维(wéi )斯(sī )康蒂压卷之作，也(yě )翻(🗯)译作《无(🛅)辜的人(👪)》，直(zhí )至(☔)其去世(🙇)后方才上(shàng )映(⌛)。影片依然是他最(zuì )为(wéi )心(xīn )仪的贵族没落主(🐺)题，由意大利著(😪)名影星(🔌)(xīng )吉(jí(🈵) )安(ān )尼(⬆)尼领衔(🏤)，扮演(yǎ(🔔)n )一位(wèi )好色公爵，经常在(zài )外(wài )招(zhāo )蜂引蝶；不料后来他(tā(🌯) )得知妻(🤛)子与人(🤨)有染(rǎ(😱)n )并(bìng )生(👹)下一子(🛡)时，恼羞成(chéng )怒(nù )，竟然将孩子在寒(hán )风(fēng )中冻死。最为讽刺的(🔨)(de )是(shì )，他(🏻)并不恼(🍩)怒妻子(🧝)(zǐ )与人(🗂)私通，而是因为(🦌)(wéi )她(tā )的(de )情人并非贵族，而(ér )是贫(pín )苦作家！最(🚚)后公(gōng )爵(jué )因(⛓)(yīn )放不(🏹)下面子(😪)而自杀(👙)。豪华的(🛏)美工设(🤳)计、还(hái )原(yuán )贵族生活的奢华(huá )摆设(shè )是维斯康提晚年创(🏯)(chuàng )作(zuò(🖥) )中(zhōng )不(🦒)可或缺(🧤)的一环(👅)，出(chū )生(😖)于贵族世家而又(yòu )对(duì )贵族腐朽陈旧的生活(huó )方(fāng )式进行(🔷)唾弃批(🕯)判，想(xiǎ(〽)ng )彻底革(🦇)新而又(🌰)无法割(gē )断(duà(🎏)n )世袭的高雅文化格(gé )调，是维斯康提一生(shēng )所(🐀)(suǒ )困(kùn )扰的话(💢)题，也是(🛤)他(tā )电(🥕)影(yǐng )主(🥔)要的创(🎆)作方向(♿)(xiàng )。
보르네오에서 3년간 벌목을 한 신덕팔은 여비를 아끼기 위해(😠) 배편과(🏈) 3등열차(😄)로 서울(🆙)에 온다(😆). 동생 덕(🎩)숙을 찾지만 동생은 어떤 남자와 거액의 돈을 가지고 달아나 버(🍰)렸다. 그(🔒)는 동생(👥)을 찾아(🍱)다니다(😪)가 우연히 소매(🕳)치기 상숙을 만나 그녀를 선도하려고 노력한다(❎). 역시 날치기인(⌛) 만수를(🈴) 붙잡은(👬) 덕팔은(🍈) 그의 아(🔈)내가 동(🧠)생 덕순이임을 알게 된다. 이후 리어카를 끌고 함께 과일장사를(🔎) 한다. 이(😉)때 중년(🚹) 실업가(💰)인 강사(⏯)장이 덕(🌒)팔에게 투자하고 그는 소망인 평양냉면집을 개업하게 된다.
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
Ji-hun takes a break from his art studies in Paris to return to Korea and visit with his family. While there, he falls in love with a young widow. However, their future happiness seems doomed as she is already engaged to be remarried
After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette.
