别叫我兄弟

丹羽文雄の原作を「特ダネ三十時間　白昼の(🌘)脅(xié )迫(🏩)　女(🚹)(nǚ )の(📐)牙(🕤)」の(🚾)舟橋(🐜)(qiáo )和郎(🔤)が脚色、「旅情」の田中重雄が監督したメロドラマ。「セ(⛴)クシ(🤽)ー・(🃏)サ(🔉)イン(📜)　好(🐩)(hǎo )き好(🍇)き好(🕷)き」の小原(yuán )譲治が撮影した。 The film shows how Italy's historic national hero Giuseppe Garibaldi (embodied by Renzo Ricci) leads a military campaign known as Expedition of the Thousand in 1860 and conquers Sicily and Naples. When the Bourbon monarchy has left Southern Italy, he supports Victor Emmanuel II of Italy who achieves a lasting unification under the aegis the House of Savoy. Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later. 在影片里杰克·霍肯斯演绎了一(🚞)个(🐕)被迫(📨)(pò )退(👛)休的(de )上(🐫)校，请(🌤)一个(🈵)(gè(😱) )腐败(🚶)的(de )前英国(guó )陆军骨干来帮他抢劫一百万英镑——这个冒险复杂(🚔)的计划(🤘)同时(📃)还(há(🔝)i )牵(🏚)扯进(⛩)(jìn )了(🤖)军队(duì(💏) )。强大(dà )的演员(yuán )阵容包括了英国最著名的演员们：理查德(🥌)·阿(🍀)顿布(🔠)罗(🎭)夫, 布(🙅)莱恩(🍽)·福比(🎅)斯(sī(🛀) )和罗杰(jié )·里弗(fú )斯。让(ràng )这部里程碑式的电影迅速蹿红并影响(🥇)了(😾)以后(🌕)好莱(🌥)坞无数(⛑)的同(🔝)类型(🛶)(xí(🛣)ng )影片(🌹)。 千年修(xiū )炼得道(dào )的白蛇(shé )接受魔(mó )王指令，化身美女去诱惑佛(🏨)寺圣徒(🔈)。圣徒(➖)因此(🗜)破(🚓)戒，并(📀)影响(🏞)了造(zà(🎥)o )佛像的(de )进程。白蛇最(zuì )终和圣(shèng )徒生活在一起，并生了儿子。白(⚓)蛇还(🔀)消灭(🍿)了(🕺)一群(😸)企图(🗼)谋害圣(😢)徒的(🆖)(de )家伙。尽管，夫妻生(shēng )活幸福(fú )，还完成了佛像，白蛇却不得不执行魔(🤽)王(🌜)的任(🔀)务，显(🗨)出原形(🥤)，杀(shā(🍊) )害圣(⭕)徒(😨)(tú )。但(🧥)此(cǐ )时，白(bái )蛇已经(jīng )情根深(shēn )种，舍不得杀害丈夫。魔王一气之下(🌀)，将白蛇(⛽)变成(🏁)了石(😫)头(🎷)。后来(🛺)(lái )，白(🦒)蛇(shé )的(💝)深情(qíng )感动了(le )观音菩(pú )萨。菩萨施法将白蛇变回人形，和圣徒(🏖)父子(🗒)继续(🛄)幸(🚟)福地(🎉)生活(🙉) 刑務(wù(🍽) )所帰(🚌)りの衣川(chuān )恭介を、自家(jiā )用車で兄耕三が迎えた。その夜、田(👗)辺(💁)とい(🍭)う男(🐁)に呼び(🖋)出さ(🙎)れた(📄)耕(🎂)三は(🛹)、何者(zhě )かに轢(lì )き殺された。