以扒窃(qiè )为(🦈)生(🚷)(shēng )的(de )赛时(shí )迁爱上(🛬)(shàng )同屋住客莲儿(🈶)，决心改邪归正(🔳)。莲(🧡)却遭姊王大娘(🙇)出(🔓)卖，险被嫖客污辱(🌆)。王毒杀(shā )丈夫嫁(jià(🔫) )祸于迁(qiān )，幸迁(🥌)(qiā(➖)n )得房客(kè )小瘤(🏦)三(🔌)(sān )作证脱(tuō )罪，并(💉)(bìng )与莲(lián )成眷属(shǔ(🎠) )。
电影(yǐng )剧情：
电(🔚)影剧情：
1916年，第(🍜)一(🏎)次世界大战期间(🍄)的法国，德法两军的(🗓)战争如(rú )火如荼(✌)(tú )。值此(cǐ )关键(💞)时(🤪)(shí )刻，法(fǎ )国陆(🐣)军(🍽)(jun1 )将军布(bù )洛拉德(dé(👧) )（Adolphe Menjou 饰(shì )）向陆(lù(🦋) )军上尉(wèi )达克(🛴)斯(⛵)（柯克·道格(🌋)拉(😧)斯 Kirk Douglas 饰）率领的部(🚷)队下了一道命令：(🐱)不(⛳)惜一切代价(⛎)(jià(🌅) )攻(gōng )下德(dé )军(🦈)占(💽)领(lǐng )的安特(tè )山(🍡)。军(jun1 )令如山(shān )，即使(shǐ(🎉) )前方刀(dāo )山火海(🥃)(hǎi )，战(zhàn )士们仍(🦍)(ré(⛅)ng )拼死向(xiàng )前冲去(💠)。结局可想而知，在敌(🗺)人密集的炮火下(😟)，法军冲锋失败(👐)，伤(🛩)亡惨(cǎn )重。为(wé(♏)i )了(🚐)掩盖(gài )自己的(de )指挥(🛶)失(shī )误，布(bù )洛拉(👠)德(dé )抓捕三(sā(🤶)n )名(🤓)无(wú )辜(gū )士兵(💹)(bī(🛐)ng )作代罪(zuì )羔羊，以(🌊)临阵脱逃等罪名将(🔷)他(🏠)们判处死刑(😻)。为(🔰)了士兵的利益(💿)，达(🥊)克斯上(shàng )尉(wèi )奋(🃏)力(lì )争取，却在这(zhè(🤱) )一过程(chéng )中渐渐(🐛)(jiàn )看清军(jun1 )官和(🔛)战(🙄)(zhàn )争的丑(chǒu )恶…(🎴)…
EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.
戦後(hòu )10年目の農(🐨)漁村を舞台に、(📊)そこで暮らす(🐃)人(🖱)々の生活を感(😾)動(🕴)的に綴った名編。今(🏴)(jīn )井正監(jiān )督が(🛴)初(chū )めて手(shǒ(🕞)u )が(🤱)けたカラー作(🌨)品(🎎)としても知られ(⏬)る。田植えが終わり(🛣)村(😈)祭りが行わ(💸)れ(🔅)るころ、村の(🐔)若(💠)者たちは対岸の(🚡)娘たちを冷やかす(🕤)夜(yè )遊びに興じ(⛳)ていた。田村次(🏃)(cì(📵) )男も対(duì )岸を襲(🦄)(xí )うが、農家(jiā )で(🙊)黙々と働く千代(😛)を見かけ、淡(🗽)い(👹)恋心を抱く。次(🛡)男(🏫)は漁を始めるが、(🏉)それが原因で千(🍲)代の母親と口(🍯)論(🏻)となってしま(📝)う(🥨)。やがて次男(nán )は(✊)仙(xiān )吉(jí )と帆(fān )曳(🛤)き(⛹)を始めるが、(🍵)無鉄砲な仙吉(🧒)は(🏪)千代たちの境界(👶)線を越えて漁をす(🥥)るようになった(🌱)。
A regional independent film? A western swing musical? An early Robert Altman script? A roman à clef about real-life popcorn baron Charles Manley? A masterpiece? Corn’s-A-Poppin’ is all these things and more. Produced on the cheap in a Kansas City by a band of young talent schooled in the production techniques of The Calvin Company, the Midwest’s most innovative industrial film studio, Corn’s-A-Poppin’(👷) is just about the most free-wheeling and sing-able hour of cinema we’(🌯)ve ever seen. Down-home crooner Jerry Wallace plays Johnny Wilson, the star of the Pinwhistle Popcorn Hour, a half-pint (and half-hour) variety show with acts ranging from pro-hog caller Lillian Gravelguard to Hobie Shepp and the Cowtown Wranglers. Might the cornpone bookings be an act of sabotage by rogue PR man Waldo Crummit in a bid to gut the Pinwhistle Empire? It’s up to Little Cora Rice to save the day. Songs include: “On Our Way to Mars,” “Running After Love,” and “Mama, Wanna Balloon.”