O cantor Sidney Magal decide fazer um show para angariar fundos e pagar a hipoteca da esola onde estudou na infância, que está prestes a ser demolida para dar lugar a uma fábrica. No mesmo terreno do colégio, mora um grupo de ciganos, dos quais Magal é(⏪) descendente e també(🦁)m fará(🍙) de tudo para salvá-los. Porém, o inescrupuloso dono da futura fábrica (Ambrósio Fregolente) fará de tudo para impedir o show, mandando sua bela filha Bárbara (Monique Lafond) seduzir o cantor, que, por sua vez, se encanta pela cigana Sandra Rosa Madalena (Angelina Muniz).
本片是成(🤘)(ché(🈷)ng )龙(📚)(lóng )《蛇(shé )形刁手》的跟(gēn )风(🏅)(fē(🤹)ng )作(〽)，剧情结构(gòu )与《蛇形刁手》相似(👾)(sì )，不过远不及(jí )后者。但正是(🎈)有着像(xiàng )《猴形扣手》这(zhè )类片(🌺)(pià(🔚)n )子的推波助澜(lán )，香港才有(👚)了(🌴)谐(⚓)(xié )趣功(gōng )夫片的高潮迭(💑)起(🦈)(qǐ(💷) )。论坛发过本(běn )片的英文(📫)版(💣)，现(😢)将国(guó )语版拿出分享，相(👬)信(🔧)(xì(💉)n )喜(🐿)欢功夫片的(de )朋(péng )友一定(🧀)不(💡)愿(💧)错(cuò )过。
一个男人和一个(🐄)(gè(🍖) )女(😞)人在晚餐时(shí )偶然相(xià(💒)ng )遇(⛄)在(🤹)一个浪漫(màn )的(de )旅店。尽管两(liǎ(⬇)ng )人都(dōu )已结婚，但第二(èr )天早(🦖)上，他们(men )发现自己在同一张床(🦔)(chuá(♏)ng )上，质疑这一切(qiē )是怎(zěn )么(🗡)发(❓)生(🚆)的。他(tā )们(men )同意每年在同(🦗)(tó(🤛)ng )一(📃)个(gè )周末见面。最初(chū )是(🐉)舞(🛅)台(👗)剧，两(liǎng )个人在不同的场(🛳)景(🌌)中(🙉)(zhō(❌)ng )，在同一个房间(jiān )里不(bú(⌚) )断(💃)变(🥏)化。每一(yī )个(gè )都是按时(⭐)间(📠)表(🐐)(biǎo )出现的，但随着时间(jiā(⏸)n )的(🎺)推(🙋)移，每个(gè )人都会(huì )有一些个(🔁)人危(wēi )机(jī )，而另一些人(rén )则(⏰)会(🖐)(huì )帮助他们度过危(wēi )机，他(😌)们(✍)往往(wǎng )都不知道发生了什(🥇)么(🐫)(me )。
金(📎)蛇江小郎是(shì )个浪(làng )子(🙅), 风(🏒)流(🏩)鬼. 他被(bèi )人(rén )控告诱骗(🐍)未(🛒)成(📘)(chéng )年少(shǎo )女被侦缉队专员(❗)(yuá(😥)n )龙(⏳)拳陆啸云所(suǒ )捉所发生(🍉)的(🥠)一(📬)系列故(gù )事。
1. Siberian Khatru
