午夜电话亭

本(běn )武(⏯)(wǔ(🍺) )俠(🛀)(xiá(🐶) )片於(yú )1972年拍成，由何夢(🏭)華導演(yǎn )，江陽(yáng )編(biān )劇，娃(wá )娃影后李菁(🛳)、(🏚)趙(🏐)雄、楊志卿及(jí(🚃) )王(🍪)俠(🛃)主(zhǔ )演(yǎn )。故事描述，威(⚽)遠(🎍)鏢局少主兼(jiān )滄州(zhōu )總(zǒng )捕(bǔ )頭萬超凡(🛅)（(💤)趙雄），與鎮北(běi )鏢(🗞)局(⤴)千(🌔)(qiān )金(jīn )秀秀（李菁(🦐)）(💢)青(🚧)梅竹馬。超凡不知秀(xiù )秀(xiù )之父(fù )樊(fán )芝(🤛)龍（楊志卿）除嫁禍(🌝)萬(🕣)家(♐)劫(jié )鏢外，亦(yì )為(🗡)其(🎦)殺(😇)父(🥕)主兇。後秀秀撞破其父(🥣)的(de )愛(ài )妾(qiè )與門(mén )徒通姦，險遭滅口，幸(xì(🚉)ng )得(🖤)超(✏)凡(fán )及(jí )時趕到(🚃)(dà(😆)o )相(♍)救。超凡得秀秀與冷面(💚)劍(🚵)客(kè )（石天(tiān )）相助，終揭穿樊連串陰謀(🛵)…(🌆)… 《早(zǎo )熟(shú )》是由榮(☔)獲(⛺)第(🚭)三十八屆金馬獎終(😵)身(👟)成(🕙)(chéng )就(jiù )獎的宋(sòng )存壽所編導。此片男角為(🌍)擅演(yǎn )文(wén )藝片(piàn )，以(🕷)《痴(🥊)情(➰)淚》一片走紅的凌(🐠)雲(🤼)(yú(📞)n )。故(👚)事(shì )講(jiǎng )述少女陸稚(🆘)白（恬妞）邂逅父親陸(lù )濤(tāo )然(rán )（金(🍷)(jī(🥢)n )漢(🔩)）的同事石心樵(🆘)（(📅)凌(💱)(líng )雲）。雖(suī )表白心(xī(💰)n )跡(🕓)但為石所拒絕，後因與富家(jiā )公子交(jiāo )往(🚕)(wǎ(🍓)ng )而失身，幸得石的幫(🛏)助(🐡)解(✋)窘，最終(zhōng )父(fù )親(qī(🗜)n )去(🏚)世(🤰)前將自己託孤與心樵。 《洪拳(quán )与(yǔ )咏春》由(🌛)武侠大导张彻执导, 唐(🗨)隹(💯)及(😭)刘(liú )家(jiā )良任(rè(🔵)n )武(🦃)(wǔ(🎚) )术(🌉)指导, 故事依练功、破(⏫)功的情(qíng )节发展(zhǎn ), 讲(jiǎng )述为清廷效力的(👨)八(🙋)旗(➰)武馆为对付少(shǎ(🤙)o )林(🦑)(lí(📬)n )子(zǐ )弟, 特(tè )请来高手(🛣)巴(🔬)刚(梁家仁)与(yǔ )余比(王(wáng )龙(lóng )威)踢平(píng )林(🚣)赞(📧)田师父的少林武馆(📷). 从(🚿)武(🎪)馆(guǎn )侥幸逃(táo )生(shē(🏤)ng )者(🕺), 仅(🌧)有(yǒu )麦汉(唐炎灿)、陈保荣(戚(qī )冠军(jun1 ))、李(🐪)(lǐ )耀(傅声)和何振刚(刘(🕳)家(💔)辉(🍁)). 他们急往深(shēn )山(🐈)(shā(🥈)n )向(✔)林(🔹)赞(zàn )田师父求助, 林遂(🎷)派麦与何跟鹰(yīng )爪(zhǎo )王学(xué )「趟地鹰爪(🔝)功(🛤)」(🌶)及「大力鹰爪功(🎷)(gō(🕧)ng )」(🗄), 望破(pò )巴(bā )之「铁布(🚉)衫(🌦)」及余之气功. 可惜麦、何(hé )学(xué )成后(hò(✡)u )与(📝)巴、余对战不敌身(🗳)亡(🤭)(wá(📶)ng ). 林再派(pài )李(lǐ )、陈(🈯)练(🕣)(lià(🌩)n )虎鹤双形拳和咏春拳... 适逢父亲(qīn )的忌日(🏧)(rì )，漂泊许(xǔ )久的寅次(🍃)郎(👾)（(🎫)渥美清 饰(shì )）返(🍡)(fǎ(💈)n )回(🌵)(huí )家(jiā )中，却玩笑般地大(😳)闹法会。在家没(méi )有(yǒu )待上几(jǐ )日，又因搞(♿)错(😌)了(👊)满男想买钢琴(qí(🖌)n )的(⏸)(de )愿(🦇)望(wàng )倍(bèi )感受辱，转身(🚺)又(♋)踏上旅途。这(zhè )一次他(tā )远(yuǎn )走北海道，信(🐿)心(🕯)满满地留在当地农(📑)(nó(😺)ng )家(💉)(jiā )帮(bāng )忙，结果仅仅(🐋)三(⛏)日(🌝)便一病不(bú )起，多(duō )亏(kuī )阿樱（倍赏千惠(💯)子 饰）亲自将他接回(🎭)(huí(🥧) )家(🥍)中。只(zhī )不过阿(ā(😘) )寅(🚽)并(💤)未吸取教训，正当(dāng )他再(👤)(zài )次(cì )准(zhǔn )备离家的时候，他重逢了在北(🌇)海(👋)道(🗨)(dào )网(wǎng )走市有(yǒ(🌹)u )过(🐗)一(💜)面之缘的茉莉（浅丘(🎰)琉(🛏)璃(lí )子(zǐ ) 饰）。