居(🚽)(jū )住(🌨)在东(dōng )京的(🖍)小野寺姐弟(🎭)多(duō )年来相(🏷)(xiàng )依为命，过(🐌)着平凡(fán )而(🚠)又(yò(🙍)u )不乏小(xiǎo )趣味的普通人(👲)生活(huó )。年届(🍓)(jiè )40的姐(jiě )姐(🐻)寄子（片桐(🍤)入 饰(🗺)(shì )）其(🌑)貌(mào )不扬，自从父(⬜)母早(zǎo )年去(🚛)世(shì )后，她便(🧣)全心全意照(😻)顾(gù )弟弟的(🔴)(de )衣食住行，为此连(🦔)自己的(💌)(de )人生(🙃)(shēng )大(dà )事也(👽)耽误了。现(xià(👢)n )年33岁的(de )弟弟(🐮)进（向井理 饰）老实(shí(🏭) )木讷(⬜)(nè )，目前是一(✏)位调香师，他(🔮)(tā )习惯了(le )和(🚭)姐姐插科打(🆖)诨，互相吐(tǔ(🐧) )槽，曾(💔)经因担心姐(jiě )姐而(ér )和(👼)心爱(ài )的女(🔔)友分道扬镳(🚩)。某天，姐弟(dì(🐨) )俩收(🌊)到一封(🥢)寄错的(de )信件，他们(🏩)借此结识了(🧦)信(xìn )件的主(📼)(zhǔ )人——绘(🐋)本画家冈野(🏸)薰(xūn )（山本(běn )美(🎡)月 饰）(🔝)，进不(🥕)觉为了这(zhè(🕢) )位美(měi )丽(lì(👎) )女孩心头一(🐧)动。与此同(tóng )时，寄子在工(😞)作场(🧕)所认识(shí )了(🕦)名(míng )叫(jiào )浅(🏎)野晓（及川(🚀)光博 饰）的(🕡)男子(zǐ )，对方(🕓)似乎(🖍)对她格(gé )外关注(zhù )。
A coming-of-age film about two sixty-year-old best buddies who should have come-of-age a long time ago. When Marriage and Family Therapists, Dave and Joel, set off for a San Francisco Therapy Conference, with the intention of hiring Escorts as an escape from their own failing marriages, they wind up in the pathway of a scheming prostitute named Roxie. This encounter with Roxie will prove to be the biggest test of Dave and Joel's friendship.
우리(⭐) 모두는 누군(🤱)가의 택배 ‘(🖤)대리’ 수령(🤹)인이었다?! 헤(📽)어스타일부터 라(🍒)이프스타일(🚭)까지! 무엇이(😶)든 맡겨 주세(🚝)요! 꿈꾸던 자(🔸)신의 미용실 ‘모모살롱(🦓)’을(🎋) 개업하게 된(♏) 헤니(리지 분(🔣))! 하지만 열심(🏠)히 쓸고 닦고 때 빼고 광 내(🏞)며 기(👗)다려봐도 도무지 손님이(👊) 오질 않는다(🏟). 의기소침해(😽) 있는 헤니의(〽) 앞에(🛹) 드디어 나타난 사람은…(💏) 이런! 택배기(👑)사님 ㅠㅠ 얼(🥊)떨결에 떠맡(😔)은 택배의 ‘(🈲)대리’ 수령인이(😞) 되어버린 헤(🎆)니는 택배의(📨) ‘진짜’ 수(🔁)령인 창균(박(🀄)정민 분)이 모모..