巴士售票员(😠)(yuá(🕜)n )阿(🌾)义(yì )见义勇为，在(zài )巴(bā )士上(🏕)救援了受(shòu )扒手欺侮的少女(🌽)阿珍(zhēn )。阿珍活泼美(měi )丽，两(liǎ(🏸)ng )人(🕖)不久坠入爱(ài )河(hé )。婚后，他(💴)们(🕜)(men )共创(chuàng )幸福生活，有了(le )可爱(👢)的(🔃)儿(🌼)子。阿义在家和在工作岗(👤)(gǎ(👃)ng )位(🈳)上勤勤恳恳(kěn )，但是(shì )，巴(😓)士(👎)售(😼)票员(yuán )的(de )工作很辛苦，生活(🌻)(huó(♓) )也(📠)无规律，阿义(yì )亲眼目睹(🚳)一(🌙)位(🚋)(wèi )老售票员因为胃出血(🏰)(xuè(🥒) )而(🌅)惨死。不久，公司(sī )为了节约开(🥤)支(zhī )，实行无人售票(piào )，阿义失(💢)去了工作。为了生活，他(tā )拼命(📘)学(✨)(xué )习驾驶技术，在(zài )阿珍的(🔈)支(🦄)持下(xià )，他(tā )总算当了司机(🏴)，保(🤞)住(🦒)了饭碗。
以《衰鬼上错身》开(🐪)(kā(🔳)i )始(🔊)为人熟知的(de )史(shǐ )蒂夫(fū(🐽) )·(🗒)马(👾)丁，其实(shí )在(zài )他跃登银幕(🦆)的(❎)(de )处(🧛)女(nǚ )作时就表现出一(yī(🤵) )鸣(🎶)惊(🐯)人的搞笑(xiào )才华。本片男(🤝)主(🚏)角(📨)大(dà )笨蛋从小由黑人(rén )佃农(⚡)(nóng )收养长大，后(hòu )来(lái )离家出(🌔)外闯荡(dàng )江湖，从事多种有趣(😣)(qù(👾) )的工作，自然(rán )也闹出(chū )了(🐨)不(🍅)少的笑话(huà )，还展开了一段(🏛)(duà(🔗)n )热(🏷)闹(nào )的多角恋爱。全(quán )片(😔)剧(🕥)情(🌐)的铺排(pái )比较松散，但多(💓)个(🧓)片(🎟)(piàn )段组成的发展(zhǎn )轻(qīng )松(✅)流(🏅)(liú(⏱) )畅而惹笑，娱(yú )乐(lè )效果(🎆)颇(💺)高(🐢)，是(shì )导演(yǎn )卡尔·赖纳(🏴)的(💉)代(🏧)(dài )表作之一。
商(shāng )业巨贾洪天(💫)踪，年届(jiè )六旬，有子四名(míng )，他(🦌)(tā )希望在有生之(zhī )年(nián )，能目(🍐)睹(🥑)儿子(zǐ )继承父业，特籍家宴(🚯)(yà(🥚)n )向各界宣布。今后洪(hóng )家业(🛐)务(🆙)交(🆒)由长(zhǎng )子(zǐ )洪英全权章(♑)理(📔)(lǐ(🍈) )。洪(hóng )老为使洪家产业(yè(🥑) )巩(📅)固(🐋)世袭，特(tè )在祖先坛前，定下(📧)“家(🔖)法(🍼)”，务使(shǐ )兄(xiōng )弟四(sì )人能(🔓)在(👮)长(📶)子洪(hóng )英(yīng )掌理之下，同(🤤)(tó(⬇)ng )心(⬛)协(xié )力，共策共谋，达至威名远(🕹)扬(yáng )。洪老大寿筵席间，突来一(🐞)名不速之(zhī )客顾(gù )雄武，是夜(📹)前(🥧)(qián )来(lái )有意把前年的(de )恩怨(💖)旧(🤡)事重提，故作(zuò )多方挑惹，幸(🔊)(xì(🏥)ng )得(🏿)长子(zǐ )英明，击破诡(guǐ )计(🔊)(jì(🔬) )，使(🚇)顾老悻悻(xìng )而离(lí )……(🥍)
“Jon Jost’(🥏)s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘(🎒)point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.
Respected liberal Senator Joe Tynan is asked to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well as further straining his already part-time family life. But it could be a big boost to his career, so he takes it on. Helping him prepare the case is pretty southern researcher Karen Traynor, and their developing relationship further complicates and compromises his life.