Basically the story takes place during the end of the Pacific War and the aftermath period and it focuses on Mizoguchi, who is the son of a Buddhist Priest. When his father dies, he’s sent to the Temple of the Golden Pavilion in Kyoto. Mizoguchi is physically unattractive and becomes, in some way, jealous of the beautiful Temple that he loves so much.
The true story of a young woman named Sybil, whose childhood was so harrowing to her that she developed at least 13 different personalities.
七十年(nián )代出(🌅)品的大(🍤)型战争片之一(😟)，焦点是(🍮)美国(guó )与日本(😂)海军(jun1 )对(🐟)垒的中途(tú )岛(🐒)战役。在(🧤)(zà(🥥)i )当年的一批同类(lè(🌚)i )电影之中，本片不算是(🥋)(shì )突出之作，导演杰克(🔘)．斯米(🎨)特的处(chù )理手(🍶)法相对(🌞)比较(jiào )平庸，但(💄)超(chāo )级(🐭)明星阵容(róng )却(⏯)可以令(🤒)今(jīn )天的观众(🔈)重(chóng )睹(✉)上(📶)一代巨(jù )星风采，而(🤩)海战(zhàn )的场面也实(shí(📿) )在拍得逼真(zhēn )，使本片(📠)仍(réng )维(🎹)持了相当(dāng )的(🧡)趣味性(⛩)。主演的巨星包(📻)括(kuò )：(🏊)查尔顿．赫斯(🚬)登、亨(👪)(hē(🧀)ng )利．方达、格伦．(🧖)福(🙋)特(tè )、罗伯特．米(👤)彻(chè )姆、克里夫(fū )．(😂)罗布森(🥧)、詹姆斯．科(🔖)(kē )伯恩(🧓)、三船(chuán )敏郎(🐛)。当时(shí(💀) )还是新人的汤(🌠)姆(mǔ )．(🤢)塞莱克也(yě )露(🕴)脸演了(📹)一(💆)(yī )个小角色。
拍摄过(🌟)程
女(nǚ )主角为了要(yà(⛩)o )迎接远道而来的(de )男友(👒)而在豪(🎚)(háo )雨中出了家(📒)(jiā )门。就(🔘)当女(nǚ )主角接(🎊)到男(ná(🔽)n )友时，没想到在(🥙)镇上因(🏩)为(🧛)高(gāo )压电的关系(xì(🔉) )而(📀)巨大化的(de )蠕虫开始(🔰)袭(xí )击小镇上的(de )所有(📋)居民。。。
Judas, a wealthy playboy living in Hong Kong, is obsessed with snakes. His apartment is full of them, and he treats them as if they were his children. One night Judas' brother persuades him to accompany him to see a dance act at a nightclub. Judas is astounded to see that the act consists of a beautiful Asian woman who dances nude while holding a python. He is immediately smitten, and winds up hiring her to take care of his snakes while he's away on business. However, things start to take a sinister turn.
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
萧(🍲)依云（林(lín )凤(🤓)娇 饰）(🦆)自(zì )幼生活在(🧛)父(fù )母(🚶)的疼爱之(zhī )中(🌉)，长大之(🚥)(zhī )后又嫁给了(🕹)深爱(à(🆎)i )的(👶)男人高浩(hào )天（秦(🕐)汉 饰(shì )），生活十(shí )分(👄)幸福美满(mǎn )。在做家教(😶)(jiāo )的过(👤)程中，萧依(yī )云(🏯)结识了(🐻)名(míng )为俞碧菡(🐳)的(de )女孩(😳)。俞碧(bì )菡的人(💎)生和(hé(🌦) )萧(🎍)依云截然相反，过着(❣)寄(📤)人(rén )篱下的日子(zǐ(👼) )，常年遭受(shòu )继母的虐(👜)待(dài )。