1925年联合影片公(gōng )司(👹)出(chū )品(🏥)
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'. Written by Sujit R. Varma
瑞典(diǎ(🏘)n )當(👮)年成(📍)本(💦)最高的(⏲)默片(piàn )，也(yě )被視為(wéi )早期瑞典影史必看經(jīng )典(🐯)。全片幾(🤙)(jǐ )乎實(🦕)景(🦌)拍攝，拍(⛳)攝難(ná(🍸)n )度與(yǔ )戲劇張力超越當代。原本平(píng )凡的(👂)(de )水手，戰(🎬)時為了(🎟)養(🔏)家(jiā )活(🏚)口冒(mà(🍴)o )險出(chū )航，卻被軍人所俘。多年後(hòu )脫身(shē(🕦)n )返家卻(⤴)人事已(🙏)非(🍆)，只(zhī )有(🔖)滿腔(qiā(❌)ng )怨怒(nù )相伴。某天，當年俘(fú )虜他的仇敵(dí(🎆) )與相隨(🍰)的妻女(🥘)海(🛴)上落(🧘)(luò(🎧) )難待(dà(🥒)i )援，他(tā )奮勇而至，卻陷入「復仇(chóu )還是救(jiù )援？(🥟)」的天(👁)人交戰(🔣)。
富(📣)翁(wēng )杨(🧙)寿昌(chā(😂)ng )晚年丧子。为占家产(chǎn )，侄(zhí )子道培与陆守(🐔)敬狼狈(🎯)(bèi )为奸(⛹)，诬(👍)告(gào )儿(🛃)媳余蔚(🤓)如不贞，致(zhì )使蔚如(rú )扫地(dì )出门。数月后(💏)，蔚如(rú(📘) )生下一(🕗)(yī(🔨) )子，取名(🚚)余璞。余(🐆)璞十岁(suì )，就读(dú )寿昌(chāng )所建学校。寿昌亦(📽)居(jū )住(🤚)于此。祖(🧕)(zǔ(🕠) )孙互(🙃)不(🔜)相识，然(⭐)余璞(pú )彬彬(bīn )有礼，胆识过人，颇得寿昌(chāng )喜爱(à(🙄)i )。余璞(pú(🕯) )亦常到(😤)其(🗨)居处玩(🔺)耍。一日(😭)(rì )，道培(péi )守敬到寿昌处要钱，遭斥(chì )责后(🎰)，意欲行(⏭)凶，恰(qià(🤡) )好(🎵)余璞(pú(🤓) )来到(dà(🍹)o )。守敬被捕。道培重(chóng )伤，余(yú )璞亦(yì )受伤。道(🖥)培临终(📝)悔悟(wù(🔎) )，说(🥞)出(chū )实(🐣)情(qíng )。一(🍐)家人终得团聚。
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
A young woman named Suwanna is the object of affection for many men. In her search for true love, she has many adventures and mishaps, including overcoming her father's disapproval, before finally finding her soul-mate. Miss Suwanna of Siam, or Nang Sao Suwan, was one of first feature films to be made in Thailand, and was the first Hollywood co-production in Thailand.
戲名難(nán )免使(shǐ )人聯想到(🍘)食色「(🖨)性」也(🌲)，但(🍱)慾望(wà(🙋)ng )的對象(👘)？對不起，卻(què )是個(gè )男兒。美國蠔業大王有個刁(📞)(diāo )蠻女(🦅)(nǚ )，一天(🦗)(tiā(🔟)n )覺得自(📭)己非要(😴)嫁人不(bú )可，被媒人(rén )相中的落難歐洲王(💨)子(zǐ )派(⚪)出(chū )心(🤕)腹(🍴)試探虛(🤵)實，蠔女(🏅)(nǚ )一聲多(duō )謝馬(mǎ )上拉去註冊結婚，當(dā(🕓)ng )晚大排(👙)(pái )筵席(📔)(xí(🤘) )，酒飽飯(🦖)醉後只(🤥)差沒(méi )半點洞(dòng )房動(dòng )機。直至窮王子真(🎰)人(rén )現(🕸)眼前(qiá(⬅)n )，慾(🐔)(yù )望傾(👻)瀉得一(🐋)發不可收(shōu )拾。女性情(qíng )慾在劉別謙筆下從來(lá(🍇)i )都很(hě(🐥)n )坦然和(🤠)(hé(🐾) )直接，蠔(🔬)女這荷(🌛)里活(huó )女性(xìng )原型，令後來者亦甘拜下風(📌)(fēng )。揶(yé(👭) )揄資本(🕴)家(🔝)與消費(🏓)社會的(🏓)大場(chǎng )面可(kě )觀亦抵死，筆觸細膩(nì )幽默(💀)。劉別(bié(➿) )謙第二(🧤)部(🕷)長片，是(👟)他(tā )打(🐮)造品(pǐn )牌之(zhī )作，驚人的成熟導技(jì )令人(💍)擊(jī )節(😯)復(fù )感(💁)動(Ⓜ)。
查尔斯(🔚)•百代(💋)(dài )《被拴住的(de )马匹》（The Horse that Bolted），使用“平行剪辑”的手法。这是(🕥)电影史(🚧)(shǐ(🌶) )上第(🦌)(dì(🧒) )一次通(🥠)(tōng )过新(🕔)的词汇来表达时(shí )间的(de )“同时(shí )性”。此影片(😏)已经不(🚖)(bú )同于(🌳)(yú(🕟) )埃德温(🦏)•史坦(😒)顿•鲍(bào )特《一(yī )个美(měi )国消防队员的生(🖐)活》，镜头(👿)(tóu )表达(😄)(dá(📥) )不再是(👑)“后来”发(📉)生(shēng )的事情(qíng )，而(ér )是“与此同时”，这(zhè )种细(🤥)小(xiǎo )的(🧑)进(jìn )步(🐹)却(🌀)是电影(😲)艺术向(🎒)前(qián )迈向重要的(de )一步。