Wol-ra decides that she wants to have a baby, but she does not necessarily want to get married. She sets out to find a man of intellect and talent so she can bear a child with these qualities.
乔治(🏤)和(🌐)詹妮(nī )几乎是(🔗)在(💩)同(tóng )一时间走出(chū(🐽) )机(🎨)场的。不同(tóng )的(📧)是，乔治的此次欧洲(📅)(zhō(💑)u )之行是处理亡(👰)(wáng )妻芭芭拉的后事(🥂)，而(👭)詹(zhān )妮(nī )则是(🕚)不(👢)远万(wàn )里飞赴伦敦(🤢)(dū(💀)n )办理与丈夫(fū(💴) )离(lí )婚的手续。没有(🈯)了(🆚)爱妻(qī )芭芭拉(⛄)的日(rì )子(zǐ )，乔治再也(🕧)(yě )没有了往日(rì(🍻) )的激情，不(bú )但(dàn )在(👸)家(💙)里容易(yì )睹物(😃)伤情，而且连已经动(🐭)(dò(😎)ng )笔的小说也(yě(🔺) )没有继续下(xià )去的思(🚔)路(😡)。虽(suī )然，弟弟利(🤛)(lì )奥试图通过(guò )给(㊗)乔(🚴)治介绍女(nǚ )朋(🔷)友来帮助他忘却过(🤐)去(🎂)(qù )，但乔治还是(🧥)(shì(📱) )难以从对芭芭拉的(➡)思(🈸)念(niàn )中(zhōng )走出(🔃)来。
本(běn )片由張徹導(🎱)(dǎ(🦅)o )演，倪匡編(biān )劇(🐍)(jù )，鹿峰、羅(luó )莽、孫(🎷)建、江生及郭追(🚝)(zhuī )領(lǐng )銜主演，拍(pā(😑)i )於(🎽)1979年功夫片(piàn )高(👴)峰期。故(gù )事(shì )講述(😈)武(🔶)林世(shì )家子弟(🔷)袁鷹(yīng )飛(鹿峰飾)，表(biǎ(🦄)o )面(🗽)上是仁至(zhì )義(🔗)盡的江湖(hú )俠士，實(📔)則(🚔)是(shì )工於心計(🕷)的(de )奸險人物。他利用(🔂)何(🤓)非(江(jiāng )生 飾)、(🙊)馮(💰)加金(孫建 飾)、曾樵(🎍)(王(📬)力 飾)及(jí )楊追(👞)風(郭追飾)等失意江(🍆)(jiā(🌂)ng )湖(hú )的高手，對(🦕)(duì )付虎威鏢局(jú )少鏢(🙇)頭關雲(yún )(羅(luó(🍡) )莽(✅) 飾)；豈料(liào )何非等(🌿)四(💍)人(rén )與關雲不(🐩)打(dǎ )不(bú )相識，反成(⬛)(ché(⬛)ng )好友……
靠(kà(🦇)o )已亡故的姐(jiě )姐(jiě )陶(🥦)碧(🏩)槐（谢(xiè )玲玲(🚮)）和差(chà )点成为姐(🔫)夫(🌺)的(de )江淮（秦汉(🔀)(hàn )）的不断资(zī )助(⬇)和(🚮)鼓励，在(zài )英国(🕵)念(🎭)戏剧(jù )的陶丹枫（(💺)林(🆕)青霞）终于(yú(👱) )学成归国。而由于不(💹)断(🐖)(duàn )的通信，她和(🕊)(hé )江淮已生出“恋情”。在(📍)(zài )与姐姐的生(👕)(shē(🎪)ng )前好友谈话(huà )时，姐(🕷)姐(🗂)不(bú )是(shì )因心(🈶)脏病而(ér )是江淮另(😖)外(🕕)(wài )爱上了别的(😈)(de )女(nǚ )人而死的念(niàn )头(🕙)从(📅)陶丹枫(fēng )心头(🎷)冒出，她(tā )立誓查出(🧢)姐(🎬)(jiě )姐死亡的真(🦊)(zhēn )相，并决定报(bào )复(⚾)江(🚙)淮。
過(guò )去のあ(📶)る(💄)ダラシのない女(nǚ(⚽) )と(🤪)結婚した男が(🌹)、若い家出娘と出(🎳)会(📣)(huì )う。男は娘の(🕍)ためにアパートを借(🐮)り、二重生活(🆑)を(🚐)始める。妻(qī )と別れ(🍑)て(🕑)娘(niáng )と結婚す(🍯)るため、男は誘(yò(🌯)u )拐(🕘)を装って娘の(📆)実家の旅館に身代(dà(🚧)i )金(🛺)(jīn )を要求する(🎐)。事はすべてうまく(🍠)運(🔇)んだが、意外(🐎)(wài )な結末が…。
For some strange reason I have now sat through practically all of these 70's cheerleader movies. Only The Swinging Cheerleaders (directed by Jack Hill) is a drive-in classic, but Satan's Cheerleaders comes close. The Cheerleaders (1972)is truly awful but it does deliver on the softcore sleaze. The Revenge of the Cheerleaders features the disturbing images of a very pregnant Rainbeaux Smith and a not-so-pregnant David Hasselhoff cavorting around in the nude. The Pom-Pom Girls is surprisingly innocent and realistic and might have appealed more to actual 70's teenagers than horny middle-aged men. The Cheerleader's Wild Weekend is forgettable (at least, I've forgotten it). Then there's this movie, which is probably the most obscure of the cycle. The plot resembles that of the original The Cheerleaders where our nubile heroines attempt to "wear out" the opposing team before the big game, except that it's set on the beach (where's Jaws when you need him?) It might be the worst of 70's cheerleader exploitation flicks, but at least it's better than Bring It On.