All the lights are gone in New York during a citywide power failure.Four dangerous criminals escape from the prison bus and hide in a posh apartment building owned by wealthy Ray Milland.The convicts begin to terrorize the residents and it's up to Jim Mitchum to stop the orgy of violence and abuse...I haven't seen Eddy Matalon's tedious "Cathy's Curse" yet,but "Blackout" is a pretty tense exploitation thriller.The action is exciting and the cast is impressive.The few scenes of violence are quite hard-hitting.If you are into 70's gritty and washed out excursions into urban paranoia give "Blackout" a chance.This obscure flick deserves to be seen.8 blackouts of 10.
An unmarried man in his mid-thirties meets a homeless woman. He allows her to live with him. In return, she must do the household chores. However, to avoid trouble from their conservative landlord, they must pass themselves off as married.
“Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘(⛱)point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.
澳(🐼)洲剥削电(diàn )影之(🏏)经(jīng )典作品。多日(🐕)(rì )外出之(zhī )后，年(🦌)轻靓丽(lì )理发师(✖)(shī )被清教徒母亲(🎷)(qīn )赶出家(jiā )中，她(🏿)随之和(hé )一群模(📮)(mó )特厮混在一起(📩)(qǐ )，自己(jǐ(😸) )也入了(🧖)这个行(há(👪)ng )当，而(é(🥘)r )此时她却(❗)发现(xià(🎩)n )有一名(mí(🥈)ng )开着雪(💛)糕车的(de )男(🐺)人在(zà(🕗)i )跟踪着她(🍺)……
龙(😴)蛇混(hún )集(🍷)的小镇(💛)上。汪洪为(👼)一之首，窝娼(chāng )聚(🎼)赌，无法无天，而(é(🎂)r )善长“擒拿手(shǒu )”之(🔋)王(wáng )进勇，不甘与(🕐)(yǔ )同流合(hé )污而(🐝)拒之。一(yī )次，王(wá(🌆)ng )错手打死汪之(zhī(🥄) )手下，而逃亡上海(🏻)。眼看上(shàng )海之繁(🥢)华，王(wáng )决心闯(chuǎ(✒)ng )一番事业(🈶)，虽(suī )然(🍳)困难(nán )重(📗)重。但经(🔁)一(yī )番苦(✔)战(zhàn )后(🍁)，终成为独(🛳)(dú )一无(😒)二(èr )的上(🍢)海滩大(🕖)亨(hēng )。
Inspector Angelo De Pol (Jeff Blynn) is assigned to the case of a double murder in Venice, the victims were a married couple. He suspects that a psycho killer in on the loose, however during the investigation the inspector discovers that the husband was a sex maniac and a drug addict. Soon afterwards bloody killings begin to occur.
香港(🔞)(gǎng )功夫(😵)电影《出(chū(👩) )闸虎》由(🎛)杨盼盼主(😒)演(yǎn )，协利电影公(💰)司1979年出(chū )品