一个(gè )青(🛑)年认为自己现在(🥉)的生活(huó )不是(shì(🖍) )自己(jǐ )所要的，因(🛳)此投(tóu )奔到一个(🏅)无家(🅾)(jiā )的在荒郊开了(🐓)废(fèi )车收(shōu )购站(👬)(zhàn )而自得其(qí )乐(😺)的东欧老移民(mí(😡)n )。这(zhè )个老(lǎo )人毕(⛓)生理想就是像鸟(🍀)一样(🛢)(yàng )飞翔(xiáng )，他(📺)(tā )最(😝)后凭风而飞二(è(📷)r )十英里而(ér )死，完(🔠)成了自己的天赋(🍾)生(shēng )活。和老人一(🏆)(yī )起的时间使青(⛓)年(nián )懂得(dé )了要(🤾)(yào )过率性的生活(🛢)，但他的“性”和老(lǎ(🏉)o )人的并不一样，他(👵)怎样才(cái )是率(lǜ(🤓) )性呢(➡)，他虽不喜欢现(xià(🚸)n )代生活，但现(xiàn )代(🕞)性也已割舍不(bú(📭) )去，成为(wéi )自己的(🔍)“性”的一部分，影片(👧)(piàn )的结(jié )尾他陷(👫)入了(📼)迷茫。老庄故(🤤)(gù )事(😆)的(de )现代(dài )版。
いた(🥚)いけな少女を無(💏)(wú )理矢(shǐ )理犯し(🌵)、売春を強要(yà(🔲)o )させた男。彼(bǐ )に(🕺)復讐を誓う少(shǎ(🚩)o )女たちの友情を(🙅)描く。現在正統派(🐍)(pài )女優(yōu )として(🍰)活躍(🛵)する美保純(💳)の濡(✌)れ場が見もの。
"奸(🤲)母"，杀戮(lù )，与《残酷(🆗)食(shí )人族》，如出一(🤯)(yī )辙，意大(dà )利超(🎼)真实(shí )恐怖片经(👺)典之作(zuò )。不(bú )完(🚶)全(quá(🏘)n )是由头杀到(👂)完场(🧦)，至少它(tā )有一(yī(🎙) )两场(chǎng )"床戏"与裸(📞)女，更(gèng )有"奸母"的(📪)(de )异象(xiàng )，满足大部(🌦)分(男性)观(guān )众的(📁)愿望。它(tā )的拍摄(🚱)手法亦不(bú )算太(👮)(tài )粗烂(làn )，布景不(🕍)差，丧尸的化妆(zhuā(⚾)ng )尤其(🚢)(qí )好。演员演(🦎)出也(🆎)算不俗。其实(shí )是(🚐)七(qī )、八十年代(🔯)意大利外(wài )销美(♟)国的B级商(shāng )业电(✖)影的代表作(zuò )。
一(🆙)(yī )心要(yào )为父报(👟)仇(chó(🖊)u )的孤独求败，欲(yù(🔜) )杀李(lǐ )寻欢(huān )，月(📚)神也唆使寻欢之(🦉)子李(lǐ )坏去(qù )杀(📊)寻(xún )欢，但李寻欢(🚙)揭(jiē )穿了恶人(ré(🔹)n )的阴(yīn )谋，父子相(🍬)认，合力(lì )将恶人(🍱)杀死。
讲述的是皇(👆)后生(shēng )了个(gè )肉(📢)球(qiú(💾) )，皇帝认为是(🏃)妖孽(📆)，命人(rén )将其(qí )丢(🏣)弃(qì )。但是好人的(💗)宰相把肉球(qiú )把(🐙)到(dào )河里，还把玉(📢)配放在(zài )襁褓里(🎚)，希望(wàng )有人她福(🔀)大命(⚪)大(dà )。肉(ròu )球被(bè(👕)i )7个受巫师诅咒的(🤲)将军（也(yě )就是(👯)(shì )小矮(ǎi )人）无(🦌)意中拣到，剖开后(🍢)(hòu )是个(gè )女婴(yī(🎳)ng )……临国王子迷(📓)(mí )失在森林，遇(yù(💋) )到了长大了的女(🍗)(nǚ )孩，他们一见钟(🆗)情(qí(🏁)ng )……两个巫师控(🥐)(kòng )制了(le )该国(guó )的(🥂)一切，也从水晶球(🏞)里得(dé )知了(le )女孩(😂)(hái )就是当年被丢(🌬)弃的公主，夏洛(luò(🛴) )巫师抓走了公主(📝)，王(wá(🌏)ng )子在小仙女的(de )帮(🧘)助下踏上寻找(zhǎ(🥝)o )消灭(miè )巫师(shī )宝(📜)剑的路……
As a group of Danish children pass into adolescence, gradually the most popular girl becomes an outcast, for trivial reasons that she never understands.
The stage comedian Carlo Verdone directed and stars as the three main characters -- Furio, Mimmo, and Pasquale -- in this classic Italian comedy. All three men are driving back to their hometowns to vote on election day, and each has a different story and a different though easily recognizable personality type. The movie follows by a year Un Sacco bello (1980). Both the movies are just a kind of "collage" of all Verdone characters played during his TV shows in the '70s. Nevertheless clearly we are in front of his first steps as film director, Carlo demonstrated already his big talent to underline trough his comedies the Italians and their defects. For anyone interested in Verdone cinema this is a must. For everyone happy to see a fine comedy about Italians this is a must. To have funny time in the Verdone's way this is a must. Twenty-four year later this "Bianco, rosso e Verdone" is still actual and unequaled. A must see.
武林(👩)盟主俞(yú )放鹤(hè(🚲) )，声(shēng )望极高。惟对(⛲)名利甚为淡(dàn )薄(🕰)，欲退(tuì )出武林。某(🌞)夜，武林高手夜袭(😇)(xí )俞宅，俞放鹤中(🔗)(zhōng )毒(🍠)，其子俞佩玉目(mù(📡) )睹父亲中毒身亡(🔘)(wáng )，哀(āi )伤至(zhì )极(🚛)。俞佩玉悲愤出走(💙)，欲(yù )寻找(zhǎo )仇家(🏩)(jiā )。然而此刻俞放(🐣)鹤已被拥(yōng )为武(🦉)(wǔ )林(🏝)盟主，俞佩玉不相(🍧)(xiàng )信此一事实，仍(🎽)然继续其行程(ché(🥗)ng )。途(tú )中为(wéi )武林(🍖)高手屠杀，而误入(🐱)杀(shā )人。...