归路 小说

Manuel Mur Oti (Vigo, 1908 – Madrid, 2003), director and scriptwriter. In the 1930s he left for Cuba where he studied law and literature. He was also attracted by film and began to write novels and scripts (e.g., for the four films by Antonio del Amo). He returned to Spain for good in 1949, and in 1953 founded his own production company. To mention a few films from his extensive filmography: Man on the Road(1949, Un hombre va por el camino - CEC Prize for Best Director); Black Sky (Cielo negro, 1951, CEC Prize for Best Actress, Susana Canales); Condenados (1953 - Special Mention for Best Direction at the IFF in Locarnu); Milagro a los cobardes (1961 - Special Prize for Best Film from the Sindicato National del Espectáculo): Dulcinea y el alba (1963), Loca juventud (1964); La encadenada (1972) and others. 索尔·(🛌)胡洛(luò )克是二十(👸)世纪(jì )美(🚵)国音乐舞台上(shà(🌎)ng )最(⚫)传奇的艺(yì )术(shù(🚴) )经理人(🥟)，他(⛽)(tā )将夏(xià )里亚宾(🛠)、(💯)帕(pà )甫(⛳)(fǔ )洛娃、伊(yī )萨(🚫)(sà(❄) )伊、阿什肯纳奇(🎴)(qí )、奥伊斯特拉(lā )赫等数(👳)代伟(wěi )大的音乐(👚)家(💴)和舞蹈(🥇)(dǎo )家介绍给美(mě(👍)i )国(🍌)公众。该(gāi )片(piàn )根(📨)据胡洛克(🛢)的传(chuán )记拍摄，多(🈚)(duō(🌩) )位(wèi )重量级艺术(🏩)(shù )家在(👒)片中出演，如平扎饰(🍁)演(yǎn )夏(xià )里亚宾(📬)、塔(tǎ )玛(📸)拉·托马诺娃饰(🔒)(shì(👢) )演帕甫洛娃(wá )、(🛥)伊扎克(🤠)·(🎹)斯(sī )特恩饰演伊(🏂)萨(🙁)伊(yī )。央(🎱)视曾在(zài )９０年(📫)代(🔼)播放(fàng )过该片的(💘)译制版(bǎn )本(běn )，改名为(wéi )《胡(🦕)洛克的故事》。 电影(🥚)剧(🌯)情： 周(🏯)公礼为夺(duó )金家(🌍)财(📶)产,买凶杀害外甥(🐢)金满楹(yí(🧣)ng )。楹大难不(bú )死(sǐ(🕯) ),礼(🥍)继而诬蔑楹妻(qī(😆) )杜双成(🏧)与旧(jiù )情(qíng )人司马(🌠)文德(dé )有染,并杀(🚽)楹母嫁(jià(🎸) )祸成,幸最终(zhōng )真(🗿)(zhē(⌛)n )相大白,楹、成夫(🐌)妻团聚(😪)。 Totò(📳), one of Italy's all-time great comedians, stars as a Neopolitan petty criminal named Don Felice, who pretends to be a Turkish eunuch. Felice is a fraudster and a womaniser who escaped from a Naples prison with his cell-mate, a pick-pocket named Faina (Aldo Giuffrè). The duo, now on the run, rob a foreigner who turns out to be a Turkish eunuch sent by the government to the house of Don Pasquale (Carlo Campanini), a wealthy and jealous Sorrento merchant, to guard his attractive wife Giulietta (Isa Barzizza) and his daughter Listetta (Primarosa Battistella) in exchange for the votes of his local constituents. Don Felice assumes the identity of the eunuch which provides much of the film's comedy. 山また山の、(🤔)東(👂)北のあ(🤠)る山中に、ダム(🚂)工(😾)(gōng )事のために出(🌀)(chū )来た急造のバラック建(📜)の街(jiē )が出現し(🔆)た(🐲)。ある日(👐)この街へ無精ヒ(🦁)ゲ(🚻)の小(xiǎo )杉俊介と(⭐)いう大学(🚱)出の技師が配属(🌾)さ(🤓)れて来た。リウは(🤼)トラッ(🕸)クに小杉(shān )を乗せ(🧣)て事(shì )務(wù )所へ(🎇)送ってや(🛋)った。彼女は、母(🖊)も(🍿)、土(tǔ )方(fāng )の親(🛅)分をし(👱)て(👚)いた父も失って(🐈)し(🏄)まい、(💮)松(sōng )田所長の世(🏸)話(🌛)(huà )で荒くれた飯(🤴)場(chǎng )で働いている勝気な(🔦)娘だった。俊介は(😚)着(🎙)(zhe )く早々(📭)、地(dì )盤(pán )のゆ(🕘)る(🏾)みから、犠牲に(🗨)なった人(🔛)の葬式に立ち会(🕤)っ(✒)た。多くの人々が(🌞)犠(xī )牲(⏬)になっている現状(🙃)を見て、俊介は(🐗)暗然(rán )と(🔇)するのだった。