广袤野性的南非(fēi )草原。入夜，一只迷(mí )路的印(🌛)度豹幼(yòu )崽跌(🚥)跌撞撞地(dì )闯(🥞)进高(gāo )速公路(♌)。幸运(yùn )的是，彼(📹)得（坎(kǎn )贝尔·斯科特 Campbell Scott饰）父(🦔)(fù )子救下了它(🤸)。当两父(fù )子把(⛎)这个小家(jiā )伙(🚖)带回家时，儿子(🥊)赞(zàn )恩（亚历(🥋)(lì )克斯·迈克尔罗特 Alex Michaeletos饰(shì )）仍(✍)旧(jiù )紧紧地搂(😻)着小(xiǎo )豹仔，他(🍧)终于(yú )有了一(🤮)(yī )个可以一起(🏨)长(zhǎng )大的朋友了。他(tā )给小(xiǎo )豹仔取名杜玛。可(🕜)随着杜玛一(yī(🛀) )天天的(de )长大，赞(🔲)恩必(bì )须要让(🅿)他的这(zhè )个动(🧠)物(wù )朋友回归(guī )到自(zì )然中。于(🚐)是他带(dài )着杜(🏊)玛只身横穿整(💝)个(gè )南非。蛮荒(🧦)的(de )南非大(dà )地(🍡)上危机重重(chó(🛐)ng )，潜伏的非洲(zhōu )狮，暗(àn )藏在河流(🏣)(liú )中的鳄(è )鱼(🔘)，还有那个(gè )试(🖇)图抓(zhuā )杜玛卖(✡)钱的神(shén )秘流(😖)浪汉。赞(zàn )恩和杜(dù )玛的大冒险就(jiù )这样开始了。赞(zàn )恩经(jī(🍩)ng )历千辛万苦，终(🙂)(zhōng )于把杜玛送(🍃)回(huí )野外。可到(🍖)达这次旅(lǚ )程终点的时候(hòu )，也该(gāi )是赞恩和(⌚)(hé )杜玛(mǎ )道别(🌙)的一刻。
Barnaby and Scott investigate the shotgun murder of Jamie Cruikshank, a barman at the Maid in Splendour, a pub in the village of Midsomer Worthy. The pub is now owned by Stephen Bannerman, a much disliked local property developer who has his own plans for the pub. Bannerman's father Michael, the original owner, didn't agree with his son's plans to turn the pub into a high end restaurant nor of his affair with Bella Monday, the daughter of his lifelong friend Audrey. When Stephen is subsequently killed, also by shotgun, Barnaby begins to wonder if Cruikshank's murder may have resulted from a case of mistaken identity.
杰(jié )西(🧤)卡（艾什莉·(🤳)贾德(dé ) Ashley Judd 饰）是(🎈)一名女(nǚ )警官，她的父亲是臭(chò(🐥)u )名昭著的连环(🖱)(huán )杀人犯(fàn )，这(😔)成为(wéi )了杰西(✖)(xī )卡毕生的污(✋)点(diǎn )和笼罩(zhào )在心头的阴云(yún )，她一直希望(wàng )自己能(néng )够坦(📗)然面对这(zhè )段(🍫)过去。近日里(lǐ(🎭) )，城(chéng )市里接连(📸)发生凶(xiōng )杀案，线索表(biǎo )明这些(xiē )案件系同一(📠)人(rén )所为，杰西(🛅)卡(kǎ )将此看(kà(🍯)n )做是她走(zǒu )出(🌙)过(guò )去的大好(🤰)机会，自告奋勇的提出接手(shǒu )此(👷)案。
新年之(zhī )夜(🗜)弗拉(lā )索夫少(🌛)校和他(tā )的长(🧙)官纳塔亚(yà )军(📐)官依(yī )然不得清(qīng )闲，电(diàn )话铃声打破了(le )新年(🛶)的(de )热闹气氛，弗(💧)(fú )拉索夫竟然(🎆)被(bèi )升职了(le )，并(👮)将要去莫(mò )斯科执行一项非(fēi )常重(chóng )要的任务，一场(chǎng )恋爱(😬)的邂逅将(jiāng )在(🚛)莫斯(sī )科发生(🥃)……
"The movie is as poetic, personal, mesmerizing and free-flowing as the above quote. At the same time, it's visually stunning, with beautiful cinematography and uneven rhythm. The experimental formalism somehow blends into a compelling and coherent whole where nothing stands out as artificial or far-fetched. The lyrical sadness of the first half smoothly transposes into a madhouse performance of the second, with a dance of vampish looking women that is somehow reminiscent of some scenes in Rivette's Duelle.