剧(🕡)情主(zhǔ(🛶) )要(yào )发(🏥)生在一(😷)列从美(🤞)国(guó )西(xī )海岸(👕)开到芝加哥火车(chē )上(shàng )，年轻出版商乔治(zhì )克(😑)威与艺术品鉴(😆)赏家(jiā(😎) )薜(bì )礼(🚲)(lǐ )纳的(🧥)秘书一(🦏)见如故(😈)(gù )，两(liǎng )人正在温存之际(jì )，车(chē )窗外却抛下薜礼(lǐ )纳的尸体(🚁)，乔治因(🤾)而卷(juà(📗)n )入(rù )凶(💂)(xiōng )徒的(➰)追杀之(⏮)中。而潜(qián )伏在火车上的联邦(bāng )密(mì )探(tàn )史威知道薜教授被(🐲)杀(shā )的(🏥)真相，亦(🎌)遭势力(👃)(lì )庞(pá(😅)ng )大的罗杰杀害(🐤)。雪球(qiú )越(yuè )滚越大，最后失控(kòng )的(de )火车头竟然(💛)撞进火车(chē )站(🗻)(zhàn )之中(🍺)。导演阿(🔎)瑟·希(🕢)勒拍出(🏉)了紧凑(💖)俐落(luò )的(de )气(qì )氛，高潮一波未平(píng )一波(bō )又起，压轴的火(huǒ )车(🕠)(chē )大(dà(💏) )灾难在(🚛)二十年(👫)前(qián )更(👡)是令人(🕰)看得目定口呆(dāi )的(de )精(jīng )彩特技场面。
一梅与(yǔ )吴宗勇，高博士(🥩)与(yǔ )小(😎)(xiǎo )莉，徐(🖼)成运与(🎓)爱莲，是(📭)(shì )三对欢喜冤(⛴)家，三(sān )个(gè )光棍在机缘巧合之下(xià )因(yīn )租屋(🕹)而成为莫逆好(🦅)(hǎo )友，在(🌱)一次火(🐵)车之旅(🛥)中(zhōng )遇(😭)(yù )见三(💤)位俏佳人，被(bèi )她们的美貌及活泼的(de )气(qì )质(zhì )所吸引，决定展(🍈)开热烈(🍫)(liè )的追(😕)求行动(🍿)，於(yú )是(😌)(shì )一(yī )场场男人与女人(rén )的斗智斗勇战争，开始(shǐ )不(bú )断(duàn )上演。吴(🎥)宗勇出(💆)身豪(há(🛵)o )门，不工(💸)作成天(🍗)满(mǎn )脑(nǎo )子的(😢)创意点子，想藉此(cǐ )成为发明企业家，彼(bǐ )此名(♊)利双收。高博士(👏)(shì )从(có(📂)ng )小研究(🚁)少女爱(🚽)情心(xī(🏣)n )理到博(🌎)士学历，但仍然(rán )缠(chán )搅在女人风志浪涌(yǒng )的细密敏感的思(⛹)考之(zhī(🌰) )中(zhōng )，没(🚎)有一个(⛅)结论。而(🚗)这正(zhèng )是他拱写博士论(lùn )文(wén )的(de )题目，不知能否(fǒu )成功。成运是一家(🏂)化妆(zhuā(💊)ng )品(pǐn )公(👧)(gōng )司的(😘)业务推(🏰)销员，与(yǔ )其风(🖌)流倜傥的外表(biǎo )，及一张会说甜言蜜语的(de )不熵(🦍)之舌，而不点(diǎ(🗞)n )头(tóu )原(🚠)嫁做美(😊)娇娘，三(🐛)位(wèi )绅(📊)(shēn )士们(💹)会使出怎样的(de )招术及行动来讨取美人(rén )心(xīn )呢？
暴走"シリ(😾)ーズ第(💟)3作目で(🏆)“暴走族(😗)"と呼(hū(❄) )ばれ世の中に反感を持つ少年たちとブルジョワの少年た(🤬)ちとの(🧠)対立を(😧)描く。真(🍖)夏の焼(🎯)(shāo )けつ(🛸)く太陽の下を(🐬)暴走(zǒu )するバイクの群れ―。暴走族グループ(👎)の一(yī )郎らは(🍊)、金持(💴)ちの男(🔘)(nán )女グ(✅)ループ(✈)で女王(🦄)として君臨する夢子にヨットの舵取り役として庸われる(💉)。やがて(🏻)一郎の(🕢)金持ち(🍍)グルー(🍗)プに対する怒りは頂点に達し、葉山沖の離(lí )れ島(dǎo )で決(🔖)闘する(🚺)ことに(🤣)。すべて(🧘)が遊び(🅰)なのさ(🌶) ギラつく波間(🧡)に命を捨(shě )てることさえ!ナナハン暴走・グ(💈)ループ抗争(zhē(🙋)ng )・シン(🧐)ナー陶(📊)酔・激(🌧)(jī )情SEX・(💖)ヨット(🖲)帆走の狂(kuáng )騒(sāo )の果て―太陽も死(sǐ )んだ。
TV第54话再编集版。
由(🧥)(yóu )布莱(🥌)恩·德(👳)·帕尔(🥕)(ěr )马（(🥢)Brian De Palma）指导， 保罗·施(shī )拉(lā )德（Paul Schrader）编剧的《迷情记》（Obsession / 1976）是一部文(🏨)(wén )艺(yì(🗾) )气(qì )息(🕚)相当浓(😴)厚的悬(⚪)(xuán )疑片(📘)。帕尔马导演一(👂)反(fǎn )常(cháng )态(tài )，并没有在影片中过(guò )分卖弄血腥暴力，而(ér )是(📛)以细腻(🧝)的手法(🗡)把一个(✂)(gè )奇异(🍋)的故事(🤩)拍得如(rú )梦(mèng )如幻，韵味十足。