和我的前妻谈恋爱

Womanizer suddenly finds a woman who makes him change the way he looks at women. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life or embrace this special relationship and become a monogamous man. 讲述有一个美(měi )容院(yuàn )老板(🦉)，她是个(🌹)野心极(🎄)大(dà )的(🦏)野(yě )心(😊)家，意图实现女人统(tǒng )治世(shì )界(jiè )的梦想，竟然绑架了(le )美国(guó )总(zǒng )统(🛋)，并找来(🛅)一个整(📟)容(róng )后(🌧)的(de )演(yǎ(💇)n )员冒充他。 Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo – who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable. Eduardo Coutinho是巴(bā )西新(xīn )浪(làng )潮电影运动中的又一(yī )位天(tiān )才(cái )导演(🎎)，虽然他(♓)在新浪(🎥)潮时期(🚵)(qī )只拍(pāi )摄过两部影片，但却都(dōu )堪称(chēng )杰作，这部在剧情上非(fēi )常复(fù )杂(👝)新颖的(📝)影片是(🏹)他最好(🧀)(hǎo )的作(🔲)(zuò )品。 Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo – who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable. TV第18话「空間X脱(tuō )出」剧场公开。 本片荣获第(dì )十四(sì )届(jiè(🏝) )亚洲影(🕣)展最佳(🌏)影片、(🥧)第七(qī(🍩) )届(jiè )金马奖优等剧情片及(jí )最佳(jiā )录(lù )音三大奖项，为邵氏(shì )首席(xí )女(nǚ(🔷) )星──(🎫)「娃娃(🎽)影后」(📃)李菁(jīng )的(de )文艺代表作，并伙拍被誉为(wéi )「最(zuì )美丽的动物」的张仲文(wén )、(🌞)《不了情(🔭)》男主角(🔗)关山。故(🤪)事(shì )讲述珊珊（李菁）刁蛮(mán )任性(xìng )，横刀夺爱，抢去与姊(zǐ )姊（张燕）感(😷)情尤佳(🐟)的志坚(🕞)(jiān )（何(🥈)(hé )藩(fā(🏳)n )），更迫他们断绝来(lái )往。直(zhí )至珊珊身患脑癌绝症(zhèng )，才(cái )懊(ào )悔自己过去(👠)太自私(🤔)，於是(shì(🕕) )性(xìng )情(🏫)大变，豁然让爱，并做(zuò )尽(jìn )好事、体谅父母（张仲文、关山(shān )），希望用爱(🔆)去弥补(😙)过(guò )失(🐅)，好好走(🍄)完仅餘六个月的(de )生命(mìng )。 Tarzan is summoned to Brazil by an old friend to stop an evil tribal cult from destroying native villages and enslaving the survivors. The Lord of the Jungle is accompanied on his quest by a pretty blonde doctor, a boy and a grizzled sea captain. Lucas Jackson（保罗•纽曼 Paul Newman 饰），一个(gè )越战的退伍兵，在一个(gè(🤬) )喝醉(zuì(🚙) )酒的夜(☝)里拆掉(😳)了镇上(🥣)的(de )停车(chē )计(jì )时器而被判两年的监(jiān )禁。一(yī )开始，他就挑战监狱(yù )里的(de )领(🥟)(lǐng )袖人(🏓)物Dragline（乔(🔔)治•肯(👜)尼(ní )迪 George Kennedy 饰(shì )）。Dragline个头比Lucas大得多，把Lucas打得(dé )毫(háo )无还手之力，但Lucas却一直拒绝(jué )屈(🎱)服(fú )，因(🤢)此赢得(🕞)了Dragline的尊(🦂)重。而在(zài )监狱的扑克比赛中，Lucas屡(lǚ )屡取(qǔ )胜，得名Cool Hand Luke。Lucas的母亲和侄(zhí )子的(de )来访让(💷)他备受(🛰)鼓舞，虽(🔅)(suī )然他(🏺)(tā )在监(💴)狱里要忍受许多恶(è )劣的(de )环(huán )境和非人的待遇，但(dàn )他依(yī )旧(jiù )对(💓)前途充(📈)满了希(🗺)望。然而(🌘)(ér )母(mǔ(🎭) )亲的逝世却让他陷入(rù )了深(shēn )深(shēn )的痛苦。他比之前更想要(yào )逃(táo )狱，然而(🍼)一次次(😴)的失败(📊)，和(hé )监(🐌)狱(yù )长的无情，让他的路越(yuè )来越(yuè )难走……