本片改编自(zì )德国(🗡)作家雷(léi )马克的同(🎽)名小说(🤟)(shuō )，围绕一名在(💾)一(yī(📝) )战(zhàn )中(🦋)的普通德国士(📡)兵保罗·鲍曼（理(⛹)查德(dé(⛳) )·托(tuō )马斯 Richard Thomas饰(🧟)），作(🔒)(zuò )为(wé(🚑)i )整个西线残酷(🐋)战争中(🏅)的小(xiǎo )小缩影。战争(💤)的(de )残(cán )酷性和(💚)毁灭(🐰)性(xìng )使(➗)他的英雄(xióng )主(🍢)义彻(⏹)底(🔏)破灭。保罗从迷恋战(🍦)争(zhēng )到(dào )目睹战争(🌕)后的(de )心(🚥)灰意冷，他才意(🚼)识到(🏑)战争(zhēng )的恐怖及其对(🈂)人(rén )性(xìng )的摧残。尾(🔓)声(shēng )，死(🚇)一般沉(chén )寂的(🐟)前线(🍐)出现了(🍗)(le )鸟鸣，保罗循声(📫)(shēng )而(ér )找。突然一句(🤡)战地报(😜)告打(dǎ )破了这(👨)短暂(💏)的(de )宁(ní(📳)ng )静(jìng )与和谐，影(🌞)片(piàn )在(🉑)(zài )“西部前线一切平(🖨)静”中(zhōng )结束。
一(🥂)个男(🛤)人(rén )和(🀄)(hé )一个女人在(🐋)晚(wǎ(😘)n )餐(😽)时偶然相(xiàng )遇在一(😆)个浪漫的(de )旅店。尽管(🔅)两人(ré(⛳)n )都(dōu )已结婚，但(👛)第(dì(🎿) )二天早上，他们发现自(🌫)己在(zài )同一张床上(😎)，质(zhì )疑(🆘)(yí )这一切是怎(🎴)么(me )发(⚡)生的。他(😕)(tā )们同意每年(❤)在(zài )同(tóng )一个周末(🍙)见面。最(🕵)(zuì )初是舞台剧(🔸)，两个(🍬)人在不(🗄)(bú )同的场景中(🧙)，在(zài )同(🍠)(tóng )一个房间里不(bú(🏻) )断(duàn )变化。每一(📋)个都(🥐)是按时(🧒)间(jiān )表出现的(⏰)，但随(😎)(suí(🕤) )着(zhe )时间的推移，每个(🍴)人都会(huì )有一些个(☔)人危机(🕧)(jī )，而另一些人(🔓)则(zé(🌚) )会(huì )帮助他们度过(guò(🌱) )危机，他们(men )往往都不(😪)知道发(👑)(fā )生了什么。
《風(👦)(fēng )流(✔)(liú )斷劍小小刀》由張徹(🚲)的愛(ài )將狄龍、傅(😌)聲(shēng )攜(💆)(xié )手合作，集合(🤰)了(le )當(👾)(dāng )时兩(🚍)大武俠巨星，延(👿)續兩(liǎng )人俠骨仁風的(de )硬(yì(🔠)ng )朗(lǎng )形象。故事(😪)描(miá(🔨)o )寫(xiě )大(🥣)俠段長青（狄(👗)龍）在(🍽)一(yī )小鎮得遇名妓(🖨)柳(liǔ )銀(yín )絮（施思(📝)），柳懇(🦐)求段殺(shā )死現(🐢)以「(📆)神醫」為名的黑道高(👴)手(shǒu )郭(guō )天勝（谷(🔙)峰），為(👱)其未婚(hūn )夫報(😓)仇。段(🆙)聯同(tóng )鎮內賭坊護衛(🕘)高(gāo )門(mén )（傅聲）(☔)殺入(rù(⛵) )郭家，正邪(xié )兩(📋)派惡(🈵)鬥連場(🏋)(chǎng )。此片有別於(🚸)一般(bān )武(wǔ )俠故事，並非只(📀)以武鬥場(chǎng )面(🐵)為中(🐕)心，末(mò(➖) )段(duàn )還(hái )加插(🚁)了柳銀(🖇)絮(xù )情(qíng )歸何處，淡(🏵)然帶出英雄舔(tiǎn )血(🌲)生涯的(😱)情感一(yī )面(mià(⛩)n )……(🏳)
Inspector Angelo De Pol (Jeff Blynn) is assigned to the case of a double murder in Venice, the victims were a married couple. He suspects that a psycho killer in on the loose, however during the investigation the inspector discovers that the husband was a sex maniac and a drug addict. Soon afterwards bloody killings begin to occur.
托比·霍(huò )珀指导、(✨)安(ān )吉拉·贝蒂斯(🐥)主(zhǔ )演(👖)的美国恐怖电(🍂)(diàn )影(🚛)(yǐng )。
This could almost be a documentary, it's depiction of the gay male lifestyle is so realistic. A brilliant film unlike any others in the genre. No fantasies here, just honesty (though obviously made before AIDS was an all-too common fear).