兄嫁の真美子の誘惑を恭介は拒(🎌)んだ。恋(🌞)人の(👈)スト(👱)リ(➿)ッパ(🧒)ー由(💵)利(lì )子(🔞)を訪(fǎng )ねた恭(gōng )介は、彼女のヒモのチンピラ波岡に叩き(😞)のめ(🏙)され(☔)た(🏅)。恭介(🚥)は兄(📸)の親友(🆗)坪田(🎛)に、兄や田辺のことを聞いたが何もいわない。兄の残した財布(🎣)の(🎟)鍵で(🏧)ロッ(👱)カーを(🛥)あけ(🔛)た。そ(🈺)こ(📘)には(🈴)ドイツ製の拳(quán )銃ワルサーＰ38があった。坪田は一人の男と口論(🎱)してい(🚩)た。田(👀)辺だ(🏅)！坪(🔢)田は(🌕)遂(suí(📹) )に真相(🤯)(xiàng )を語った。耕(gēng )三、坪(píng )田、田辺ら七人は一年師銀行を(🏑)襲い(💼)千五(🌴)百(🍤)万円(🏚)を強(💨)奪した(🍃)。その(⚫)時使(shǐ )用したワルサーと金(jīn )を田辺家の墓に隠した。そして恭(🍏)介(😖)の出(😂)所の(🛍)日、田(✖)辺は(🌴)仲間(🎒)の(🍗)反対(⏪)をふっきって墓(mù )をあけた。金(jīn )もワルサーもなかった。田辺は(🎲)耕三を(🌜)疑っ(🦉)た。坪(🔛)田(🏽)はワ(🥋)ルサ(🤘)ーにつ(👹)いては語(yǔ )らない。恭介(jiè )は兄の仇をワルサーでとろと誓(🚛)った(🙅)。田辺(🎅)が(🦅)死ん(🏈)だ。彼(🕉)にはア(🐌)リバ(📊)イがあった。残(cán )った男(nán )－－外車セールスマン大村、ナイト(🌵)ク(🌖)ラブ(🚴)支配(👦)人舟橋(😮)、落(🏨)ちぶ(👍)れ(🏂)た流(🙍)(liú )行歌手(shǒu )小田、時計商(shāng )高橋。大村は羽田空港で死んだ。警察(🚳)も同一(♊)のワ(🤞)ルサ(😆)ー(🚭)が臭(♎)いと(🏇)捜査(chá(🧡) )に乗りだした。坪田(tián )は舟橋(qiáo )に耕三には恭介という弟が(🆓)いる(🍀)こと(🛌)を(😸)話し(♍)た。舟(🌚)橋は真(🚆)美子(⏩)と共謀して恭介(jiè )を狙った。が、二人は逆に殺られた。連続殺人(🐎)を(🍙)小田(😤)の仕(🤧)業と思(🖕)った(🎌)高橋(🌧)は(🔃)、公(🖋)園(yuán )に彼を呼び出(chū )した。対決する二人のうしろにもう一人の(🥨)男が忍(🔌)びよ(🦇)った(👃)。小(✔)田も(😝)高橋(👵)も死(sǐ )んだ。目的をはたして恭介(jiè )は坪田のところに戻った。坪田(🅾)はサ(😟)ンド(🍆)バ(☝)ッグ(🐸)を切(🔬)り開い(🏦)た。耕(📠)三が隠した千五百(bǎi )万円が入っていた。ワルサーをはさんで二(🕧)人(🛶)はに(🌥)らみ(🏽)あった(🔺)。血を(🐒)呼(hū(🔧) )び(⏯)死を(😅)誘う兇(xiōng )銃ワルサーは、残った二人をも倒した。 A stripper is horribly disfigured in a car accident. A brilliant scientist develops a treatment that restores her beauty and falls in love with her. To preserve her appearance the doctor must give her additional treatments using glands taken from murdered women. His unexplained ability to turn into a