一段(duàn )人(😐)与鬼(📶)(guǐ )之间的奇(⛺)幻故事，将惊(⛓)悚(sǒng )、鬼(guǐ(🔶) )怪(guài )和爱情元素融为(wé(🎽)i )一炉(🚕)。男孩杰米·马克斯（诺(🛵)亚(yà )·西(xī(🚒) )尔(ěr )弗 Noah Silver 饰）(🤞)只在死后才(🤚)得到(🗳)(dào )人们的(de )关注。他在学校(🉑)属(shǔ )于孤(gū(🥇) )僻(pì )而不引(🌇)人注意的类(🌝)型，经常受(shò(🦌)u )到霸凌。杰米有个(🧡)(gè )叫亚当(dā(🎂)ng )（卡(kǎ )梅隆(🈺)·莫纳汉 Cameron Monaghan 饰(🍲)）的同学(xué(🥩) )，体育很出色，但(dàn )生长在(🐜)(zài )单(🤖)亲(qīn )家庭，哥(⛏)哥态度恶(è(😮) )劣，因(yīn )此与(🍀)杰米同病相怜。亚当(dāng )的(⏰)母(mǔ(💤) )亲(qīn )在某一天不幸遭(zā(😔)o )遇了车(chē )祸(🔣)，就在同一天(🚲)杰米也离(lí(😞) )奇死(🔗)(sǐ )亡(wáng )，尸体就被抛弃在(🍰)树林(lín )后面(⏩)。
两个情如手(🚰)足的师(shī )兄(🍉)弟(dì )（从艺(🕥)赌术），合开赌神(⛲)(shén )酒吧，但师(⛷)弟嗜赌如命(🌚)，不但将(jiāng )酒(🥜)吧(ba )输掉还为(🔺)此丧命，老婆携(xié )子避难(🐮)远走(🛩)它乡。师兄想(📫)(xiǎng )尽办(bàn )法(💔)将酒吧赢回(🌅)，继(jì )续经营(yíng )至今且越(💦)开越(⬇)红火，遐近(jìn )闻名(míng )。师弟(🆖)的儿子长大(💴)(dà )电影下(xià(🌒) )载，误以为是(🚘)师伯(🎶)设骗局(jú )逼死(sǐ )了(le )他父(🖱)亲并独霸了(🙌)他父亲(qīn )的(🦕)那份(fèn )财产(🆗)，决定重返原(🐈)(yuán )籍报(bào )仇(chóu )夺(🅰)回酒吧。因此(🍐)一场赌(dǔ )身(💢)家性(xìng )命的(🍐)赌局开始…(🦂)…最终年(nián )轻人(rén )因学(🍞)艺不(🥢)精、心境(jì(🆎)ng )浮躁还(hái )是(📧)输给了前辈(🆙)，但(dàn )前辈因(yīn )病在(zài )赌(🔄)赢后(📷)去世，临终(zhōng )前将他(tā )师(🧦)弟的亲笔信(☕)交给年轻人(🍙)(rén )看，原(yuán )来(⛅)是师(🛴)兄已为师(shī )弟报了(le )仇，并(🎾)将资产保存(🍼)下来移(yí )交(🥠)给(gěi )他(tā )的(🔝)儿子，并嘱咐(🚄)好好经(jīng )营正行(🍌)(háng )，不要再赌(🌜)。
俄罗(luó )斯九(🐗)(jiǔ )十(shí )年代(🚸)，IT业风气群涌(🛋)，无(wú )数精英(yīng )投身其中(🌾)。两个(🧛)年(nián )轻朋友(🖥)(yǒu )沃罗(luó )兹(🥟)（尤金·特(🏒)卡楚(chǔ )克饰）和塞加洛(🥧)维奇(🏼)（萨(sà )米尔·卡塔(tǎ )马(🤒)托夫饰）组(🧕)成商(shāng )业合(🤙)伙(huǒ )人，联手(🧟)创建(😿)搜索引擎Yandex，他们(men )收获名利(🔃)和大量的(de )财(🐅)富。他们是时(🕦)代的先锋，却(🔻)面(miàn )临周(zhō(⌚)u )围(wéi )人的不解。对(🥓)生活的态(tà(🌃)i )度，对成功的(🍋)理解在创业(💢)(yè )过程(chéng )中(🎃)(zhōng )不断发生着变化。
The Svensson family goes on a ski-vacation during the winter holiday. Sune the family flirt girl-charmer is yet again pulled into a difficult relationship and his father Rudolf is pushed into difficulty parent challenges while the little brother Håkan is up to no good. The big sister being ashamed of her family and the mother Karin tries to glue the family together and enjoy their vacation.
After the death of her parents, a young woman assumes primary guardianship of her special needs brother. But as she attempts to balance her new life with her brother and her own blossoming romance, it becomes painfully clear that life will only make room for one.
"The Principle" brings to light astonishing new scientific observations challenging the Copernican Principle; the foundational assumption underlying the modern scientific world view. The idea that the Earth occupies no special or favored position in the cosmos has launched the last two scientific revolutions - the Copernican Revolution and Relativity - and, as Lawrence Krauss has said, we could be on the verge of a third, with "Copernicus coming back to haunt us". Interviews with leading cosmologists are interspersed with the views of dissidents and mavericks, bringing into sharp focus the challenges and implications not only for cosmology, but for our cultural and religious view of reality.