神马在线影院网

出品：西部电影(🏕)(yǐng )集(🤰)团(📵) Marc, Robert et Jacques sont trois frères quinquagénaires qui se retrouvent au mariage d'Audrey, la fille de Robert. L'ambiance devrait ê(👆)tre à la fête et pourtant, celle-ci est entachée par l'humeur sombre de Jacques effondré, car sa société est poussée à la faillite par Bartheau, un homme d'affaires sans scrupule qui ne recule devant rien pour écraser ses concurrents. Marc et Robert décident d'aider leur frère à(🐎) se venger. Ils montent une belle arnaque pour plumer Bartheau. Leur stratagème : lui faire acheter un vignoble qui, en ré(🐑)alité(😫), n'est pas à vendre. Mais, il va falloir jouer fin car Bartheau n'est pas né de la derniè(🔘)re pluie. Ce film s'inspire directement de 4 contes libertins de Jean de la Fontaine qui sont trois classiques de la littérature du 18e siècle, mettant en évidence des situations picaresques où la notion du couple est mise à mal. When four friends embark on a reckless Stag Weekend across the vast and uninhabited plains of Dartmoor, they are unaware that the local legend of a monstrous wild beast thought to roam the moors is terrifyingly true, that is until it starts to pick them off, one by one. 两个加利西亚的(🌴)年轻人(🏍)在纽(niǔ(🤫) )约度过(guò )周末，然而旅(lǚ )行中(♿)的一些(🐰)事情改(🍀)变了他(tā )们的生(shēng )活。于(yú(💓) )是(🌠)，他(tā )们(🛥)与(yǔ )从(🏝)前的自己大不相同。 A retired professor, Lagoo, suddenly disappears one day. His family is worried especially when he doesn’t return after months, and then years. His wife, children and friends, then try to remember him through reconstructed memory, providing the film’s flashback structure. Some critics saw this as Mrinal Sen’(🐤)s most personal film. As Sen said: “Life didn’(🚆)t stop even for a moment. It carried on. But his family – his wife, his children – keep looking back, into the past. Each constantly reconstructs the man in their own minds, aided by fragments of memory. That man and I, that man and you, that man and the rest of us…(🔶)one among many. “…Believe me, irrespective of who you are and how talented you may be, you are possessed of mediocrity. The minute you are conscious of this within you, your ‘crisis’ deepens. This is the thought that prompted the film. And perhaps the greatest tragedy in man’s life is that he has only that one life.” Winner Best Supporting Actress, President’s Award, India, 1989