)骚乱的(⏫)(de )街道(dà(🚟)o )上援救未婚妻。格氏(shì )利用移动摄影、镜头、划过镜(🚢)头等技(🍱)巧(qiǎo )连(🥞)接(jiē )四(⛳)段平行(🕳)发展的(🌏)(de )情节(jiē(🚪) )，节奏紧凑流畅(chàng )。格(gé )氏甚至在个别的故事片(piàn )段中使用短(🤳)短的(de )倒(🛸)叙(xù )技(✖)巧（FLAXHBACK）(💐)来交代(🎠)(dài )情节(jiē )，显见(Ⓜ)他的“电影文(wén )法(fǎ )"的确比同时代的导演(yǎn )高出(chū )很(💾)多。除此(🖋)之外(wà(🤹)i )，格氏在(🗽)本片中(🤢)亦首(shǒ(🏳)u )创(chuàng )“大(❗)特写"和“大远景(jǐng )"的镜(jìng )头，以加强观众(zhòng )的心(xīn )理感(💏)觉（如(🐫)：特(tè(📈) )写女人(🛰)紧握的(👏)手，表现(🚎)(xiàn )她在(🕧)(zài )听到丈夫判死刑(xíng )的消(xiāo )息时的焦急；以(yǐ )大远(yuǎn )景拍(🏹)摄资本(💜)家独坐(🏳)办公(gō(😌)ng )室中，暗(🔵)示他庞(páng )大的(🔞)(de )支配权力）。他(tā )又利(lì )用(yòng )影片染色的方法来(lái )加(🙌)(jiā )强各(🔈)种特殊(🙎)效果（(🎩)如(rú )夜(🏪)景(jǐng )用(🌪)染青色(🤕)的影片(piàn )、点灯的房内用染黄(huáng )色(sè )的影片、巴比(🌦)伦城火(➖)(huǒ )烧时(🍸)(shí )用染(🍲)红色的(🕷)影片(pià(👵)n )）。这种(🎃)影片染色方(fāng )法虽非格氏首创，但却(què )没有(yǒu )人像他这样在(🐩)一(yī )部(🥠)电(diàn )影(⏩)片中大(🏾)胆的全(🍊)(quán )面采(cǎi )用。令(🚌)人惊异的是，这(zhè )样一部内容复杂(zá )的大(dà )制作竟然(➡)由始至(😷)(zhì )终没(🚆)(méi )有(yǒ(🎡)u )一个完(📟)整的剧(🕘)本，而(é(⏩)r )只是靠格里菲斯的临(lín )场即(jí )兴创作而成。此(cǐ )外，本(⛩)片也没(🍒)有任何(⛱)(hé )布(bù(👎) )景的设(😏)计图，但(🌡)格氏(shì(💐) )却能(néng )够命人搭盖出宏(hóng )伟得(dé )哧人的巴比伦布(bù )景。在拍(♉)摄巴比(🎏)伦攻耶(🕖)(yē )路撒(🐩)(sā )冷的(🍏)场面时，更(gèng )在(👗)一(yī )天之内同时动用(yòng )一万(wàn )五千名临时演员和二(😎)百(bǎi )五(🎢)十辆战(🎐)车。他(tā(🧟) )这种(zhǒ(☔)ng )大手笔(💌)使得当(⛱)时(shí )意大(dà )利(lì )出品的历史巨片也(yě )瞠(chēng )乎其后，由(🧟)此也可(🤧)以(yǐ )看(🐔)出(chū )格(♍)氏对自(💙)己的创(🤵)(chuàng )作能(🎽)力如何自信。或(huò )许(xǔ )正如格氏自己的格言(yán )所说(shuō )：“艺术(🚻)经常都(🉐)(dōu )是革(👃)(gé )命性(☕)的、爆(🐮)炸性(xìng )的，以及(🎽)轰轰烈烈的"。看《忍无可忍》一片(piàn )幕前(qián )幕后的表现，可(🔢)(kě )知格(😔)(gé )里菲(🔄)思的确(🦃)是一个(📤)身体(tǐ(🦏) )力行的(🐋)艺术家。
Based on Shakespeare's play: As Venice welcomes their victorious general, Othello the Moor, back to the city, some of them are waiting for Othello to choose his new lieutenant, while others are busy courting the popular Desdemona, the daughter of a Senator. Othello chooses the loyal Cassio as his lieutenant, arousing bitter jealousy in Iago, another soldier, who vows to scheme against his general. That same night, Othello elopes with Desdemona. Othello is soon sent to Cyprus to repel a Turkish invasion, and he arranges for Iago and his wife to bring Desdemona with them to Cyprus. When Iago's wife learns of a treasured handkerchief that Othello gave to Desdemona, this provides Iago with an idea that he hopes will destroy Othello by provoking him to jealousy.