乡亲乡爱

木偶(🙉)纪录片(👾)《长恨歌》虞哲光(guāng )编(biān )导，尤磊(🐻)、夏(xià(⏰) )秉(bǐng )钧(🥘)操纵，1948年(🤜)上海(hǎ(💡)i )宇宙影业公司摄(shè )制完成。 This movie shows the idealized career of the singer Al Jolson. A little Jewish boy comes up against the will of his father to be in showbiz, becomes a star, falls in love with a dancer not of his religion and marries her. But in the end he chooses success on the stage. "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’(♎)s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’(⛽) negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’(🐆)t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’(🌾) brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." Leopold Kroner, formerly of Colby Enterprises, is released after five years in prison for embezzlement. Andrew Colby, claiming that Kroner has threatened him, hires lawyer Bob Regan as a secret bodyguard. Sure enough, Kroner turns up in Colby's room with a gun, and Regan kills him. Then Regan, who sticks around to romance Colby's secretary Noel, begins to suspect he's been used. 在怀(📰)特纪念医(yī )院(yuàn )重症病房里(💌)，躺(tǎng )着(🍆)一位伤(👿)势严重(🛎)(chóng )的女(🎼)士安基尔，在(zài )她的回忆中我(wǒ )们(men )进(🐣)入了这(🅰)个故事(🥍)(shì )。 A fast-moving automobile fails to make a sharp turn of the highway from Malibu to Los Angeles. It overturns and its occupants, Tim Slade, Newspaper man turned private investigator, and Hugh Fresney, managing editor of the Los Angeles Currier, are pinned underneath. Both are seriously injured and are unable to move. As they wait for the tide to come in and cover them, Fresney recounts that his boss, Clint VAughn has been killed, presumably by gangsters in the pay of Nick Dyke, who Fresney has fought against through his newspaper columns. Slade had been hired to avenge Fresney if Dyke's gang killed him in retaliation, Slade, one-time sweetheart of Vaughn's dipsomaniac wife Julie Vaughn, believed she still loved him, but he had fallen for Dana Jons, Vaughn's beautiful secretary. Police Detective O'Haffey investigated Vaughn's death and unearthed several suspects, including Slade, Julie, Dykes and Dana, but Slade was not satisfied and looked elsewhere