彼(❔)の(🥇)歓迎宴(yàn )の席で(🕺)、俊(jun4 )介(🔂)(jiè(👧) )は土地の茂(mào )吉(📲)老(📉)人の孫(💌)娘で、芸者に売(🧜)ら(✨)れた雛菊を、街(🐦)のダニ篠原の手からかば(🧀)ってやったが、(🖋)雛(❇)菊にと(💱)って俊(jun4 )介はそれ(🆗)以(🍸)(yǐ )来忘れられな(🍥)い人にな(🤶)った。リウや雛菊(🕞)(jú(🤲) )のひそかな思慕(🛀)も俊介(🧐)には東(dōng )京に陽子(📤)という美しい恋(🌔)人がある(🖐)のでかなわぬ恋(👡)で(🐦)あった。しかし陽(🐪)(yáng )子は(🚅)俊(🔟)介の便(biàn )りを読(👥)む(🏖)たびに(🎣)、彼の仕事には(🕸)つ(🛃)いて行(háng )けない(🔩)自分を感じて、その事(shì(📚) )を打ち明けるた(🥙)め(🐝)山の中(💿)(zhōng )まで訪ねて来(🤛)る(🐣)が、俊介のあま(🍟)りの喜び(✅)ようを見て話す(🥓)こ(🥣)とが出来ずに帰(💏)京した(🚽)。ダムの工事は俊(jun4 )介(🔅)が来てから一そ(👛)う馬力を(🥢)かけられたが、(🅰)工(📻)事が早くすすむ(🎙)とそれ(📳)だ(🗂)け儲け損う篠(xiǎ(😼)o )原(💵)たちは(🎧)、工事を遅延さ(🎙)せ(🏖)るため、坑道(dà(🔉)o )爆破を企てた。信州という(🕰)男(nán )が、金のた(😈)め(🌇)ダイナ(🈳)マイトの仕掛を(👦)買(♌)って出た。しかし(🛌)篠原に恨(😹)みを持つ権三の(🥦)密(📏)(mì )告で俊介は危(🈷)険を犯(🔏)して坑道に入り、(🍷)ダイナマイトの(🍧)導火線を(🥊)抜いた。信州は俊(🎴)(jun4 )介(🌭)(jiè )の挺身をみて(🏨)自分の(😒)非(🚉)を悔(huǐ )い、爆発(🍃)直(🎀)前(qián )の(🉑)ダイナマイトに(🕗)と(🎷)びついて爆死し(🤥)た。俊介は重傷を負ったが(🧛)、彼の全快する(🦕)頃(🚲)(qǐng )、村(😝)民の立退(tuì )きも(🛺)、(👁)この事件(jiàn )以(yǐ(🦁) )来円滑に(🕙)進(jìn )んでいるこ(🕵)と(🖐)を知った。しかし(🕑)、茂吉(🍟)老(lǎo )人は生まれた(🖥)土地を愛する余(🌋)(yú )り自殺(🐶)してしまった。ダ(🈁)ム(🎼)の完成の日、陽(🎄)(yáng )子か(🥖)ら(💙)別れの手紙を受(📢)取(🕖)った。そ(🔀)の手紙(zhǐ )を焼い(🎗)て(🈲)いるところへリ(🕝)ウが女らしく着(zhe )飾って別(👲)れをいいに来た(🍯)。九(🔯)(jiǔ )州の(✨)飯場へ働(dòng )きに(😘)行(⛰)くのだという。「(🏖)僕(pú )も九(🎞)州へ行(háng )こう」(🕢)と(🕎)いう俊介(jiè )の言(🔵)葉にリ(😜)ウの顔には明(míng )る(🥅)い希望の光がさ(🍆)した。 東京(⏫)(jīng )の中心から電(🍒)(dià(🔙)n )車で一時間、多(💄)(duō )摩川を(⌛)渡ると全く田舎(🔞)に(😼)なる。左平の家(jiā )は代々(😁)、(🆓)梨で知られた果(👭)(guǒ )樹園である。長男(nán )清太(♐)郎が自(zì )動車に(🤛)轢(🏣)かれて死んだ後、左(zuǒ(🐫) )平(🌎)は勝造を養(yǎng )子(🤕)にしてよ(🎣)し子に家をつか(🥂)せ(💡)ようと思(sī )った(🌯)が、東京のホテルに勤め(🥔)ている彼女には(⭐)電気技師(👱)の三村という恋(🦒)人(🔄)(rén )がある。妹(mèi )も(🔀)も子は庄(📖)六の家(jiā )に引越(♉)し(🐛)て来(lái )た音楽学校(xiào )の(😤)学(🐗)生北小路に仄か(🤹)な恋心をよせている。三村(🤙)は沖縄に有(yǒu )望(🛬)な(👯)仕事口(kǒu )が見つかり、(🚻)よ(🚨)し子と結婚して(🔅)一緒に行(🐅)(háng )こうというが(🏍)、(〽)彼女は家を見(jià(🛸)n )すてる決心(xīn )がつかない(🐙)。勝造(zào )はよし子(🧗)に恋(liàn )人(🤙)があることを知(🅱)っ(🖇)て悩むが、左平(⬛)は三(sān )村(🥣)が養子に来(lái )て(🍋)果(📓)樹園の仕事(shì )をするの(🔥)で(🍌)なければ絶対(duì(🥅) )によし子との結(jié )婚は許(🥉)さないという。三(🤒)(sā(🕵)n )村の出発する日は近づ(📌)い(🤒)たが、まだよし(🌘)子(zǐ )の心(🎒)は決らなかった(👉)。そ(♈)の時(shí )ホテルの(😁)常(cháng )客ユリがドル買(mǎi )犯(🆘)(fàn )人の情婦(fù )と(🌗)して逮捕(🐌)されたが、よし(😪)子(👮)は三村をはじめ(🏡)都会の人(🗡)々のユリに対す(🐳)る(😟)態度の冷たさをみて、(🗑)は(📍)っきり三村との(😜)結(jié )婚を断った(⏩)。間もなく(😪)勝造(zào )を養子に(⏰)楽(⛅)しく梨畑で働(dòng )くよし(🤥)子(🔪)の姿が見(jiàn )られ(🌂)、今度(dù(🎳) )はもも子が東(dō(😊)ng )京(🎵)に勤めることに(🐆)なった。 枉(wǎng )法县官遭五(wǔ(🙇) )鼠诛杀. 新官上任(🚐)(rèn ), 欲(yù )消(👃)灭五鼠(shǔ ), 于(yú )百(🔄)花(🌃)楼放置宝物(wù ), 诱(🛰)五鼠堕入(🕯)天(tiān )罗地网. 