Judas, a wealthy playboy living in Hong Kong, is obsessed with snakes. His apartment is full of them, and he treats them as if they were his children. One night Judas' brother persuades him to accompany him to see a dance act at a nightclub. Judas is astounded to see that the act consists of a beautiful Asian woman who dances nude while holding a python. He is immediately smitten, and winds up hiring her to take care of his snakes while he's away on business. However, things start to take a sinister turn.
Mikami, a Japanese soldier serving in China, is captured by the Chinese. Although he is able to escape, his troubles are far from over. He returns to his unit but is treated with contempt for the disgrace of having been captured. Mikami falls in love with Harumi, a prostitute. She tries to convince him to desert from the army, with fatal results
法国名(míng )导演勒(lè )卢许与(yǔ(🎃) )首(💲)席(⛪)女(nǚ )星德纳(👛)芙(🌰)在70年代中期合(💢)作(🐻)的亲情(qíng )伦理片(piàn )。女主(zhǔ )角(jiǎo )在(➗)年(👒)轻(qīng )时抢劫(jié(🚆) )银(🐖)行，被囚20年，她在(⏳)入(🐻)狱前生产的儿子(🌺)赛门已(yǐ )长大成(🙄)(ché(🚞)ng )人(rén )，出狱(yù )后(👔)想(👃)跟(gēn )赛门重(chó(🕛)ng )新(🍪)建立母子关系，但(🍗)产生一些挫折，直(zhí )至她发(fā )现儿(👶)子(🎒)竟(jìng )然爱上(shà(🤤)ng )她(🦇)的女(nǚ )友时，事情(✊)出现了转机。而她自己也找(zhǎo )到了(🔡)新(⏩)(xīn )的爱侣，就是(🍍)赛(🏘)(sài )门的老(lǎo )师(👢)。
22岁(🍼)(suì )的青年齐木顺（水谷丰 饰）其(🔏)家(😓)(jiā )中经营(yíng )一(🕝)家(🎃)修(xiū )车(chē )行，他(📱)(tā(♎) )靠父母(mǔ )出钱开(💟)(kāi )了一个小酒吧，年(🔫)轻貌美的美子(😷)（(🔠)原田(tián )美枝子(🥇)(zǐ(🛺) ) 饰(shì )）在酒(jiǔ )吧(♈)中作(zuò )女招待(dài )，久而久之，两人产(🤦)生(🍉)了感情。
由布莱(👁)(lá(👄)i )恩·德(dé )·帕尔(🦎)马(mǎ )（Brian De Palma）指(zhǐ )导， 保(bǎo )罗·施(shī )拉(🧞)德(💀)（Paul Schrader）编剧的《迷(🎨)情(🧐)记》（Obsession / 1976）是一部(🕳)(bù(🤢) )文艺气息(xī )相当浓(nóng )厚的悬(xuán )疑(🙂)片(🎨)。帕尔马导演一(🎍)反(📠)(fǎn )常态，并没有(🛰)在(🤝)(zài )影片中(zhōng )过分(🚎)卖(mài )弄(nòng )血腥暴(bà(🏎)o )力，而(ér )是以细(🎇)(xì(🍫) )腻的手法把一(🙄)个(✅)奇异的故事拍得(🎊)如梦如(rú )幻，韵(yùn )味(wèi )十足。
一个记(📝)(jì(📊) )者正在(zài )寻找(💴)一(📻)条独家新闻，会见(📸)一位部长的女(nǚ )儿，与(yǔ )她展开生(🐑)(shē(😏)ng )意，损(sǔn )害了自(🅾)(zì(🏫) )己的妻子。
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
虽然(🚓)此(🍾)片故事电影和电视已(yǐ )拍过多(duō(🦗) )次(📔)，但编(biān )导李翰(🥄)(hà(✌)n )祥在清(qīng )宫戏(🤫)的(⛸)(de )场面铺陈上别有(✨)不同，而且情节(jiē )上(😛)也有(yǒu )改动，所(🎧)(suǒ(🎗) )以还是(shì )较有(🙂)可(🍅)(kě )观的。如西太后(💮)反对维新方面，改为遗老为保(bǎo )全(💓)功(🚐)名(míng )和(hé )荣华(🍔)富(🐋)(fù )贵不惜(xī )长跪(🚕)不(bú )起，加重她的责任感。光绪幽禁(🎇)瀛(💳)台的(de )出走之(zhī(🏮) )夜(🎏)，西太(tài )后又带(📙)(dà(🚨)i )皇后夜(yè )访光绪，并有意还政于光(🎍)绪(🍱)。这些细节(jiē )，使(🍄)西(📲)(xī )太后更有(yǒ(🚁)u )人(🌹)性的(de )真实感(gǎn )情(💟)。但(dàn )描写六君子的(🍨)戏时过于简略(🉐)，是(😁)(shì )影片的(de )一大(🐏)失(💨)误(wù )。
A murderous drug dealer breaks his partner out of police custody. An undercover cop is assigned to track down the two killers and bring them in.
勒维(wéi )（达(🌁)斯(sī )汀·霍(huò )夫曼 Dustin Hoffman 饰）在不久之(🐘)前(🔧)刚(🎶)刚失去了父(⛪)亲(🧙)，这让他(tā )和(hé )哥(🛣)哥多(duō )克（罗(luó )伊·施(shī )奈德 Roy Scheider 饰(🛸)）(🎓)之间的感情变(🛄)得(❗)更加紧密。某(mǒ(🔌)u )日(🗝)，勒(lè )维邂逅了(le )名为艾(ài )尔莎（玛(💠)尔(🦇)特·克勒尔 Marthe Keller 饰(🌙)）(🌮)的美丽女孩，瞬(🚧)间(🍢)(jiān )坠入情(qíng )网的(🆗)勒维(wéi )随即向(xiàng )艾(🚸)尔莎(shā )展开了(🍾)(le )热(🛳)烈的攻势，很快(🤠)，两(👃)人便走到(dào )了一(🤰)起(qǐ )。