名侦探柯南644

根据真实案(àn )例改编(biā(🐶)n )，女(⛅)主角原(yuán )型来自(zì )Ruth Ellis,英国历史(🚲)上(🤑)(shàng )最后一(yī )个被执行死(sǐ(🎠) )刑(🥂)的女人。 1944年9月底(dǐ )，悲剧性的(🕖)(de )华(📅)沙起(qǐ )义已接近尾(wěi )声，一(yī(⬛) )支(🏫)波兰“国(guó )家军”在中尉查德(💀)(dé(🏩) )拉（Wienczyslaw Glinski 饰）带领下驻(zhù )防一(🕝)栋(🎅)破(pò )败的建筑(zhù )。华沙市(shì(🤒) )内(🗽)被德军分(fèn )块切断(duàn )，与家人(🚱)失(🛠)(shī )散的作(zuò )曲家米考只(zhī(⏺) )好(🏀)在这(zhè )支30人小队中(zhōng )栖身(📆)。悬(🎊)殊的军事(shì )差距让战士(shì )们(🤢)心(🥂)灰(huī )意懒，米考(kǎo )的钢琴(qí(🍠)n )声(💅)有些怪异(yì )的飘荡(dàng )在废(📴)墟(🧥)上空(kōng )。德军的小型攻势(shì )很(🙉)快(🌌)让队伍(wǔ )无法招(zhāo )架，全员(👥)进(🏛)(jìn )入下水(shuǐ )道转移阵地(dì(🌀) )。 导(🤱)演(yǎn )：黄域 Kathy is a smart and tough 1950's advice columnist at a San Francisco newspaper, with her name plastered on billboards all over the city. One day, Bill Doyle, a Los Angeles detective, walks into her office - it is instant attraction. After marrying Bill, Kathy gives up her career and becomes a homemaker. However, she is not your typical 1950's homemaker. After hosting several cocktail parties in their San Fernando Valley home, she realizes that Bill is content with his position, and shows no ambition in furthering himself. Kathy will not sit idly by while everyone around her is "moving up in the world". She personally takes upon herself the task of pushing Bill's career along, even if it comes down to murder.@ 1916年，第一次世界(🍮)大(🧘)战期(qī )间的法国(guó )，德法两(liǎ(❗)ng )军(🗻)的战争(zhēng )如火如荼。值此关(🥪)(guā(🎎)n )键时刻，法(fǎ )国陆军(jun1 )将军布(🏺)洛(🥎)拉(lā )德（Adolphe Menjou 饰(shì )）向陆军上(shà(🏒)ng )尉(🦓)达克斯（柯克·道格拉斯(🐆) Kirk Douglas 饰(🏉)(shì )）率领(lǐng )的部队下了(le )一(🧠)道(➿)命(mìng )令：不惜一(yī )切代价(jià(🔂) )攻(🚠)下德军占(zhàn )领的安特山。军(🍜)令(㊗)(lìng )如山，即使(shǐ )前方刀(dāo )山(🌭)火(👯)海，战(zhàn )士们仍(réng )拼死向前(🕸)冲(🈴)(chōng )去。结(jié )局可想而知(zhī )，在敌(🐨)人(⌛)密集的炮(pào )火下，法(fǎ )军冲(🍐)锋(⏪)失(shī )败，伤亡(wáng )惨重。为了(le )掩(💈)盖(👓)自(zì )己的指挥失(shī )误，布(bù )洛(📿)拉(🐊)德抓捕(bǔ )三名无(wú )辜士兵(🕳)作(🏜)代(dài )罪羔羊，以临阵脱(tuō )逃(📜)等(🐨)罪名将(jiāng )他们判(pàn )处死刑。为(💛)(wé(🏥)i )了士兵(bīng )的利益，达(dá )克斯(✒)上(🈁)(shàng )尉奋力争取(qǔ )，却在这一(❌)过(🏄)程中(zhōng )渐渐看清军(jun1 )官和战(🦃)(zhà(🛫)n )争的丑恶…… 敗戦(zhàn )－－新(🤾)京(😄)や奉天の女学校から看護(💡)婦(🔢)として前線(xiàn )へ動員され(🕣)て(🖊)いた白蘭部隊(duì )と呼ばれた(🚬)女(💰)学生(shēng )達は間もなく全員(🐟)(yuá(🔃)n )共産八路軍(jun1 )につかまって(🖖)し(🎉)まった。