人影もまばらな別荘地の(🍙)スナッ(👛)クを(🥟)訪(🐮)れた(♈)数人の(🐟)男と女(🎪)(nǚ )が(🔎)巻き起こす、性と暴力の嵐を描く日活バイオレンス・ポル(🍻)ノ。R18+指(🎾)定(⌚)作品(🥏)。佐(🈺)治乾(🤐)と斎藤(🈶)(téng )信(📨)幸によ(🙈)る脚(jiǎo )本を、沢田幸(xìng )弘が監督した。夏も過ぎ、避暑客もほ(🥤)とん(🎁)ど(🍣)ひき(📶)あ(😽)げて(⚫)人影も(⤵)まば(🌐)らな別(🛤)荘(zhuāng )地のはずれに、別荘の管理事務所を兼ねている(🥫)一軒の(🤱)スナ(🗄)ッ(🐀)ク・(🥁)黒い湖(🌦)があっ(➕)た。そ(🍦)この主人・黒木は、3年前ここのバーテンだったが、妻の京(🙍)子に男(🆒)と逃(🕺)げ(😮)られ(⏪)、その(🔹)あと(🧑)自分で(🍲)この店(diàn )を買い取って、じっと京子の帰るのを待っていた(🏑)。激し(🐈)い(🛁)雨が(🏇)降(🤘)る日(🏝)だった(🍎)。黒木(⛓)(mù )は、(💒)客(kè )のいない店内(nèi )でタバコを喫いながら、思いに(🏖)沈んで(🐝)いた(🥀)。そ(👽)の時(♌)、一陣(🧑)の風が(🍝)店内(📀)(nèi )に舞い込んできたと思うと、ズブ濡れの女が入口に立っ(🌚)ていた(🍡)。黒木(🛷)は(😪)、一(👯)瞬凍り(🕒)つくような(♊)表(biǎo )情で唖(yā )然として女を見つめていた・・・。
在浩瀚的历(🧐)史中(👌)，国(💁)家为(🥗)了(🐽)自保(😔)而进行(🛂)的(de )政(🔨)治联(liá(🎨)n )姻屡见(jiàn )不鲜，爱德华(huá )王子（理查德·查伯兰 Richard Chamberlain 饰）所(👯)要面临(❄)的就(👎)是(🚁)这样(😇)的境况(⚡)，为了国(📵)家不(♋)受(shòu )别国侵(qīn )犯，他(tā )必须迎(yíng )娶自己根本就不爱的女人。可惜(😄)爱德华(🎨)王子(♿)是(🍎)个性(🔥)情中人(⛔)，无论如何不(🎰)(bú )肯就范(fàn )，无奈(nài )下，国(guó )王决定举行一场空前盛大的舞会，召(🍿)集全(🚴)国(👒)上下(🏒)的(⚾)各路(🏚)名媛齐(⭕)聚一(😒)堂，希望(🍸)在(zài )其中能(néng )有王子(zǐ )的心上(shàng )人。
本片的剧情以《假面(🍆)骑士X》电(🔗)视版(✍)初(😝)期集(🏦)数，与日(🚊)本于1974年(🛁)7月25日(💠)上映(yìng )的电影(yǐng )版“五(wǔ )人ライダー対キング・ダーク”为蓝本(✈)修改，叙(🎬)述X骑(➖)士(🐒)的诞(🏅)生，到五(🍛)骑士与“黑影(🗓)魔(mó )王”（日版的(de )“キングダーク”）的决战。片中黑影魔王最后并(🐧)以近(♉)似(🚰)永井(🗜)豪(👼)漫画(🎳)《大魔神(🚉)(shén )》中(🉑)“黑暗大(🀄)(dà )将军”的造型，变身为原创巨大魔神“齐武帝王”登场。片中(📟)演员除(🧚)了替(✌)换(🏴)为(wé(⤴)i )台湾演(🦐)(yǎn )员演(👨)出(chū(🐦) )之外，部分打斗场景并以日本版的画面流用。
在浩瀚的历史中，国(📦)家为了(🔪)自保(🐰)(bǎ(💨)o )而进(🕗)行(háng )的(🌐)政治(zhì )联姻(🍭)屡(lǚ )见不鲜，爱德华王子（理查德·查伯兰 Richard Chamberlain 饰）所要面临的就(🍈)是这(🛁)样(🏽)的境(🚻)况(😡)(kuàng )，为(🥚)了(le )国家(😎)不(bú(🛅) )受别国(🕢)(guó )侵犯，他必须迎娶自己根本就不爱的女人。可惜爱德华(🏷)王子是(🚯)个性(🆎)情(🔒)中(zhō(🛫)ng )人(🔏)，无(wú(🎦) )论如何(🍛)(hé )不(🚠)肯就(jiù )范，无(wú )奈下，国王决定举行一场空前盛大的舞会，召集全(🌊)国上下(🤠)的各(♋)路(📁)名媛(🏔)齐(qí )聚(🧑)一堂(táng )，希望(🕦)(wàng )在其中(zhōng )能有王子的心上人。
Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle – some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society.
Hannelore Reitzler elopes with her boyfriend to the Hotel Liebesnest but he leaves her during the night after failing to take her virginity. Not wanting to return home, Hannelore takes a job as a chambermaid at the hotel, which involves giving sexual favors to the guests at an extra charge. Meanwhile, a female cat burglar sneaks into Liebesnest every night and whenever she gets caught, she offers her body to her captors to keep them quiet.
在故事上，这只黑猩猩和原版(🖖)的如(🆒)出(😬)一辙(🥨)，只(🏊)是(shì(🏸) )他是个(🍎)(gè )彻(🆔)头彻(chè(🌊) )尾的坏(huài )家伙，在银幕上的破坏力实在让人无法消受。
Bugsy Malone希(🦍)望一举(🅰)击垮(😣)纽(🚓)约的(🛩)黑(🐨)帮(bā(🦌)ng )，自己(jǐ(🥢) )号令(🍼)全(quán )城，与(yǔ )Fat Sam及Dandy Dan展开(kāi )一幕幕的枪战...
The restorer Stefano is hired by the Mayor Solmi of a small village nearby Ferrara to restore a painting of St. Sebastian, made by the mentally disturbed painter Buono Legnani in the local church. Stefano was recommended by his friend, Dr. Antonio Mazza, and he learns that Legnani was known as "The Painter of the Agony", since he used to paint near-death people. Further, he was presumed dead many years ago but his body has never been found. Stefano works in the church, where he meets the weirdo Lidio, and he has one night stand with the local nymphomaniac teacher that is leaving the village. Meanwhile Antonio investigates the life of Buono Legnani and tells Stefano that he had found a dark secret about the painter and the villagers. However, Antonio dies before meeting Stefano and the police conclude that he committed suicide. Stefano is intrigued by the mystery surrounds Legnani and decides to investigate more about the deranged painter. However, he in evicted of his hotel room and ...