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影(yǐng )片以(🚝)睡梦的方(fāng )式展(🗜)开故(😏)(gù )事情(qíng )节(💓)。伊丽(🌊)莎白守候在(🎒)(zài )即(🥂)将咽气(🚀)的丈(🔒)(zhàng )夫(🥩)身边，在(😣)疲(pí(🚒) )倦中(🧑)的梦回(💠)到了(😂)过去(👔)(qù )：在(🛀)母亲(🔄)的做(zuò )主下(xià )，年(🏕)轻美(měi )丽的伊丽(🚚)(lì )莎白(bái )嫁给了(😃)卡穆拉斯卡的(de )庄(📘)园主、花花(huā )公(😆)子安托(tuō )万·塔西。新(xīn )鲜劲(jìn )过去后，安托(💆)万很快(kuài )就对(duì(💴) )伊丽莎白(bái )产生(🚻)了厌(yàn )倦，自己去(😘)花天酒地。痛(tòng )苦(🌫)的伊丽莎白(bái )生(🕌)下了(🐂)第一个(gè )孩(🦉)子，回(🍋)(huí )到母(♈)(mǔ )亲(🚴)家，但(✈)安托万(💌)常上(🌛)(shàng )门(🎫)纠缠。为(💨)伊(yī(Ⓜ) )丽莎(✡)白看(kà(🏃)n )病的(🔔)(de )大夫纳尔逊是个(🐦)美国(guó )人，他们相(🧢)爱(ài )了，之后，伊(yī(👂) )丽莎白怀(huái )上了(🚼)(le )纳尔逊的孩子。安(🐱)托(tuō )万听说后怀恨(hèn )在心，扬(yáng )言说(shuō )要将(✋)儿子(zǐ )从伊(yī )丽(🐎)莎白身边夺走，还(🎖)(hái )要告(gào )伊丽莎(🤼)白(bái )犯有通奸(jiā(🕒)n )罪。伊丽莎白的女(🛺)仆试(🧟)图(tú )将安托(🛺)万毒(💛)死(sǐ )，但(👝)没有(🤣)成功(🐵)(gōng )，于是(💇)对(duì(👩) )安托(🕝)(tuō )万怀(🌿)着刻(🔅)骨仇(🏐)恨的纳(🍣)(nà )尔(😆)逊亲自杀了(le )这个(🏳)禽兽(shòu )，而(ér )后逃(🤣)到美国，伊丽莎(shā(🥣) )白却因蓄谋杀(shā(⛽) )人罪(zuì )进了监狱(🥤)(yù )，身败名(míng )裂。出狱后，在得不到纳(nà )尔逊消(💰)息的情(qíng )况下，她(👝)(tā )同现(xiàn )在的丈(📅)夫(fū )热罗(luó )姆结(👙)了婚……伊丽莎(🎧)(shā )白从梦中醒来(🌯)(lái )，现(🚜)在，热罗(luó )姆(📵)也即(🤷)将死去，她将(🍞)(jiāng )只(🛥)身一人(🛐)。想(xiǎ(🚅)ng )起渺(😗)茫的前(🐾)途(tú(📧) )，她辛(👛)酸(suān )无(📟)比(bǐ(😘) )。 After her young son accidentally drowns, a woman has a breakdown and is finally placed in a mental hospital. After her release, her husband takes her for a weekend at a secluded country mansion, hoping to help her recover. However, things at the mansion aren't quite what they seem to be, the couple begin to feel an uneasy and oppressive presence, and the mother starts to see things that may, or may not, be hallucinations. 資深大導演岳楓(🗝)退(tuì )休前最後一(🐡)部(bù )電影。九(jiǔ )姑(📎)娘(niáng )(舒佩佩 飾)之(🥟)兄巴杰(康華 飾)勾(👵)結惡虎(hǔ )村惡(è )霸胡蛟(王(wáng )俠 飾)，圖(tú )劫鏢(🤮)(biāo )銀，被「鐵沙掌(📂)」駱(luò )宏勛(岳華(😍) 飾)打(dǎ )傷。胡蛟恐(🏁)事(shì )發後被巴(bā(📂) )家追(zhuī )究，下毒將(🚖)巴杰(🚾)毒斃(bì )，嫁禍(🌖)駱宏(💢)勛(xūn )，巴家上(🧥)(shàng )下(🤗)誓(shì )欲(🕳)殺死(😲)駱報(🙇)仇……(🍛) Various stories intertwine within the walls of a popular Parisian brothel on the eve of the First World War. A young model and her petty thief boyfriend find their way through the English fog to a backwoods manor in hopes of looting it. What they find instead is murder, and when the model attempts to find the house again, her efforts come to naught. ...I'll take this almost intolerably nasty 1972 Italian drive-in movie, which features Mark Lester (of OLIVER! fame) as a kidnap victim who gets into scrapes that, in their uncut version, would probably get this movie in Federal chickenhawk-busting trouble today. Franco Nero and Telly Savalas are the two conscienceless galoots who are the movie's anti-heroes; Savalas re-ups his giggling hillbilly cretin from THE DIRTY DOZEN, here caricatured to beyond a fare-thee-well. Savalas is the cherry on the cake of what may be the most remarkable set piece in all seventies Italian exploitation: calming a tourist family, packing them in their mobile home, then untethering the trailer and singing a gospel hymn as the terrified Germans plunge into the drink. If I'm not misremembering, there may be a little jig involved here as well. 《决战(🕙)猩球(🗽)》（Battle for the Planet of the Apes） 1973年(👠) 2678年，猿(😓)族(zú )教授在讲(jiǎ(🐕)ng )述凯(kǎi )撒当年的(🍡)故事，那是(shì )在2015年(😣)，猿族中(zhōng )发生叛(🎤)乱(luàn )，大(dà )猩猩们(🤒)在将军艾多（General Aldo）的带领下和(hé )一群(qún )发生(🕟)变异(yì )的人类一(📀)(yī )同意(yì )图推翻(🦍)凯撒的领导，决战(🆙)开始了...