茉莉为了成为歌手，孤身一(🤓)人(🕧)(rén )流转日(rì )本(běn )各(🍓)地(🛺)，吃(🏪)尽人间之苦。如今她(🌱)逶(🔝)迤(😐)(yǐ )来(lái )至(zhì )浅草(cǎo )，继续追寻着她的梦想(⬜)(xiǎng )，而阿(ā )寅(yín )是否又(🚕)(yò(🗣)u )将(👧)迎来一段新的恋(🤰)情(🤔)呢(📟)？ The TARDIS arrives in the year 2540 on board an Earth spaceship, which then comes under attack. The crew perceive the Doctor, Jo and the attackers as Draconians, whose empire currently rivals Earth's for control of the galaxy. The Doctor and Jo, however, see that the attackers are really Ogrons. 影片(piàn )以睡梦(mèng )的(de )方(🥃)式展(zhǎn )开故事情(🐡)节。伊丽莎白(bái )守候(hòu )在(🤣)(zà(🏩)i )即(🦂)(jí )将咽气的丈夫(😁)身(⏺)边(🏏)，在疲倦中的梦(mèng )回(huí(🗣) )到(🤖)了过(guò )去：在母亲的做主下，年轻美(měi )丽(🎒)(lì(🐢) )的伊(yī )丽(lì )莎白嫁(🗿)给(👾)了(🤧)卡穆拉斯卡的庄园(🌲)(yuá(🚥)n )主(⏩)、花(huā )花(huā )公子安托万·塔西。新鲜劲过(🤟)去后(hòu )，安(ān )托万(wàn )很(🏹)快(🕌)就(👭)对伊丽莎白产生(🙀)(shē(🎚)ng )了(🔫)厌倦(juàn )，自己去(qù )花天酒(🤞)地。痛苦的伊丽莎(🍊)白生(shēng )下了第(dì )一(yī )个(🥥)孩(🍈)子(🥡)，回到母亲家，但安(🧛)托(🕤)(tuō(🍦) )万常上(shàng )门(mén )纠缠。为(👌)伊(🎣)丽莎白看病的大夫纳尔(ěr )逊(xùn )是个美(mě(📏)i )国(🍔)人，他们相爱了，之后(🧕)，伊(😙)(yī(🛐) )丽(lì )莎白怀(huái )上了(🤒)纳(🦓)尔(🍹)逊的孩子。安托万听(tīng )说后怀(huái )恨(hèn )在心(🖼)，扬言说要将儿子从伊(🍲)丽(🔠)莎(🔼)白(bái )身(shēn )边(biān )夺(🖐)走(🈂)，还(📹)要告伊丽莎白犯有(yǒu )通(⏫)奸罪(zuì )。伊丽莎(shā(📵) )白的女仆试图将安托万(🛐)毒(⛰)死(👸)，但没有(yǒu )成(chéng )功(🍔)，于(⏺)是(🗻)对安托万怀着刻骨仇(😋)(chó(🆖)u )恨的纳(nà )尔(ěr )逊亲自杀了这个禽兽，而后(📸)逃(🍽)到美(měi )国(guó )，伊丽(lì(🔜) )莎(🐥)白(🌷)却因蓄谋杀人罪进(🚍)了(🕕)监(🍨)狱(yù )，身败名(míng )裂。出狱后，在得不到纳尔逊(🥖)(xùn )消息的(de )情(qíng )况下，她(🆘)同(🕊)现(🎠)在的丈夫热罗姆(🔓)结(🔐)了(🃏)(le )婚(hūn )……伊丽莎白从梦(🃏)中醒来，现(xiàn )在，热(🏐)(rè )罗(luó )姆也即(jí )将死去(👫)，她(⛑)将(🤫)只身一人。想起(qǐ(🍧) )渺(➗)茫(💮)的(de )前(qián )途，她辛酸无比(🐚)。 法(🖇)兰克是一(yī )个年轻(qīng )而(ér )富有理想的警(🏧)察(📡)，他从巡警开始做(zuò(👢) )起(🚷)(qǐ(🎶) )，后来(lái )成为卧底警(🎿)察(📯)，虽(🐤)然他的破案(àn )率(lǜ )很高，但他不愿意象其(😂)他警察那样收(shōu )受贿(🔆)赂(🐌)(lù(😤) )，这使他显得和其(🦈)他(🏂)人(👠)格格不入。这(zhè )种(zhǒng )做(zuò(🆕) )法也使他身陷危机，因为他(tā )的同事(shì )们(🏣)(men )都(📡)与他(tā )为敌，且不时(💮)地(🌹)陷(🚮)害他。当检(jiǎn )察组开(kā(🍆)i )始(🔅)(shǐ )调查警局内部的贪污内幕时，他又出(chū(🚗) )面(miàn )作证，因此更陷入(😕)危(🎟)险(🦕)之中…… While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film.