そして彼等(děng )の後方(💴)野(📣)戦病院の看護婦として徴(🤪)用(🦑)(yòng )されることになった。そ(🥊)の(🔡)病(bìng )院には、宗方軍医(yī(😨) )中(💳)尉他二人の軍人(rén )が徴用さ(😰)れ(😓)ていたが、宗方は外科手(🈸)(shǒ(🚄)u )術の腕を買(mǎi )われて、捕(🌖)虜(💳)としては破格(gé )の待遇で働(🌽)い(🚿)ていた。彼はアル中の虚無(😈)的(🖇)な男(nán )だった。日本人墓(mù(👯) )地(🥍)で白(bái )蘭部隊のさびしい卒(💱)業(🌥)式が挙(jǔ )行された日、彼(⛰)女(🔉)(nǚ )達にとって最悪の事件(😐)が(🍋)もち上った。前線から引き(⛪)揚(🤚)げて来て気(qì )の荒くなって(🐒)い(🧚)る八路軍の兵(bīng )隊達が、(✍)彼(🔟)女達を襲ったのである。生(📅)徒(📠)たちをその野(yě )獣共から護(🦇)る(🥝)ため、引率教(jiāo )師とみ子(🏵)は(👁)到々犠(xī )牲となってしま(🌤)っ(🍩)た。宗方は半狂乱(luàn )になって(📡)自(🍁)(zì )殺しようとするとみ子(🅾)を(😆)押えつけながら、彼自(zì(😷) )身(🤐)もまた彼女に対(duì )する愛(🏯)(à(🛩)i )情が身体の中から湧き上っ(🚡)て(❔)くるのを感じた。終戦後一(💾)年(🧐)(nián )、その頃、国府軍(jun1 )に圧(🤐)さ(🛥)れて、戦局(jú )は日毎に八路(🆔)軍(🍴)に不利となり、町から急(🐑)に(⛷)撤(chè )退することになった(👙)。こ(💚)の機(jī )に日本(běn )人は、旧日(📴)(rì(🎉) )本軍の集結地へ脱(tuō )走す(🉑)る(📔)事になった。脱走した白蘭(🌦)部(🏔)(bù )隊は、集合(hé )地附近(jì(🔆)n )の(🌂)山中で、敵の包(bāo )囲攻撃を(💋)う(🚮)けて苦戦中だった。そこへ(🚖)後(🔝)から脱(tuō )走した宗方(fāng )の(🧛)運(🗒)転(zhuǎn )するトラックが現(xiàn )場(🤕)に(🖲)到着した。そのトラックで(🐉)女(🚖)学生達と一緒(xù )に逃げよ(🏕)う(👑)とした時、宗方(fāng )は背中に(🥡)敵(🕠)(dí )の一弾(dàn )を受けてしま(💥)っ(🧕)た。グッとのけぞった彼は(📃)、(🅱)まるでとみ子とトラック(🕍)を(🕓)突きのけるようにして路上(✋)に(🤠)転落した。「あーッ」とい(🚩)う(🎗)悲鳴とともに、続(xù )いて(🚐)自(🛫)分も飛び下(xià )りようとする(🔝)と(😞)み子、必死にすがる女学(🎟)生(💉)達。ガックリ路上に伏(fú )し(🚴)て(⛷)動かない宗方を残して、ト(⛵)ラ(🏴)ックは次第(dì )に遠ざかっ(🏤)て(🅾)行った。 Nickie Ferrante（加里(lǐ )·格兰特(👃) Cary Grant 饰(🎎)）是一(yī )个游手好闲的有(🌪)钱(🚅)(qián )人，在一艘(sōu )游轮上(shàng )邂逅(🍋)了(🧛)Terry McKay （黛(dài )博拉·蔻儿 Deborah Kerr饰）。两(🔠)人(🐶)相谈甚欢，Nickie更(gèng )是船临时靠岸(⚽)的时(shí )候带着Terry去了(le )一个乡(xiā(🏀)ng )镇(🧛)上看望了(le )他的奶(nǎi )奶，Terry发现(🎵)了(🎿)(le )Nickie在油画上的天赋。两人间情(🌯)愫(🏂)暗生。船到了终(zhōng )点站纽约，两(🔖)人(📀)要(yào )分开了，约(yuē )定半年(niá(🤓)n )后(💼)在纽约帝(dì )国大厦(xià )顶层(🛐)重(🏥)聚。半年后，Nickie独自一人(rén )在帝国(🔍)大厦从白天(tiān )等到天黑，未见(🏜)Terry的(🕌)(de )踪影，失望(wàng )而去。而另一边(✖)，Terry却(🔥)在赶来的路上发(fā )生了车祸(😃)而无法到(dào )达。不能走(zǒu )路的(🙁)Terry不(⏲)(bú )愿再去寻找(zhǎo )Nickie，却偶(ǒu )然(⛴)在(⏩)半年后(hòu )的一场舞会上又见(㊗)(jiàn )到了Nickie，此时的Nickie已经(jīng )是小有(🐔)名(🕴)(míng )气的画家(jiā )。Nickie费尽心(xīn )思(🍚)终(🌐)于找到(dào )了Terry的住(zhù )所，准备(🛩)再(🐌)(zài )次追求(qiú )Terry的芳心。到(dào )底这(🈸)段波澜不断的(de )爱情结果会如(📅)何(🏰)？ EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.