跟着贝尔去冒险 综艺

埃尔琳夫(fū )人丢(diū )下襁(⛔)褓(🚾)中(🎡)的孩子，与(yǔ )情人(rén )私奔。多(⛸)年(🤭)后回到故(gù )土。在众(zhòng )人眼(🏋)中(🏗)，她是一(yī )个道(dào )德败(bài )坏(🚴)的(❣)女(🤵)人。她向(xiàng )女儿(ér )的丈(zhàng )夫(♈)温(🎻)德米尔爵士勒索(suǒ )“封(fēng )口(🙇)费(📅)”，承诺不与女(nǚ )儿相(xiàng )认，以(🚳)免(🛬)女(🔫)儿名誉受(shòu )损。招致人们(🔕)怀(🍾)疑(👬)温德米(mǐ )尔爵(jué )士与埃尔(💮)琳(🌳)夫人有染(rǎn )。温(wēn )德米尔夫(🚏)人(🥤)一(🛸)气之下(xià )决定(dìng )与爱慕(🎈)自(🌏)己(🎦)的达林顿(dùn )爵士(shì )私奔。埃(🗺)尔(🕝)琳夫人不(bú )愿看(kàn )到女儿(🍔)步(🚵)自己的后尘(chén )，冒(mào )着牺(xī(😂) )牲(🆗)自(🦇)己幸福的代(dài )价挽(wǎn )救了(🥀)(le )女(🥩)儿。由始至终(zhōng )，埃(āi )尔琳(lí(🛄)n )夫(🛠)人也没有和女儿相(xiàng )认。 This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see. A Lady mistakes her husband's mother for his mistress and takes a lover. "Die schwarze Natter" shows the director with a fine example of the 'Sensationsfilm', i.e. a pulpy adventure much in the vein of the early crime serials of Feuillade and others. Two agents from different sides are working in a circus, one - the Schwarze Natter (Black Adder)- as a dancer, the other as a horseback artist. The Schwarze Natter is informed that the other is receiving information by one of the visitors this night, who is also in love with her. She is trying to get him and the information herself, making it look like the other side has her finger in this incident. But an officer of the local police had an eye on them, because some things happening before made him suspicious and starts playing his little game. 动(🆙)画(⚪)名(🏌)家北山清太郎(láng )的早(zǎ(🎐)o )期(🖌)作(🍥)品，与1918年2月15日放(fàng )映。 Catherine is a servant girl working for the local mayor and victim of the sharp tongues of the mayor's wife and her friends. This is made clear in a first scene where she is asked to get the key of the mayor's desk at a cultural party the wife is attending. She is harassed by the whole elite who dislike the intrusion of the maid. In this scene it's made clear also that the wife has a secret lover who will later challenge the mayor's political career and will use Catherine as a scapegoat for his own ambitions. This role of "bad guy" is played by Renoir himself. The mayor who is fond of Catherine and is afraid that she'll be more victimized by his wife asks his sister to give Catherine a position in her own household. The sister has a son with tuberculosis (role played by Dieudonné). He's so weak he has no success with women of his class but of course Catherine will like instantly this fragile man. He dies after kissing Catherine while the rest of the town is celebrating carnival. The kissing scene at the window mixed with the fireworks is a brilliant moment of silent melodrama. Catherine is in mourning and because of that driven away by the mayor's wife and her friends. It is indecent that a servant girl is in mourning and shows public affection for someone who is not from her own social status. The emotions of Catherine are the element of disorder in the social ordered world of the rich. Catherine goes away and hides in a cheap hotel in the city where she is also bullied by a local pimp who sees in her an easy target to exploit. By accident Catherine is seen in the hotel window with the pimp, so more reason for gossip by the elite. When she returns to the village looking for a job she is rejected everywhere, even by the local Christian relief organization of which the mayor's wife became president. She meets the mayor again who is shocked by the attitude of the town, takes her in his home again and promotes her to his secretary. The wife is furious of course and leaves her husband to live with her mother. It is start of a slander campaign against the political credibility of the mayor. The lover of the mayor's wife sees what is happening as a golden opportunity and makes a public attack on the moral character of the mayor (what's new under the sun?) Catherine wants to avoid the downfall of her protector and leaves the mayor, explaining herself in a note. She hides in an old tram for the rain while the mayor is driving around in his car frantically looking for the girl. Two vagabonds are thrown out of a pub and out of frustration push the tram car, so it starts a crazy race up and down the hills towards the bridge and the valley abyss. Catherine is already accepting her death but is saved in time by the mayor who has made his choice for the girl. The social implications of his choice are not shown but are clear for all. 阪东(📌)以(💬)惊人的感染(rǎn )力，将一个屡(🗽)遭(🥛)背(📝)叛、沦(lún )落天(tiān )涯的江(🧘)湖(🌋)浪(😓)人身上具(jù )有受(shòu )虐倾向(🚆)的(⏭)虚无主义表(biǎo )演得(dé )淋漓(📛)尽(🎀)致。