Romy Schneider plays an aristocratic woman in 1936 Greece, who amuses herself pursuing a shallow loveless affair with a nobleman, but unexpectedly falls in love with a political activist.
导演Jorge Darnell是阿根(gēn )廷人(😭)，76年政变后(🍨)离开祖国流亡西班牙(✌)、意大利、墨西哥等(🐟)地，此片在(👢)西班牙拍摄，讲我们敬(🐺)爱的(👨)德拉古拉爷爷经(😺)(jīng )过(👙)几百(🐄)年后来到现代，由于居(🏘)住的(🚯)城堡年久失修再(🍐)加上(🐓)前来(👟)旅游观光的人很多，而(🎫)他(tā(😫) )的健(🏹)康和经济条件也(🏳)越来(🃏)越窘迫，虽然衣食无忧(😌)，但他(🥨)决定(⛔)利用自己的功力改变(🕑)现状(zhuàng )。影片在超现实(🐄)的诡异气(💆)氛中还原了吸血鬼作(🏪)为一(🗒)种动物的生存本(🏧)能，略带喜(👧)剧元素的故事背后表(🕜)达的(🧀)是作者对(duì )现实(💽)世界(🦀)的思(🉑)考和回映。
The film is about seven days in the life of Prince George, who is travelling in Japan for the first time. While there he meets and falls for a local girl, Sumi, who is a bus tour guide. www. lumia922.com Then problems happen as he is hunted by persons unknown who want him dead.
马达民族是(🈚)世界(♉)上最古老的民族(⏮)之一(🏣)，他们(🈯)拥有自己的独特(tè )的(🎢)民族(🌨)文化(🥀)，生活方式和意义(😾)理念(👲)，摩根教授一次关于马(🐕)达族(🍺)的讲(🥏)座引起人们对马达(dá(🐋) )族人民的浓厚兴趣。劳(💍)拉，尼古拉(🔺)斯，摩根和妮可四个年(🥝)轻人(🏎)由于不同原因走(🗻)到一起，他(😶)们决定结伴通行去考(📇)察(chá(🍾) )马达人，一路上由(👩)于此(⬅)行的(🚒)目的不尽相同，并且存(🆓)在意(🥕)识上的差异，他们(🚃)看起(🕦)来快(💎)快(kuài )乐乐，实则并不同(🍺)心，就(👦)在他(📔)们到达马达人内(📼)部围(🤞)绕着要不要深入马达(😟)人内(⛓)部考(🛵)察的(de )问题，四人的观念(🍠)的差异终于暴发…
影(🥙)片讲述德(✉)川时期发生的两个残(🚰)酷故(🕷)事：
在伦敦期间(🎾)，在罗马假(🔴)日，两个男(nán )人——艺(🈸)术指(🏹)导马克斯和夜总(📇)会的(🍉)钢琴(♍)手朱利奥试图分享他(🥨)们小(🈸)小的肮脏冒险—(🔩)—与(🤪)(yǔ )看(🔼)似极容易得手的小女(🐄)子多(🚁)拉上(🐝)床，却有了意外的(👮)收获(📕)......
大宋仁宗年间，风调雨(📓)顺，国(🧔)(guó )泰(🍪)民安，惟天子皇叔里阳(🎵)王赵珏心存歹念，勾结(😕)君山飞钗(😒)太保钟雄、黑狼山金(🤴)面神(🚣)蓝萧据水旱两路(🛃)，意图不轨(🦁)。里阳王义子杭州霸王(🕜)庄庄(📶)主罗强特派庄内(➿)高手(🍍)花蝴(💭)蝶花冲带人潜入大内(🕔)盗取(🏋)金龙珍珠(zhū )冠待事成(🥌)之后(📉)作为献礼以取悦襄阳(🏋)王。
philippe garrel最(🥫)默默(💃)无闻的作品之一(📑)，nico主演(🍝)。
Colt 38 special squad is a rare breed in the poliziotteschi genre. Excellent shot and filled with great casting, cinematographer/director Massimo Dallamano really comes trough on this one. Known for his outstanding camera precision on the Sergio Leone trilogy Colt 38 grapes you all the way. Of course there are a lot good examples for movies in those Italian cop/crime films.Like Milano Calibre 9 or The big racket. But Colt 38 special squad belongs among those films. Rather than just focusing on the usual violence this one delivers also a other angle, those of the mental-pain and struggle. Like a real pro Massimo let's you get involved in those characters and start to care form them. With all well paced storytelling we follow French crime lord Ivan Rassimov as the Dark angel in his mad rage against the city and his cops. Expeccialy against Marcel Bozzuffi as hard boiled Capitan Vanni. An old beef is going on between the two of them. Personal as can be, Vanni and his special crew of cops now not only arresting the locals bastards but are also mix up in the personal vendetta between Vanni and the crew of Dark Angel. The result is well packed storytelling with some brutal, but subtle action. Colt 38 is a well crafted movie with memorable scenes. Think in the line of city bombing and care chases. Rassimov is one's of the most cool killers. But really, Vanni is stealing the show in my opine that is. Of course also in real life those guys competing. Both are die hard actors. Dirty rotten by all those amazing scripts in there carrier. Kinda like De Niro and Pacino in Heat. Do not make the mistake of thinking less about this movie in budget ways. It's great cinema and a prime example of Polliziotesschi madness. Not to be missed
Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle – some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society.