hideous monster helps with this problem but does nothing to win her love. The doctor's woes multiply as the police and the girl's boyfriend begin to close in on him. Written by D.A. Kellough 朝廷派遣淩青(🔛)雲作先(🐈)鋒, 出(🥘)征邊(👜)關(👳), 妻王(🔑)寶珊(🦇)只(zhī )有獨守(shǒu )空房, 幸(xìng )得鄰人(rén )朱尤高(gāo )時加照料. 時值宮幃巨變(🐮), 西妃(🧠)害死(👱)東(🙋)宮, 初(🍜)生太(⚫)子幸得(🏮)脫險(🕍)出宮, 寶珊(shān )見情勢(shì )危急, 收(shōu )養了他(tā ), 改名淩(líng )泰隆. 可是當地(🙂)遇(⬛)上乾(🥓)旱, 饑(🕗)荒連年(♒), 寶珊(👾)眼見(🈂)泰(👠)隆快(📂)將餓死, 唯有割下(xià )手臂肉(ròu )以養活(huó )金龍. 此(cǐ )事上感(gǎn )天庭, 神(➗)(shén )仙賜(🧓)她仙(🥩)丹, 以(🍼)複(♍)元所(⏯)割傷(♐)口, 十年以來, 寶珊每天割肉, 泰隆得以壯健(jiàn )長成. 青(qīng )雲凱旋(xuán )歸來(🍱), 誤(wù(🍈) )會妻(🕰)子(🎟)(zǐ )不(🐌)忠, 寶(🚚)珊苦於(🚏)有奸(🛸)臣在旁, 不敢表白。高偕珊往寻隆，说出真相。隆终得(dé )平西王(wáng )之助(🤖)，回(🌼)宫诛(🌱)(zhū )除(🐖)奸妃，救(🐕)回父(😙)皇，并(🌤)继(🕸)位为(⏹)帝。珊被册封为义国母，与云再续(xù )前缘。 易卜生(shēng )的《群(qún )鬼》，內(😌)容涉(👴)(shè )及亂(😄)倫(母(🕸)子、(💉)兄(😹)妹)、(🌦)性病(🏾) (梅毒) 和上流社會的偽善面貌，在1882年首演(yǎn )，震撼(hàn )當年整(zhěng )個歐洲(zhō(🚋)u )劇壇(🔑)。左几(🌤)的(🏺)改編(🃏)，除了(🏠)把牧師(👋)一角(🏏)改成是女主角的哥哥（相信是因為(wéi )不符中(zhōng )國社會(huì )的狀況(😦)(kuà(🚼)ng )）、(🆘)和(hé(🖐) )把開放(🔣)曖昧(🕢)的草(🍷)草(🔙)收場(🔟)改成雨過天青的完滿結局外（證明左几依(yī )然大膽(dǎn )有餘(❤)，勇氣(📄)不(bú )足(👹)），基(🎽)本上(🀄)(shà(💋)ng )保留(⛅)了原(🖊)著的精華。高潮揭露兒子（張瑛）發現一直活在(zài )父、母(mǔ )親（黃(🏉)(huáng )曼(🧟)梨）(🥤)給(👚)自己(✊)(jǐ )編(🚸)造的(de )謊(🖋)言世(🤰)界中、和無可救藥地愛上同父異母的妹妹，還有母親獲悉(xī )兒子(⛰)遺(🤾)(yí )傳(🛹)了她(💕)(tā )深痛(🍸)惡(è(🕖) )絕的(🐞)丈(🥊)(zhàng )夫(👖)的性病，劇力一瀉千里，其飽滿及奔放程度，直逼他的另一傑(jié(🌭) )作《魂(🚷)(hún )歸離(🐿)恨(hè(⛑)n )天》(1957)。影(🧦)片又(yò(🗳)u )再次(🌀)見(jiàn )證了左几的穩健運鏡與場面調度（開場介紹鍾家大宅的一(yī(🧠) )段蒙(🕐)太(tà(🚃)i )奇教人(🌙)(rén )想(🤤)起《大國(👆)民(mí(💄)n )》(1941)），看官不容錯過。