五鼠(➕)(shǔ(👊) )大显神威, 大败(bài )奸官, 夺(😛)宝(🅾)而归. (Includes spoilers) VILLA BORGHESE is a film consisting of six vignettes (cut to five in its U.S. release) that are all set in the Roman park that bears that name. All the episodes take place within one day. The first episode, taking place early in the day, is called "Servant Girls and Soldiers" and is a trifle about a couple of guys trying to put the makes on a couple of young girls. The second piece is called "The Greek Letter Pi" and is a poignant little anecdote about a schoolgirl (Anna Maria Ferrrero) who is urged by her classmates to approach their Greek professor (François Perrier), so that they can photograph them kissing and perhaps blackmail the prof for a passing grade. It turns out the professor has a sad story to tell the girl…that he is going blind. The tearful girl cannot go though with the plan. The third episode is the funniest and probably the best in the film. It's called "Incident at Villa Borghese" and features tour-guide Vittorio De Sica as an incorrigible over-cologned woman-chaser who comes between Giovanna Ralli and her furiously jealous boyfriend Maurizio Arena. The dramatics that ensue among the three…and others…is absolutely hilarious. In one delicious moment, De Sica sits in the car with the boy on one side of him, screaming at the girl, and the girl's breasts on the other side, pressed against De Sica's face as he barely conceals his lust. In "The Marriage Arranger" Eduardo De Filippo is the father of a girl he is trying to marry off. The discussions between the relatives center on rather selfish interest…(📐)money, dowry. Then the increasingly ill-at-ease girl is revealed to have a handicap, involving her foot, and the young suitor comes to the emotionally distraught girl's side and, through simple humanity and kindness, saves the day in a way the crude relatives were not capable of doing. Of all the relationships we witness in the film, this is the only one that seems to have a future. "The Lovers" is a bittersweet episode about a man breaking up his affair with a married woman…as the woman's small children play in the park with their nurse and call out to their adulterous mommy. It is nicely acted by two great stars of the French cinema, Micheline Presle and Gérard Philippe. The final racy episode, "Beauty Contest," is a Felliniesque dissertation about two rival Roman street–prostitutes, who as they are about to be rounded up by the police, wind up at a Miss Cinema beauty contest taking place in the park. The younger of the women (Eloisa Cianni) eludes the police by going off with an older man in his car. The other and older one (Franca Valeri) is not so lucky and the episode and the film end as she is driven off in a police vehicle. It is late at night. 圣诞节的(📜)晚上(shàng ),杀(⛔)人凶手黑(hēi )猩(xī(🚖)ng )猩(🍿)越狱逃走(zǒu ),正巧唐老鸭(🏎)在(🦗)家(jiā )假扮猩猩玩(🌒)游(yóu )戏,没(🔪)想到却(què )引来真(🎳)正(⛑)的猩猩,展(zhǎn )开了(🕊)一场疯(fēng )狂的追逐战,使(shǐ(🍮) )得唐老鸭的平安(📇)(ān )夜不平(🚍)安.节(jiē )日(rì )过后(🎪),唐(🌔)老鸭(yā )在家中看(🚓)恐怖小(xiǎ(🏵)o )说(shuō ),却无端卷(juà(🎼)n )入(🍨)(rù )一宗珍珠项链抢(qiǎng )劫(💳)案……