顶楼第一季

At the beginning of the movie a pharmacist receives an anonymous letter that threatens him of death. And the murder actually happens. Seems very simple but nothing is what it seems and the journey to the truth will be long and difficult. The book is excellent and the movie is at par with it and very faithful to the romance. Great direction. Incredible cast with Gabriele Ferzetti in his best interpretation together with the one in "C'era una volta il West" and Gianmaria Volonté(🆓) simply beyond reach as always. Many other great actors. Yes I am an enthusiast 'cause there's not a word or a shot out of place in this movie and the plot is ingenious. Who is going to see this film for the first time will be taken away by the developments (the pace seems to be calm but looking in between the kinks you may realize that many things are going rapidly on). Trying to figure out what is the kernel of the happenings and the "reasons" for the murder is a very interesting exercise but it's highly unlikely for the spectator not to experience a big surprise at the end. In my opinion Elio Petri at his best (I mean at the same level of his other masterwork: La classe operaia va in Paradiso). Robert Colomb (Yves Montand), a famous TV newscaster, is married to Catherine (Annie Girardot), but is continually unfaithful. He is about to replace his current mistress, Mireille (Irene Tunc), with Jacqueline (Anouk Ferjak)when he meets, and becomes fascinated with Candice (Candice Bergen.) He takes her along on an assignment in Kenya and later establishes an "arrangement" with her in Amsterdam. When he tells Catherine about the affair, she is silent. He is assigned to Viet Nam, tells Candice their affair is over and, to his astonishment, discovers that is more than acceptable to her as she as tired of him. Returning from a Vietnamese prison he decides to return also to Catherine, but discovers she has made a new life for herself. He ponders whether he should break into her life again, rekindle their old love or just disappear from her life. While he is pondering, Catherine---a big hand for the little lady---makes the decision for this selfish and conceited ass. 一俐(lì(🔦) )对假夫(🔛)轧(zhá )妻(🤦)档的(de )舞(🌛)茹台剧(🐖)筑(zhù )红(💲)喜星躇(👰)(chú )，药他(🎒)(tā )们姓(🧥)经常吵(♿)(chǎo )架朱(🍃)，弯(wān )台(♎)舒上堤(💢)台掉下(⛽)生仰(yǎng )活胳纠(jiū )箩缠惰不浆(jiāng )清，恰好(hǎo )他俩被(bèi )啪迫合伟演(yǎn )盲《驯悍(hàn )记》傻，更加谈闹得(📂)躁不可(👶)(kě )翘开(😬)交攘。 轿(💯) 猫王埃(🍆)(āi )尔维(🌷)斯(sī )．(🚸)普雷斯(🦉)利(lì )主(💦)演的歌(gē )唱爱情(qíng )片，有八首(shǒu )悦耳插(😫)曲(qǔ )，女(🐅)有一批(🚧)身材基(🐛)数惹火(🏣)的(de )比基(👸)尼女郎(🈯)(láng )，感觉(⛎)活(huó )色(🚦)生香(xiā(👍)ng )。剧情方(🀄)面(miàn )主(🖍)要是套(🌻)(tào )用《乞(➗)(qǐ )丐王(❤)子》的(de )模(🌹)式，描(miáo )述埃尔维斯是石油大(dà )亨的儿(ér )子，他故意(yì )跟迈阿密(mì )海滩的(de )滑水教练对(duì )调身(👁)份，因为(⛵)他要找(🔟)到一个(🔖)爱他本(🥠)人(rén )而(🧣)非爱他(🗻)财(cái )富(⏰)的女孩(🦉)(hái )。不料(liào )他后来爱上(shàng )了挖金女(nǚ )郎(🍪)谢利(lì(💴) )．费巴(👤)莱斯(sī(🧦) )，甚至还(🥂)(hái )为了(🐚)她跟一(🥨)名花花(👀)公子情(🧞)敌(dí )比(👳)赛快艇(➡)。 眠りの(😧)精(jīng )オ(🗺)ーレお(🈁)じさん(💮)が、蝙蝠傘(sǎn )をさして空から町(dīng )に降りてくるのを、ケケと3匹(pǐ )の子ネズミが見ていた。 オー(🛂)レおじ(🌍)さんは(🎬)ケケた(😝)ちの棲(🌁)み家に(🎴)入って(🥂)くると(👘)、部(bù(🛵) )屋をピッカピカに模(mó )様替えをして(💣)しまう(🏦)。 ところ(⚾)が調(dià(🔷)o )子に乗(🕝)りすぎ(🧚)たおじ(🚓)さんは(🌚)クツを(📵)こわし(📼)てしま(⬇)った。 本(😁)片(piàn )为(🐉)导演何(🚐)(hé )梦华(🚁)1968年(nián )的作品。故(gù )事描述，青虹大侠刘文龙（房勉）家(jiā )园，被混世魔王周超(chāo )（马影(yǐng )）洗劫焚烧(🥝)(shāo )，妻惨(🙈)遭(zāo )杀(📭)害，子玉(🆖)郎因与(🏿)(yǔ )忠仆(🤼)躲在(zà(🐬)i )井里，幸(😽)未遭害(🌽)。刘追击魔(mó )王，却被其(qí )负伤逃(🚚)去(qù )。后(💈)刘(liú )携(🏪)子、仆(🥛)及(jí )徒(🦃)弟胡子(👣)(zǐ )峰（(🏠)张(zhāng )佩(➡)山）天(🦒)涯(yá )寻(🧖)仇。三(sā(🥘)n )年艰苦(⬛)，胡不耐(⛸)枯寂(jì(🌙) )，非礼(lǐ(🐍) )村妇，被(🎧)刘(liú )撞破，夺(duó )刘之追(zhuī )魂镖杀妇后(hòu )逃走。刘(liú )收妇遗孤玉蝉为徒，并放弃(qì )寻仇及封镖。蝉（秦(qí(🎀)n )萍）长(🌵)(zhǎng )大后(🌴)与郎（(🍰)岳华）(🐓)相(xiàng )爱(🌎)，但(dàn )蝉(🤲)偶遇胡(🔓)，误信其(🏸)言(yán )，以为刘是杀母仇人… L’IMMORALE (Italy/France 1967) In this continuation of Pietro Germi's socially critical romantic comedies, Germi caricatures bourgeois conventions in an artistic, educated middle class milieu: Masini (Ugo Tognazzi), a prominent violinist in his mid-forties, has fallen in love with the 20-year-old harpist Marisa (Stefania Sandrelli), who is awaiting the birth of their child. The problem: Sergio already has two families and five children who are unaware of each other’(🍢)s existence. Increasingly overwhelmed by having to organize three parallel families – all the birthdays, clothing sizes, favorite dishes, holiday wishes and other preferences need to be taken into account – Sergio asks for advice from Don Michele at confession.