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冤 冤 相 報(bào ) 何 時 了 ？ S u j i n 性(🌜)(xì(📑)ng ) 情 孤 僻(pì ) ， 漂 亮 動人卻從未談(💪)過(🌉)(guò )戀愛；她文采出眾，是難(😗)得(🕣)一見的編(biān )劇人材(cái )。Mira在畫(🥐)館(🍏)被(bèi )施暴，錯手(shǒu )殺掉施(shī(📦) )暴(🏗)者 ， 這 宗(zōng ) 突 如 其 來 的(de ) 謀 殺 案(🌀)(à(⚓)n ) 正 好 為 S u j i n 帶 來改 編 劇 本 的(de ) 好(📤) 提(🍙) 材(cái ) 。 即 使 警 方 斷 定 是 自 衛(👸)(wè(Ⓜ)i ) 殺人，Sujin深信案(àn )中有案，認(rèn )定(🎛)一(🧟)切都是(shì )Mira儲心 積(jī ) 累 的 復(🗯) 仇(🕳) 計(jì ) 劃 ． ． ． 原(yuán ) 來 S u j i n 有 著(⏮)(zhe ) 不(🙅) 為人知的(de )過去，其筆(bǐ )下的殺(💨)(shā(🐪) )手Lala，是純粹參照Mira，還是(shì )戲中(😯)有(🏔)(yǒu )戲？「不要自己伸冤，寧(🚨)可(🍛)讓(ràng )步，聽(tīng )憑主怒」，復仇(❣)是(🐼)否能(néng )超脫一(yī )切？太陽底(🏅)(dǐ(🤽) )下，冷冰冰(bīng )的現實(shí )、劇(🚑)本(📸)、夢境和回憶扭(niǔ )曲重疊(📌)(dié(🈸) )，分不清真假先後，Sujin、Mira和Lala更是(shì(🚖) )不(🆗)分你(nǐ )我她，格局(jú )David Lynch得來卻(🔓)相(🥅)當(dāng )寫實。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. Biographic movie about the last year of the famous Italian painter Modigliani. Modigliani, a poor painter in Paris of 1919, falls in love with a daughter from a wealthy family. Her parents are against their relation and stop financial help Convoy Busters may not be the best Polizi movie ever to come out of Italy, but it's certainly an above average crime romp with a great cast and more action packed stunt sequences than you can shake a stick at! The film is set up a little differently to most of the Polizi movies that I've seen, as it's a movie of two halves and a lot of it takes place in settings unlike the thick urban atmosphere I've come to associate with this sort of movie; namely, a quiet seaside town and the rural countryside. Most of these films take influence from Dirty Harry, and Convoy Buster is no different as Maurizio Merli's maverick copper has a definite Clint Eastwood vibe about him; but the fact that it's a little different gives Convoy Busters a lot of credibility in my opinion. The story starts when the dead body of a young girl is found with her throat cut. Commissioner Olmi takes the case, but when his violent methods leave an innocent man dead; he gets transferred to a quiet coastal town. However, the fact that it's quiet doesn't mean there isn't any organised crime... 移民到美国(guó )的(🕹)男(🙆)主角进(jìn )了贵族(zú )学校，但还(😈)(hái )是受到同学(xué )岐视。他希望(👑)自(🌐)己成为优秀的(de )像凯文(wén )（(🏦)JRM饰(😼)）那样的人，于是，他为(wéi )此(🤙)说(😛)了(le )一个又一个(gè )的谎言……(🦈) 中(🚟)国电(diàn )视剧制作中(zhōng )心 70年(🐥)代(👜)に子(zǐ )どもたちの間で一(🥙)大(👟)ブームとなった“こっくりさ(🤢)ん(🆖)”を題材に、現代の女子高(🍣)生(🌇)の不安定な内(nèi )面を描(miá(🍄)o )く(🉑)ホラー映(yìng )画。監督は数多く(🗞)の成人映画で独自の世(shì )界(😓)を(🕙)作(zuò )り上げ、国内外で高(😼)い(🔍)評価を受けている瀬々敬(🎌)(jì(🤴)ng )久。本作が初の一(yī )般映画と(😕)な(🧔)る。脚本は瀬々とたびたび(💩)コ(🛀)ンビを組んでいる井土紀(😼)州(😢)との共同。撮(cuō )影は「月とキ(🧔)ャ(🥐)ベツ」の上野彰吾が担当(🌖)し(🐚)ている。主(zhǔ )演はファッシ(🛡)ョ(🌿)ン雑誌やＣＭモデルとして(🦃)活躍(yuè )中の現役女子高生で(🍲)、(🍃)本作が映画デビューとな(🌀)る(✝)矢(shǐ )松亜由(yóu )美。共演に「(😼)「(🌰)物(wù )陰に足拍子(zǐ )」より　(🥫)Ｍ(🤘)ＩＤＯＲＩ」の嶋(dǎo )田博(🏺)子(🍱)(zǐ )。