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Harold is a tour bus driver. While visiting a good friend in a trendy Hollywood cafe, Harold spots his favorite actress, Amanda Clark. She is with her agent Sidney Stone who is repeatedly getting up to make phone calls. When Harold sees Amanda sitting alone, he decides to introduce himself. Instructed not to mention his profession to her, Harold doesn't correct Amanda when she mistakingly assumes he is a writer. When she asks who his agent is, Harold innocently throws out the name of super-agent Arthur Blake. Amanda is impressed and charmed, and to Harold's amazement she proposes a date to discuss her next movie with him. As their relationship grows, so must Harold's charade to keep Amanda from discovering he is a Beverly Hills tour guide and not a hot-shot writer. He promises Amanda a script rewrite and convinces Arthur Blake to represent him. Harold's father is not so easily swayed, and tells Harold to snap out of it, "We show people movie star's homes, we do not date them!" With a rewrite deadline looming, an actress swooning, and his whole world rocking, Harold must choose what to write as well as do what is right. ~Written by Corey Nook {queen@iastate.edu} 德国(guó(🛷) )血(xuè(👂) )浆导演Olaf Ittenbach第三部作品，身兼(jiā(🚤)n )编(biā(🛀)n )剧、导演、演(🏑)出及特殊效果(♒)(guǒ )制作。 Raja is a minor league crook who sells railway tickets on the black market at Amirpur Station. Tired of his job he looks for new ways to make a quick buck. One day, along with his friend Ghafoor (Johny Lever) and a police inspector (Avtar Gill), he robs Rs 2.5 million from the railway treasury. Later, Raja and Ghafoor bump off the inspector and run away with the loot to Bombay. 女子キ(🦃)ック(🌰)ボクシン(🥑)グを(🚢)題材としたスポ根アニメ(📵)。プロ(✳)レスラーを志(🍰)望していた三(💷)井綾音がキッ(🐭)クボ(👔)クシング(🎂)で活(🦗)躍していく姿(🆘)を描(miáo )く。女(🦆)子プロレスラーの(🤔)豊(fēng )田真奈美(🌯)や前川久美子(📟)など(🐴)も実名で(🚞)登場(👹)している(🕋)。 故(gù(🌂) )事(shì )梗概： Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea of a computer language and proponent of the possibilities of the "difference engine." Ada's ideas were stifled and unfulfilled because of the reality of life as a woman in the nineteenth century. Emmy has a plan to defeat death and the past using her own DNA as a communicative agent to the past, bringing Ada to the present. But what are the possible ramifications? 四名富家子为(💝)了营(🎋)(yíng )救(jiù )其中一(☕)人被绑架勒索(🐍)的妹妹(mèi )，竟然(🚕)合谋(🌩)绑架了当(🏻)地的(🤳)黑(hēi )道老大，将他放置在另(💓)一不(😝)(bú )知(zhī )情好友(🔦)父亲的渡假别(👁)墅中(zhōng )，然后肋(🍩)迫他(🙋)运用黑道(🛠)力量(🏦)打(dǎ )听到绑架(🎗)的歹徒，并付出二(èr )百(bǎi )万美元(🙃)赎金。不料整个(👉)绑(bǎng )架(jià )事件(😮)竟是(♋)一个精心(🤴)圈套(👅)，真(zhēn )相在(🥦)最后(🧡)才揭穿。类似本片(piàn )的(de )剧情(🔮)架构(📱)在美国的独立(🛵)制(zhì )片(piàn )中常(📿)被采用，但本片(😬)编导(💑)仍(réng )成功(😴)地掌(⛲)控了老大与富家子(zǐ )之间(👶)的心理角力游戏，利(🕗)用(yòng )“绑架案有(🌎)内奸”的秘密信(🎧)息(xī(📨) )引起几个(🌑)好友(🌌)之间的互相猜(💊)(cāi )疑，从而使后半段的发展显(xiǎ(⭐)n )得(dé )峰迥回路(🍏)转。而老大的手(🚡)(shǒu )下(🙄)(xià )和绑匪(❔)这两(🔶)组黑道搭(🖼)档则(😶)明(míng )显有昆汀泰伦提诺式(🎑)的饶(🐧)舌(shé )和(hé )搞笑(🍆)作风。克里斯多(🐣)夫毕(bì )肯(kěn )演(🔍)出处(🤪)变不惊的(🛐)老大(🧡)游刃有(yǒu )余，几名富家子则(🗓)由亨利汤(tāng )玛斯领(🥈)军。 故事发生在(📍)高科(kē )技(jì )文(👆)明的(🌰)未来(P.S:其实(🌘)就是(🏔)2008年...本片(piàn )为1997年(🍧)的电影),托比来自香港,他(tā(🍳) )被植(🌀)入能够强化身(👓)体技能高(gāo )科(😥)(kē )技芯片,现在(📮)他为(🏚)躲避梁氏(🛐)(shì )企(🛣)(qǐ )业的追捕而逃到美国旧(🏖)金山(🕠)(shān ),梁氏企业派(💮)出麦德森率领(➡)的(de )人(rén )马追赶(🍾)在后(😨),在一次正(❕)面衝(🔁)(chōng )突(tū )时警察赶到,歹徒设(🛸)下陷阱,托(tuō )比无可(🚗)奈何下只好抓(📂)了身边(biān )的陌(📸)生人(🏥)马利克充(🏓)当人(🤹)质,托(tuō )比(bǐ )要(💣)求马利克开车载他前往洛(💇)(luò )杉(🕝)磯,马利克无端(👔)被捲入纷争(zhē(👛)ng )直呼倒楣,托比(🔁)告诉(🌊)失业的马(🍕)(mǎ )利(🤙)(lì )克将付他一笔为数不小(🍩)的(de )酬(🏜)(chóu )金,马利克於(🅿)是跟著托比逃(🕳)亡(wáng )并结为至(😨)交,他(😥)们经历各(🖤)种惊(🔈)(jīng )险(xiǎn )追杀与阻挠,然马利(😖)克百思(sī )不(bú )解,何(🥊)以那帮歹徒看(🗺)了他就杀(shā ),看(✂)到托(📣)比却只是(❌)要抓(📰)他?